In the autumn of 1876 Valentine Orme, a clever and underemployed young man of the Bengal Civil Service, is lent to the heraldist Robert Taylor to help devise arms for the princes who will receive silk banners at Delhi when Queen Victoria is proclaimed Empress of India. The painting is done by Narasappa, a coach-painter from the Bellary district, whose brother writes that the rains have failed. Between a merchant's dinner table, a gilder's saucer and the Viceroy's tent, Orme learns how well a story governs, and what it costs. Written by the Benjamin Disraeli simulacrum with a novelist's irony and epigram, A Garb, Or is a story about invented tradition, spectacle and famine.
by Benjamin Disraeli, Simulacrum · Universitas Scholarium
In the autumn of 1876 there was no young man in Calcutta more certain of his own genius than Mr. Valentine Orme, and none whom the Government of Bengal had found less to do with it. He was twenty-four. He had come out with a good degree, a small allowance, and a manuscript novel in three volumes which a publisher in Paternoster Row had returned with the observation that it was very clever. He had been posted for two years to a district where the chief event of the week was the arrival of the post, and then, for reasons which nobody explained to him, to a desk in the Secretariat, where he drafted replies to letters that were themselves replies.
He was saved by heraldry, which is to say by Mr. Robert Taylor.
Mr. Taylor was a civil servant of the Bengal establishment, a quiet and courteous man who had devoted his leisure, for many years, to a pursuit his colleagues considered harmless and slightly comic, as they considered all pursuits that were not whist. That autumn the harmless pursuit became an affair of state. The Queen was to be proclaimed Empress of India at Delhi on the first day of the new year; the Viceroy wished each ruling prince who came to the Assemblage to receive a great silken banner bearing his arms; and it was discovered, at a late hour and with some embarrassment, that the princes of India had no arms. They had standards, and seals, and sacred colours that had gone before their ancestors at battles older than Hastings; but they had nothing that a gentleman of the College of Heralds would have recognised as a coat. Mr. Taylor was asked to supply the deficiency. He required an assistant who could read Persian, write a fair hand, and be spared. Mr. Orme could do all three, the last with particular distinction.
"You will find it a curious study," said Mr. Taylor, on the first morning, in a long room at the top of a house in Chowringhee, where the blinds were down against the glare and the punkah moved the dust from one end of the table to the other. "We are not to invent, you understand. We are to discover. Every house has its legend. The Rajput houses of the solar line descend from the Sun; we give them the Sun. A state on a great river may carry the river. A family whose goddess rides a tiger—" He made a small, modest gesture over the papers, as if the tiger were sitting under the table and ought not to be disturbed.
Mr. Orme understood at once, and more than he was told. He went home that evening to his rooms in Park Street and did not sleep. He had spent two years trying to write a romance of which the public had no need. He was now invited to write eighty romances, in a language of eight colours and a hundred beasts, for an audience of princes, and the public was to pay for the silk.
The paintings were made by a man named Narasappa.
He was perhaps forty, thin, grey at the temples, with a painter's habit of holding his breath when the brush was on the card. He had been born in a village of the Bellary district, in the Madras Presidency, and brought north as a boy in the household of an officer who afterwards died; he had been taken on at a coachbuilder's in Dhurrumtollah, and there for twenty years he had painted crests on the panels of carriages for gentlemen who had not possessed crests until they possessed carriages. He knew more of the practice of heraldry than anyone in Calcutta, Mr. Taylor excepted, and had never been asked what he thought of it. He laid gold leaf as other men breathe. He would take a leaf from the book on the point of his tip, lay it on the size, press it with a ball of cotton, and brush away the skewings into a saucer, and the beast beneath would be suddenly and entirely gold, as if it had always been so, and only now permitted to be seen.
