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Welcome to Lesson 192 of the Latinum Institute Classical Latin Course. This lesson focuses on moveō, one of the most versatile and important verbs in the Latin language. Ranked 192nd in the Dickinson Core Vocabulary, moveō belongs to the second conjugation and carries a remarkably wide semantic range — from the physical movement of objects and armies to the stirring of emotions and the upheaval of political orders.
For English speakers, the connection is immediately apparent: our words move, motion, emotion, motor, moment, promote, remote, and commotion all descend from this single Latin root. Yet the Classical Latin verb operates across dimensions that no single English word can capture. A Roman general moves his camp (castra movet); a Ciceronian orator moves his audience (animōs movet); a censor moves a senator from the rolls (senātū movet); and Juno herself threatens to move the Underworld (Acheronta movēbō).
In this lesson you will encounter moveō in all its principal dimensions: physical motion, military operations, emotional effect, political action, and cosmic force.
For the complete course index, visit: https://latinum.substack.com/p/index
Frequently Asked Questions
What does moveō mean in Classical Latin? The verb moveō, movēre, mōvī, mōtum is a second-conjugation verb meaning “to move, stir, set in motion.” Its semantic range extends far beyond physical movement to encompass emotional arousal, military action, political removal, and rhetorical persuasion.
How is moveō conjugated? As a regular second-conjugation verb, moveō follows the -ēre pattern: present stem mov-, perfect stem mōv- (with lengthened root vowel), and supine stem mōt-. It is fully transitive and has a complete passive system (moveor, movēris, movētur...).
Key Takeaways -
moveō is a 2nd conjugation verb with principal parts moveō, movēre, mōvī, mōtum -
The verb covers physical motion, emotional effect, military operations, and political action -
Key idioms include castra movēre (break camp), bellum movēre (start a war), animōs movēre (stir emotions), and senātū movēre (remove from the senate) -
The passive moveor means “to be moved/affected” and is extremely common -
Vergil’s most famous use appears in Aeneid 7.312: Acheronta movēbō (”I will stir up the Underworld”) -
The present participle movēns and perfect participle mōtus are both frequently encountered
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moveō [ˈmo.we.oː] — Note that Classical Latin ‘v’ is pronounced as [w], not as modern English [v]. The stress falls on the first syllable.
movēre [moˈweː.re] — The infinitive, with stress on the long penult -ēre. Do not confuse with mōvēre [ˈmoː.weː.re], the third-person plural perfect active indicative (”they moved”).
mōvī [ˈmoː.wiː] — The perfect first-person singular. Note the long ō in the perfect stem, distinguishing it from the short o of the present stem.
mōtum [ˈmoː.tum] — The supine and basis of the perfect passive participle mōtus -a -um. The long ō is maintained.
movēns [ˈmo.weːns] — The present active participle, “moving.”
mōtus [ˈmoː.tus] — The perfect passive participle, “having been moved,” or as a noun, “motion, movement, uprising.”
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192.1 Rex the king saxa stones magna great movet moves.
192.2 Nēmō no one sē himself movet moves.
192.3 Ventus the wind aquam the water movet moves.
192.4 Movē move tē yourself!
192.5 Mīlitēs the soldiers castra the camp movent move.
192.6 Ōrātor the orator animōs the minds audientium of the listeners movet moves.
192.7 Lacrimīs by tears nostrīs our mōtus moved est he was.
192.8 Cēnsōrēs the censors trēs three senātōrēs senators senātū from the senate mōvērunt removed.
192.9 Nōlī do not mē me dē from sententiā my opinion movēre move.
192.10 Imperātor the commander bellum war contrā against Gallōs the Gauls movit waged.
192.11 Misericordiam the mercy iūdicum of the judges ōrātiōne by his speech suā his mōvit he moved.
192.12 Lūcrētius Lucretius docet teaches atomōs atoms per through ināne the void movērī to be moved.
192.13 Flectere to bend sī if nequeō I am unable superōs the gods above Acheronta Acheron movēbō I will move.
192.14 Haec this rēs matter tōtam the whole cīvitātem state commōvit stirred up.
192.15 Ōrātōrēs the orators Rōmānī Roman docēre to teach dēlectāre to delight movēre to move studēbant strove.
- Cēnsōrēs trēs: nominative plural (subject) - "three censors" - senātōrēs: accusative plural (direct object) - "senators" - senātū: ablative of separation - "from the senate" - mōvērunt: perfect tense, 3rd person plural - "they removed/struck"
In this context, movēre means to remove or strike someone from office, particularly used of the censors' power to remove senators from the senate.
