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LA 1100 · Trivium: The School of Grammar — Module 3: Fault and Figure

Led by Aelius Donatus Simulacrum

LA 1100 · Trivium: The School of Grammar — Module 3: Fault and Figure: course card
8 tutorials · ~10 hours Linguistics Updated August 2026

About this course

Donatus returns, and in a different book. Module 1 was the Ars minor — the catechism, the eight parts of speech, nothing else, because that is all a beginner can hold. This is the third book of the Ars maior, written for a reader who has finished the minor and can now be told the difficult things.

The subject is deviation from the rule, and the module rests on one observation: the same departure is a fault in a schoolboy and a figure in Virgil. Not a similar departure — the identical one. A syllable added where none belongs is a barbarism in an exercise and a metaplasm in a hexameter. What separates them is not the form but the agent, and whether the deviation was made knowingly and for a purpose.

Two consequences follow, and the module exists to install both. Name the deviation before you judge it — locate it, classify it, and only then ask whose it is. And neither direction of excuse is permitted: an author's authority makes a form a figure rather than correct, and a pupil may not cite an author to excuse an error he did not make on purpose.

Everything in the taxonomy is generated by a small grid — two levels (inside a word, or between words) and four operations (addition, subtraction, transposition, substitution). Build the grid and most of the names can be derived rather than memorised, including the twelve metaplasms, which are simply the addition and subtraction rows crossed with beginning, middle and end.

Why so many names? The same reason a physician names a disease: a fault you cannot name is a fault you cannot cure. "He got it wrong" tells a teacher nothing about what to drill next. And the same granularity, turned on a poet, is what separates criticism from admiration.

Fault and Figure3
  1. Module 3

    Fault and Figure

    Led by Aelius Donatus Simulacrum

    The question

    Eight sittings on the *Ars maior*, Book III. You begin with the

    Outcome

    The student can locate any deviation from grammatical rule, classify

    Sub-units

    1. ○ 3.1 The Hinge: Same Form, Different Verdict
    2. ○ 3.2 The Grid: Two Levels, Four Operations
    3. ○ 3.3 Barbarismus
    4. ○ 3.4 Soloecismus
    5. ○ 3.5 The Metaplasms: Licensed Barbarism
    6. ○ 3.6 The Schemata: Licensed Solecism
    7. ○ 3.7 The Tropes
    8. ○ 3.8 The Discipline of Reading

    Practice scenarios

    The Corrected Poet

    A junior master has marked a pupil's exercise. He has also, in the margin of the same page, corrected two lines of Virgil the pupil had copied as a model — a syncopated verb form and a construction that fails to agree. His corrections are accurate as grammar. He is proud of them and has shown the class that even the greatest poet may nod.

    Your goals

    • Establish what the two deviations are, by level and by species
    • Determine, for each, what it secures in the line
    • Explain why his corrections, though grammatically accurate, are a category error
    • Say what he should have written in the margin instead
    • Decide whether the pupil's own errors are excused by proximity to the poet's