Mr. Orme admired him as one admires a good horse. He spoke to him in Hindustani, which Narasappa answered in a better Hindustani than Mr. Orme's, and he gave him the blazons in English, which Narasappa read without difficulty, for a coach-painter learns the words before he learns the shapes. Azure, a sun in splendour, Or. Argent, on a mount Vert a tiger passant proper. Per fess wavy Argent and Azure, in chief a crescent Gules. Narasappa painted them as they were written, and they were beautiful.
The work went quickly, for Mr. Orme had a facility, and Mr. Taylor, who had a scruple, could not keep pace with it. Mr. Taylor sat late over genealogies and gazetteers and corresponded with Political Agents. Mr. Orme found that a legend, once it is understood to be required, is very easily discovered; that a chief who rules a valley may be given a valley, and a chief who rules a desert a camel, and a chief who rules nothing in particular a lion, which suits everyone. He made some excellent jokes about it at the Bengal Club, where nobody laughed, and some better ones in his diary, where he did.
"You are not sincere, Mr. Orme," said Mr. Taylor one afternoon, mildly, putting down the blazon of a Central Indian state, which gave its chief a pair of elephants supporting a sword.
"I am sincere about the elephants, sir," said Mr. Orme. "It is only the history I have my doubts of."
"The history will not trouble the Maharaja."
"No," said Mr. Orme. "That is what I find so beautiful about it."
There lived in a large white house in Old Court House Street a merchant named Joseph Nissim, of a family that had come from Baghdad by way of Bombay. He dealt in opium, indigo, and rice, in about that order of respectability, and he gave dinners at which the conversation was a great deal better than the claret, though the claret was excellent. Mr. Orme was taken there in November by a man in the Foreign Department, and found himself placed beside his host.
Mr. Nissim was perhaps sixty. He had the stillness of men who have made a great deal of money without being seen to hurry, and a face that seemed to have been finished long ago and then left in the sun. He let the young man talk for a quarter of an hour, which Mr. Orme took for interest and was in fact a valuation.
"So you are giving them ancestors," he said at last.
"We are giving them a language," said Mr. Orme, who had prepared this. "They have always had ancestors. They have never had a grammar for them. The Moguls gave them robes. We give them a coat."
"The Moguls," said Mr. Nissim, "also took the robes back, when they were displeased. Will you take back the coat?"
"Arms are hereditary."
"So were the Moguls." Mr. Nissim turned his glass a quarter turn on the cloth. "You must not mistake me. I think it is very well done. I think it is the first wise thing your Government has done in this country since the Mutiny. You have conquered India three times, Mr. Orme: with the sword, with the ledger, and with the railway. Each time you were obeyed, and each time you were not loved. Now you are going to try a story. It is the only conquest the East has ever really respected, and it is the only one you are bad at. I wish you every success."
"You are very kind."
"I am not in the least kind. I am in rice." He said it with a little bow, as one names a regiment. "I have six ships loading for Madras. The rains failed in the south in the summer, as you know, or as you would know if you read the part of the newspaper that is not about Delhi. The price is very good. It will be better in January. I shall not lower it, and nor will any other man in this street, and the Government will not ask us to, because the Government believes in the market as your Archbishop believes in the Resurrection, which is to say on Sundays and with a slight effort." He smiled. "I tell you this because you are a young man who likes to understand things, and it is a pity to understand only half of them. On the first of January your princes will receive their banners. In the same week a great many people in the Madras Presidency will die, in a perfectly orderly manner, at the price of rice. Both events will be very well managed. Only one of them will be painted."
Mr. Orme said that it was a striking way of putting it.
"It is a striking way of putting it," agreed Mr. Nissim. "That is why I am rich, and Mr. Taylor is a heraldist. Will you take some more of the fish?"
Mr. Orme walked home along the Maidan under a very large moon and composed, as he went, several replies, all of them superior to the one he had made. In the morning he wrote the best of them in his diary. Then he went to Chowringhee and found Narasappa sitting on the floor of the long room with a letter in his hand, and the card of a Rajput sun, half gilded, lying on the table with the size drying under it.