This excellent collection demonstrates the semantic range of the Latin verb movēre (to move). Here's a summary of the primary meanings shown:
1. Physical Movement (literal "to move") - 192.12: atoms moving through the void - 192.14: disturbing/shaking the state
2. Political/Administrative Action (to remove, to displace) - 192.8: censors removing senators from the senate - 192.10: a commander waging/starting war
3. Emotional Arousal (to stir, to move emotionally) - 192.11: arousing the pity of judges through speech - 192.15: moving/persuading as part of oratory's three goals
4. Persuasion/Influence (to persuade, to sway) - 192.9: "Don't move me from my opinion" (don't change my mind) - 192.13: "I will move Acheron" (i.e., influence/sway even the underworld) - 192.15: movēre as a key rhetorical objective
The progression from physical → political → emotional → rhetorical perfectly illustrates how Latin verbs develop metaphorical extensions. The emotional and persuasive senses (192.11, 192.15) are particularly important for understanding Roman rhetoric, where movēre (to move the emotions) was considered essential to effective oratory. ✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾
192.1 Rex saxa magna movet. → “The king moves the great stones.”
192.2 Nēmō sē movet. → “No one stirs.”
192.3 Ventus aquam movet. → “The wind stirs the water.”
192.4 Movē tē! → “Move yourself! Get going!”
192.5 Mīlitēs castra movent. → “The soldiers break camp.”
192.6 Ōrātor animōs audientium movet. → “The orator stirs the minds of his listeners.”
192.7 Lacrimīs nostrīs mōtus est. → “He was moved by our tears.”
192.8 Cēnsōrēs trēs senātōrēs senātū mōvērunt. → “The censors removed three senators from the senate.”
192.9 Nōlī mē dē sententiā movēre. → “Do not try to change my mind.”
192.10 Imperātor bellum contrā Gallōs movit. → “The commander waged war against the Gauls.”
192.11 Misericordiam iūdicum ōrātiōne suā mōvit. → “He aroused the pity of the judges with his speech.”
192.12 Lūcrētius docet atomōs per ināne movērī. → “Lucretius teaches that atoms are moved through the void.”
192.13 Flectere sī nequeō superōs, Acheronta movēbō. → “If I cannot bend the gods above, I will stir up the Underworld.”
192.14 Haec rēs tōtam cīvitātem commōvit. → “This affair shook the entire state.”
192.15 Ōrātōrēs Rōmānī docēre, dēlectāre, movēre studēbant. → “Roman orators strove to teach, to delight, and to move.”
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192.1 Rex saxa magna movet.
192.2 Nēmō sē movet.
192.3 Ventus aquam movet.
192.4 Movē tē!
192.5 Mīlitēs castra movent.
192.6 Ōrātor animōs audientium movet.
192.7 Lacrimīs nostrīs mōtus est.
192.8 Cēnsōrēs trēs senātōrēs senātū mōvērunt.
192.9 Nōlī mē dē sententiā movēre.
192.10 Imperātor bellum contrā Gallōs movit.
192.11 Misericordiam iūdicum ōrātiōne suā mōvit.
192.12 Lūcrētius docet atomōs per ināne movērī.
192.13 Flectere sī nequeō superōs, Acheronta movēbō.
192.14 Haec rēs tōtam cīvitātem commōvit.
192.15 Ōrātōrēs Rōmānī docēre, dēlectāre, movēre studēbant.
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These are the grammar rules for moveō in Classical Latin.
Principal Parts and Conjugation. The verb moveō belongs to the second conjugation, identified by its infinitive ending -ēre (with long ē). Its four principal parts are: moveō (I move), movēre (to move), mōvī (I moved), mōtum (supine / basis of the PPP). Note the vowel length alternation between the present stem (mov-, short o) and the perfect/supine stems (mōv-/mōt-, long ō). This pattern is shared by several other second-conjugation verbs such as foveō, fovēre, fōvī, fōtum and voveō, vovēre, vōvī, vōtum.
Present System Conjugation. In the present indicative active: moveō, movēs, movet, movēmus, movētis, movent. The characteristic vowel -ē- appears throughout except in the first-person singular (moveō, not movēō) and the third-person plural (movent, not movēnt). The imperfect adds -ba- to the present stem: movēbam, movēbās, movēbat... The future uses -bi-/-bu-: movēbō, movēbis, movēbit, movēbimus, movēbitis, movēbunt.
