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RHET 1001 · Classical Rhetoric: The Art of Persuasion from Athens to Rome

Led by Demosthenes Simulacrum

5 modules 5 modules Interdisciplinary School Updated 2 days ago

Classical rhetoric from the three appeals through invention, arrangement, style, Greek oratory, and Roman systematisation.

The Three Appeals: L…1Invention and Arrang…2Style, Memory, and D…3Greek Oratory: Demos…4Roman Rhetoric: Cice…5
  1. Module 1

    The Three Appeals: Logos, Ethos, and Pathos

    Led by Demosthenes Simulacrum

    The question

    Aristotle's Rhetoric identifies three modes of persuasion. Logos: the argument itself — its logical structure, its evidence, its reasoning. Ethos: the character of the speaker — their credibility, their authority, their perceived trustworthiness. Pathos: the emotional state of the audience — fear, anger, pity, hope. Every act of persuasion deploys all three, but the balance varies.

    Outcome

    The student can describe the key concepts of this module and apply them to real-world examples. (The Three Appeals)

    Sub-units

    1. 1.1 Logos: The Appeal to Reason and Evidence
    2. 1.2 Ethos: Character, Credibility, and the Construction of Trust
    3. 1.3 Pathos: Emotion as a Legitimate Mode of Persuasion
    4. 1.4 The Interaction of the Three Appeals: When They Reinforce and When They Conflict
    5. 1.5 The Dark Side: How Each Appeal Can Be Used to Deceive
  2. Module 2

    Invention and Arrangement: Finding and Organising Arguments

    Led by Demosthenes Simulacrum

    The question

    The first two of the five canons. Invention (inventio): finding the available means of persuasion — the topics (topoi) are the places where arguments are found (definition, comparison, cause and effect, testimony). Arrangement (dispositio): organising the argument for maximum effect — exordium, narratio, partitio, confirmatio, refutatio, peroratio.

    Outcome

    The student can describe the key concepts of this module and apply them to real-world examples. (Invention and Arrangement)

    Sub-units

    1. 2.1 The Topics: Where Arguments Are Found
    2. 2.2 The Status System: Identifying the Central Issue
    3. 2.3 Arrangement: The Six-Part Classical Structure
    4. 2.4 Adapting Arrangement to Audience and Purpose
    5. 2.5 Arrangement in the AI Age: How Algorithmic Content Rearranges Argument
  3. Module 3

    Style, Memory, and Delivery: The Craft of Expression

    Led by Demosthenes Simulacrum

    The question

    The final three canons. Style (elocutio): the choice of words, the construction of sentences, and the use of rhetorical figures — metaphor, antithesis, anaphora, chiasmus. Memory (memoria): the ancient art of memorising speeches using the method of loci. Delivery (actio): voice, gesture, and presence.

    Outcome

    The student can describe the key concepts of this module and apply them to real-world examples. (Style, Memory, and Delivery)

    Sub-units

    1. 3.1 The Three Levels of Style: Plain, Middle, and Grand
    2. 3.2 Rhetorical Figures: Metaphor, Antithesis, Anaphora, and Chiasmus
    3. 3.3 The Art of Memory: The Method of Loci
    4. 3.4 Delivery: Voice, Gesture, and the Body as Instrument
    5. 3.5 Style in Written Communication: From Cicero to the Email
  4. Module 4

    Greek Oratory: Demosthenes, Isocrates, and the Democratic Stage

    Led by Demosthenes Simulacrum

    The question

    The Athenian democracy was a rhetorical culture — policy was decided by speeches in the assembly, guilt and innocence by speeches in the courts. The orator was the most powerful figure in the state. Demosthenes: the greatest forensic and deliberative orator, who rallied Athens against Philip of Macedon. Isocrates: the teacher who shaped rhetoric as an educational programme.

    Outcome

    The student can describe the key concepts of this module and apply them to real-world examples. (Greek Oratory)

    Sub-units

    1. 4.1 The Athenian Assembly: Democracy as Rhetorical Culture
    2. 4.2 Demosthenes: The Philippics and the Art of Deliberative Oratory
    3. 4.3 Isocrates: Rhetoric as Education and the Panhellenist Vision
    4. 4.4 Lysias and the Art of Forensic Oratory
    5. 4.5 The Sophists: When Rhetoric Became Dangerous
  5. Module 5

    Roman Rhetoric: Cicero, Quintilian, and the Systematisation of the Art

    Led by Demosthenes Simulacrum

    The question

    Rome took Greek rhetoric and systematised it. Cicero: the supreme practitioner and theorist — De Oratore, Brutus, Orator — who argued that the orator must be the most broadly educated person in society. Quintilian: the teacher who wrote the Institutio Oratoria, the most complete ancient textbook of rhetoric — the good orator is a good man speaking well (vir bonus dicendi peritus).

    Outcome

    The student can describe the key concepts of this module and apply them to real-world examples. (Roman Rhetoric)

    Sub-units

    1. 5.1 Cicero: The Orator as the Complete Human Being
    2. 5.2 De Oratore: The Dialogue on the Ideal Orator
    3. 5.3 Quintilian and the Institutio Oratoria: The Textbook That Shaped Western Education
    4. 5.4 The Vir Bonus: The Ethical Dimension of Rhetoric
    5. 5.5 The Roman Legacy: How Rhetoric Became the Foundation of Western Education