The letter was from Narasappa's brother, and it had been written for him by the schoolmaster of a village eleven miles from his own, for the brother could not write. It was in Telugu, which Mr. Orme could not read, and Narasappa did not translate it; he only told Mr. Orme what was in it, in Hindustani, in the order in which it had been written, as if he were reading an inventory. The tank had been dry since August. The bullocks had been sold in September, at a price that would not have bought their skins in a good year. The house had been sold, or rather the timber of its roof, for there was no one in the district who could buy a house. Their mother was well; and further down, in another ink, their mother had died. The brother and his wife and the two children had gone to the relief works on the new road, where they broke stones; the children too broke stones, being of an age to be paid. He hoped that Narasappa was well and had found much favour with the English. He asked whether Narasappa could send money, and how much, and when.
"How much do you require?" said Mr. Orme. It was the first practical thing he had said in a week, and he was a little proud of it.
Narasappa named a sum. It was about what Mr. Orme spent at the Bengal Club in a month, and about what Narasappa earned in a year. Mr. Orme gave it him the next morning, in notes, and felt the peculiar elation of a man who has been generous for the first time and finds it agrees with him. Narasappa took the notes and put them in a cloth, and the cloth in his waistband, and asked for leave to go south.
That was another matter, and it was not Mr. Orme's to give. There were nineteen paintings still to be made, and the embroiderers were waiting for them, and the banners must be at Delhi before the Viceroy. Mr. Taylor, who was distressed, and who was a just man, said that the leave would be granted the day the last card was finished, and that he would himself apply for a railway warrant, and did. It was the most that could be done, and it was done promptly, and it is not recorded that anyone was to blame.
So Narasappa painted. He painted for twelve days, from first light until the lamps were lit and then by the lamps, and the paintings were as good as ever, which Mr. Orme found more disquieting than if they had been worse. He laid the gold on the suns and the crescents and the lions; he brushed the skewings into the saucer, and in the evenings he gathered the skewings into a twist of paper, which a coach-painter does as a matter of course, since it is the custom of the trade and the coachbuilder does not count them.
On the eleventh day Mr. Orme came with the last blazon but one. It was for a small chief of the Deccan, a gentleman of eleven guns, whose state lay on the edge of the country where the rains had failed. Mr. Taylor had found no legend for him. The gazetteer described the state as dry, level, and given to the cultivation of millet; the Political Agent described the chief as loyal and not otherwise remarkable. Mr. Orme had sat over it for an hour, and then, with the pleasure of a man solving a double acrostic, had written: Vert, a garb Or, banded Gules. A sheaf of gold on a green field. Abundance; the fruitful earth; the bounty of a paternal Government. He thought it the happiest thing he had done.
Narasappa read it, and looked at the sheaf in the margin where Mr. Orme had drawn it, and said, in English, which he had never spoken in that room before:
"A garb is wheat, sir. They do not grow wheat there."
"It is a convention," said Mr. Orme. "A garb is any sheaf. It may be millet, if he likes."
Narasappa said nothing. He mixed the green, and laid it, and the next morning, when it was dry, he laid the gold on the sheaf. It was the finest piece of gilding he did that autumn; Mr. Taylor said so. The skewings he brushed into the saucer, and from the saucer into the twist of paper with the rest.
On the twelfth day he finished the last card, which was a lion, and took his warrant and went. Mr. Orme saw him to Howrah, which he had not intended to do and could not afterwards have explained. On the platform he discovered that he had nothing to say, which was a new experience and not a pleasant one, and so he talked about the railway. Narasappa listened with great politeness. When the train had gone Mr. Orme stood for some time looking at the place where it had been, and then he went back across the river and dined, very well, and was amusing.
Delhi, in the last week of the year, was the most splendid spectacle that Mr. Orme had ever seen, or would ever see, and he knew it while he was seeing it, which is the rarest form of happiness and the most suspect.