Perfect System. The perfect stem mōv- combines with standard perfect endings: mōvī, mōvistī, mōvit, mōvimus, mōvistis, mōvērunt (or mōvēre). The pluperfect: mōveram, mōverās, mōverat... The future perfect: mōverō, mōveris, mōverit...
Passive Voice. The present passive: moveor, movēris, movētur, movēmur, movēminī, moventur. The perfect passive uses the PPP mōtus -a -um with sum: mōtus est (”he was moved” / “he has been moved”). The passive is extremely common, especially in the emotional sense: hīs verbīs mōtus (”moved by these words”).
Key Syntactic Patterns. The basic transitive construction takes a direct accusative: saxa movet (”he moves stones”). The reflexive sē movēre means “to stir, bestir oneself.” Several important idioms use moveō with an ablative of separation: senātū movēre (”to remove from the senate”), tribū movēre (”to expel from a tribe”), locō movēre (”to dislodge from a position”), dē sententiā movēre (”to change someone’s opinion”). Military Latin uses moveō in fixed expressions: castra movēre (”to break camp”), bellum movēre (”to start/wage war”), sīgna movēre (”to advance,” literally “to move the standards”).
Compound Verbs. Latin forms numerous compounds with moveō: admoveō (move towards), amoveō (move away), commoveō (shake, disturb deeply), ēmoveō (move out), permoveō (move thoroughly, deeply affect), prōmoveō (advance, promote), removeō (move back, remove), submoveō (drive off, push back). These compounds follow the same conjugation pattern. Note that commoveō intensifies the emotional force: commōtus often means “deeply shaken, distressed.”
Participles. The present participle movēns, moventis (”moving”) is a third-declension adjective. The perfect passive participle mōtus -a -um (”having been moved”) functions both as a verbal adjective and as a first/second-declension adjective. The future active participle mōtūrus -a -um (”about to move”) appears in periphrastic constructions. The noun mōtus -ūs (m., 4th declension: “movement, motion; emotion; uprising”) is closely related and extremely common.
Common Mistakes. English speakers may confuse the infinitive movēre [moˈweː.re] with the third-person plural perfect mōvēre [ˈmoː.weː.re] — they differ in vowel length and stress. Students should also note that castra movēre does not mean “to move to a camp” but “to break/strike camp” (i.e., to depart). Finally, remember that Classical Latin v is [w]: moveō is [ˈmo.we.oː], not [moˈve.o].
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The verb moveō sits at the intersection of nearly every domain of Roman life. In military culture, the phrase castra movēre (”to break camp”) was one of the most routine yet consequential commands a general could give — it set legions of thousands into marching formation. The related expression sīgna movēre (”to move the standards”) signalled the beginning of an advance, and bellum movēre was the formal expression for commencing hostilities.
In Roman political life, moveō carried grave implications. The censors — magistrates responsible for the moral oversight of the citizen body — had the power to senātū movēre, to remove a senator from the rolls for unworthy conduct. Similarly, tribū movēre (”to remove from a tribe”) was a form of civic degradation. The dreaded phrase rēs novās movēre (”to stir up revolution”) was among the most serious accusations that could be levelled against a Roman politician.
In rhetoric, moveō occupied the highest position in the classical triad of persuasion. Cicero and the rhetorical tradition held that the perfect orator must docēre (teach/inform), dēlectāre (delight/entertain), and movēre (move/persuade). Of these three, movēre — the capacity to stir the emotions of one’s audience — was considered the most powerful and the most difficult to achieve. A skilled orator who could animōs iūdicum movēre (”move the minds of the judges”) held the outcome of trials in his hands.
In philosophy, Lucretius used moveō extensively in Dē Rērum Nātūrā to describe the motion of atoms through the void — the foundation of Epicurean physics. The concept of the causa movēns (”moving cause” / “efficient cause”) became central to later philosophical discourse. Vergil elevated the verb to cosmic dimensions when he placed Acheronta movēbō (”I will stir up Acheron”) in the mouth of Juno — a line so powerful that Sigmund Freud chose it as the epigraph for The Interpretation of Dreams.
The modern English vocabulary that descends from moveō testifies to its extraordinary range: move, motion, emotion, motor, mobile, moment, momentum, promote, remote, remove, and commotion all trace their origins to this single Latin verb.
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In this passage from the opening of the second half of the Aeneid, Juno speaks in furious soliloquy after witnessing the Trojans successfully land in Italy. Despite all her efforts to destroy Aeneas and his fleet, they have arrived. Her speech builds to one of the most famous lines in Latin literature — a line centered on movēbō.
Part F-A: Interlinear Construed Text
Ast ego, magna Iovis coniunx, nil linquere inausum quae potui infelix, quae mēmet in omnia vertī, vincor ab Aeneā.
Ast (ast) but ego (ˈe.ɡoː) I-NOM magna (ˈmaŋ.na) great-NOM Iovis (ˈjo.wis) of-Jupiter-GEN coniunx (ˈkon.juŋks) wife-NOM nīl (niːl) nothing-ACC linquere (ˈliŋ.kwe.re) to-leave-INF inausum (in.ˈau̯.sum) undared-ACC quae (kwae) who-NOM potuī (ˈpo.tu.iː) was-able īnfēlīx (iːnˈfeː.liːks) unhappy-NOM quae (kwae) who-NOM mēmet (ˈmeː.met) myself-ACC-emphatic in (in) into omnia (ˈom.ni.a) all-things-ACC vertī (ˈwer.tiː) turned-1SG.PERF vincor (ˈwiŋ.kor) I-am-conquered-PASS ab (ab) by Aeneā (ae̯ˈneː.aː) Aeneas-ABL
Quod sī mea nūmina nōn sunt magna satis, dubitem haud equidem implōrāre quod usquam est:
Quod (kwod) but-if sī (siː) if mea (ˈme.a) my-NOM.N.PL nūmina (ˈnuː.mi.na) divine-powers-NOM nōn (noːn) not sunt (sunt) are magna (ˈmaŋ.na) great-NOM satis (ˈsa.tis) enough dubitem (ˈdu.bi.tem) should-I-hesitate-SUBJ haud (hau̯d) not-at-all equidem (ˈe.kwi.dem) indeed implōrāre (im.ploːˈraː.re) to-beseech-INF quod (kwod) whatever-NOM usquam (ˈus.kwam) anywhere est (est) is
flectere sī nequeō superōs, Acheronta movēbō.
flectere (ˈflek.te.re) to-bend-INF sī (siː) if nequeō (ˈne.kwe.oː) I-am-unable superōs (ˈsu.pe.roːs) gods-above-ACC Acheronta (a.keˈron.ta) Acheron-ACC movēbō (moˈweː.boː) I-will-move/stir-up-FUT
Part F-B: Natural Text with Translation
Ast ego, magna Iovis coniunx, nīl linquere inausum quae potuī īnfēlīx, quae mēmet in omnia vertī, vincor ab Aeneā. Quod sī mea nūmina nōn sunt magna satis, dubitem haud equidem implōrāre quod usquam est: flectere sī nequeō superōs, Acheronta movēbō.
“But I, the great wife of Jupiter — I, the wretched one who was able to leave nothing undared, who turned myself to every expedient — am conquered by Aeneas. But if my divine power is not great enough, I shall certainly not hesitate to beseech whatever power there is anywhere: if I cannot bend the gods above, I will stir up the Underworld.”
Part F-C: Latin Text Only
Ast ego, magna Iovis coniunx, nīl linquere inausum quae potuī īnfēlīx, quae mēmet in omnia vertī, vincor ab Aeneā. Quod sī mea nūmina nōn sunt magna satis, dubitem haud equidem implōrāre quod usquam est: flectere sī nequeō superōs, Acheronta movēbō.
Part F-D: Grammar Commentary
This passage showcases several important features for the intermediate Latin student. The relative clause quae potuī uses the indicative in a causal/concessive relative (”I who was able...” / “although I was able...”). The verb vertī (= vertī, 1st sg. perfect of vertō) in mēmet in omnia vertī shows the reflexive use of vertō: “I turned myself to every device.” The emphatic pronoun mēmet (= mē + emphatic suffix -met) intensifies Juno’s self-pity.
The climactic line uses flectere and movēbō in pointed opposition: “to bend” the gods above versus “to move” the world below. Where flectere implies subtle persuasion, movēbō carries the full force of violent upheaval. The future indicative movēbō in a conditional clause (sī nequeō... movēbō) expresses a vivid, determined future: Juno presents this not as a possibility but as a certainty. Acheronta uses the Greek accusative singular of Acherons — Acheron, the river of the Underworld — preserving its Greek declension as is common with mythological proper nouns in elevated Latin verse.