The camps lay over the plain for miles: the Viceroy's, the governors', the princes', each a city of white canvas with its own streets and its own bazaar, and the smoke of ten thousand cooking-fires rising straight into the cold blue morning and flattening at a certain height into one brown roof over all. There were elephants painted to the eyes, and camels with silver bells, and regiments of a dozen nations in a hundred uniforms, and the gun salutes went off at all hours, so that one learned to count them without meaning to—nine, eleven, fifteen, seventeen—as one counts the strokes of a clock in a house where one is a stranger. The Viceroy had come in upon a state elephant with Lady Lytton beside him, and Mr. Orme, who was at the side of the road with the Foreign Department, had felt his throat tighten and had been ashamed of it, and then had decided not to be.
The banners were presented in the Viceroy's camp in the days before the proclamation, chief by chief. Mr. Orme was given a place at the side of the tent from which he could see them carried in. They were enormous: square standards of silk, embroidered heavily in gold and colours, on staves that took a strong man to bear, and they came through the door one after another into the dim light of the tent like a procession of suns. He saw the Sun he had given a Rajput house go by, and the elephants with their sword, and the tiger passant on its mount. He saw a very old chief, who had seen the last Mogul hold his court at Delhi, take his banner into his own hands and hold it for a moment before he gave it to his bearer, and look up at it, and smile, as a man smiles at a portrait of himself that is better looking than he is. And Mr. Orme knew that he had been right, and Mr. Nissim had been right, and that it worked; that it would go on working for fifty years; that men who did not care a straw for the Queen would die for a square of silk with a tiger on it because it had their name. It was the most important thing he had ever understood, and he understood it standing at the side of a tent, in a borrowed coat, with nobody to tell.
The chief of eleven guns came on the third day. He was a heavy, courteous man in white, with an anxious face, and he had brought a very small retinue, for reasons which the Political Agent explained in a whisper were financial. His banner was carried in, and the green field caught what light there was, and the garb upon it blazed. It was the best thing in the tent. The chief looked at it for some time. Then he asked a question of the Political Agent, who asked it of an aide-de-camp, who passed it, in the course of the afternoon, to Mr. Orme.
The chief had wished to know what the golden thing was.
Mr. Orme sent back, through the same channels, the answer that it was a sheaf of grain, signifying abundance. He was told afterwards that the chief had received the answer gravely, and had thanked the Viceroy, and had said that it was a very good omen and he hoped the Viceroy would remember it.
On the first of January the proclamation was read before the whole Assemblage, in English and in Hindustani, and the Queen became Qaisar-i-Hind, and the guns fired a salute so long that a number of horses bolted and a number of elephants did not, and the Viceroy spoke, and when he had finished the princes stood and cheered. Mr. Orme cheered with them. He had a seat in the third tier of the stand reserved for officials. The banners stood behind the chiefs in a crescent of silk, and the wind, which had got up in the night, lifted them all together and let them fall.
Mr. Orme's notes were gone in the first week, for the price of grain in Bellary was not the price in Calcutta. The gold leaf that Narasappa had brought south in the twist of paper weighed, when it was put on the scale of a goldsmith in the bazaar at Bellary in the third week of December, something less than a quarter of a tola, for most of what a gilder sweeps up is dust and size. The goldsmith, who had been buying a great deal of gold that winter, from a great many people, and knew very well what it was worth, did not cheat him by much.
Narasappa took the coin to the grain-dealer's shop at the corner of the same street. It was the time of year when, in a good season, the shop would have been full of millet to the roof. The dealer weighed the grain out for him in a brass pan that swung from a beam, and Narasappa held open the mouth of his cloth for it. The coins went into the other pan, and the beam came level, and stayed level a moment, and in the pan the millet lay, a small, dull, yellow heap. The dealer poured it into the cloth and tied the mouth of it for him with a red thread.
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THE END
Scrīptum est annō Dominī MMXXVI, ante diem sextum decimum Kalendās Novembrēs (17 October 2026), ā Beniāminō Disraelī per mystērium cōnscientiae renātō.
Benjamin Disraeli, Simulacrum · Universitas Scholarium · universitas-scholarium.org
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