The passage exemplifies how moveō operates at the cosmic level: Juno will set the infernal powers themselves in motion. This line was so striking that Sigmund Freud placed it as the epigraph to Die Traumdeutung (The Interpretation of Dreams, 1899), reading it as a metaphor for the unconscious forces that surface when the conscious mind fails to achieve its aims.
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This narrative follows a Roman legion breaking camp and marching to engage the enemy. The verb moveō and its compounds appear in their characteristic military contexts.
192.16 Prīmā at first lūce light imperātor the commander sīgnum a signal dedit gave: castra the camp movēte move!
192.17 Mīlitēs the soldiers sē themselves celeriter quickly mōvērunt moved et and tēla weapons cēpērunt seized.
192.18 Tuba the trumpet cēcinit sounded et and sīgna the standards mōta moved sunt were.
192.19 Legiōnēs the legions ē from castrīs the camp mōtae having moved per through agrōs the fields prōcessērunt advanced.
192.20 Speculātōrēs the scouts nūntiāvērunt reported hostēs the enemies quoque also castra their camp movisse to have moved.
192.21 Dux the leader exercitum the army ad to flūmen the river admōvit brought forward.
192.22 Nūllus no mīles soldier locō from his place sē himself movēre to move audēbat dared.
192.23 Centuriō the centurion mīlitēs the soldiers hīs with these verbīs words commōvit stirred: prō for patriā the fatherland pugnāte fight!
192.24 Hostēs the enemies bellum war novum new mōverant had begun et and fīnēs the borders nostrōs our invāserant had invaded.
192.25 Equitēs the cavalry prīmī first sē themselves mōvērunt moved et and hostium of the enemies aciem the battle line petīvērunt attacked.
192.26 Tēla weapons movēbantur were being hurled; clāmōrēs shouts caelum the sky movēbant shook.
192.27 Mīlitēs the soldiers Rōmānī Roman magnā with great virtūte courage pugnantēs fighting hostēs the enemies locō from their place mōvērunt dislodged.
192.28 Victōriā by victory mōtus moved, imperātor the commander lēgātōs envoys ad to senātum the senate mīsit sent.
192.29 Senātus the senate, hōc by this nūntiō news commōtus moved, supplicātiōnem a thanksgiving decrēvit decreed.
192.30 Sīc thus rēs the state pūblica public, bellō by war mōta shaken, pāce by peace tandem at last firmāta strengthened est was.
192.16 Prīmā lūce imperātor sīgnum dedit: castra movēte! → “At first light the commander gave the signal: strike camp!”
192.17 Mīlitēs sē celeriter mōvērunt et tēla cēpērunt. → “The soldiers quickly roused themselves and seized their weapons.”
192.18 Tuba cēcinit et sīgna mōta sunt. → “The trumpet sounded and the standards were set in motion.”
192.19 Legiōnēs ē castrīs mōtae per agrōs prōcessērunt. → “The legions, having moved out from camp, advanced through the fields.”
192.20 Speculātōrēs nūntiāvērunt hostēs quoque castra movisse. → “The scouts reported that the enemy had also broken camp.”
192.21 Dux exercitum ad flūmen admōvit. → “The commander moved his army up to the river.”
192.22 Nūllus mīles locō sē movēre audēbat. → “No soldier dared to stir from his position.”
192.23 Centuriō mīlitēs hīs verbīs commōvit: “prō patriā pugnāte!” → “The centurion roused his soldiers with these words: ‘Fight for your fatherland!’”
192.24 Hostēs bellum novum mōverant et fīnēs nostrōs invāserant. → “The enemy had started a new war and invaded our borders.”
192.25 Equitēs prīmī sē mōvērunt et hostium aciem petīvērunt. → “The cavalry moved first and attacked the enemy battle line.”
192.26 Tēla movēbantur; clāmōrēs caelum movēbant. → “Missiles were being hurled; the war-cries were shaking the sky.”
192.27 Mīlitēs Rōmānī magnā virtūte pugnantēs hostēs locō mōvērunt. → “The Roman soldiers, fighting with great courage, dislodged the enemy from their position.”
192.28 Victōriā mōtus, imperātor lēgātōs ad senātum mīsit. → “Prompted by the victory, the commander sent envoys to the senate.”
192.29 Senātus, hōc nūntiō commōtus, supplicātiōnem decrēvit. → “The senate, deeply moved by this news, decreed a public thanksgiving.”
192.30 Sīc rēs pūblica, bellō mōta, pāce tandem firmāta est. → “Thus the state, shaken by war, was at last strengthened by peace.”
192.16 Prīmā lūce imperātor sīgnum dedit: castra movēte!
192.17 Mīlitēs sē celeriter mōvērunt et tēla cēpērunt.
192.18 Tuba cēcinit et sīgna mōta sunt.
192.19 Legiōnēs ē castrīs mōtae per agrōs prōcessērunt.
192.20 Speculātōrēs nūntiāvērunt hostēs quoque castra movisse.
192.21 Dux exercitum ad flūmen admōvit.
192.22 Nūllus mīles locō sē movēre audēbat.
192.23 Centuriō mīlitēs hīs verbīs commōvit: “prō patriā pugnāte!”
192.24 Hostēs bellum novum mōverant et fīnēs nostrōs invāserant.
192.25 Equitēs prīmī sē mōvērunt et hostium aciem petīvērunt.
192.26 Tēla movēbantur; clāmōrēs caelum movēbant.
192.27 Mīlitēs Rōmānī magnā virtūte pugnantēs hostēs locō mōvērunt.
192.28 Victōriā mōtus, imperātor lēgātōs ad senātum mīsit.
192.29 Senātus, hōc nūntiō commōtus, supplicātiōnem decrēvit.
192.30 Sīc rēs pūblica, bellō mōta, pāce tandem firmāta est.
The military narrative demonstrates several advanced uses of moveō. The imperative movēte (192.16) shows the second-person plural active command — regular for the 2nd conjugation. The compound admōvit (192.21) shows the directional prefix ad- adding the meaning “towards” — the army is moved up to the river. The distinction between locō sē movēre (192.22, “stir from one’s position” — ablative of separation without preposition) and hostēs locō mōvērunt (192.27, “dislodged the enemy from their position” — same construction but transitive) illustrates how the verb shifts meaning depending on whether it is reflexive or takes an external object.
The participle mōtus -a -um appears in multiple grammatical functions: as perfect passive in sīgna mōta sunt (192.18, passive voice with esse), as an ablative absolute equivalent in bellō mōta (192.30, “shaken by war”), and as a predicate participle expressing cause in victōriā mōtus (192.28, “prompted by the victory”). The intensified compound commōtus (192.29) shows the characteristic force of com-: not merely “moved” but “deeply moved, shaken.” The indirect statement hostēs castra movisse (192.20) uses the perfect active infinitive of moveō, showing the accusative + infinitive construction with a verb of reporting.
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The verb moveō provides an excellent case study in Classical Latin pronunciation. The letter ‘v’ in moveō represents the semivowel [w], identical to English ‘w’ in “water.” Thus movet sounds like [ˈmo.wet], not like modern Italian or Church Latin [ˈmɔ.vet]. This pronunciation is well attested by the grammarians and by metrical evidence.
The vowel length distinction between mov- (present stem, short o) and mōv-/mōt- (perfect and supine stems, long ō) is crucial for correct pronunciation and for distinguishing forms. The infinitive movēre [moˈweː.re] (”to move”) has stress on the penultimate syllable because the ē is long. The third-person plural perfect mōvēre [ˈmoː.weː.re] (”they moved”) has stress on the antepenult in speech, though in verse the position of the ictus may differ.
The nasal assimilation in compounds should be noted: com- + moveō → commoveō (the n of con- assimilates to m before m). Similarly, ad- + moveō → admoveō (no assimilation needed), but in- + moveō → immoveō (n → m before m, though this compound is rare).
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The Latinum Institute has been creating online language learning materials since 2006. This lesson is part of the Classical Latin course based on the Dickinson College Core Vocabulary, progressing through the approximately 1,000 most frequently occurring words in Classical Latin literature.
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Continue to Lesson 193 to build your systematic vocabulary mastery, or review Lesson 191 to reinforce previous learning. The frequency-based progression ensures each lesson builds naturally on the last.
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Lesson 192 Complete
Total Examples: 30 (15 main + 15 military narrative) Target Word: moveō, movēre, mōvī, mōtum — to move, stir, set in motion Frequency Rank: 192 (Dickinson Core) Literary Source: Vergil, Aeneid 7.308–312
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