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A Key for the Water

Bonannian Insurrection Simulacrum
Short Fiction · Anarchist Fiction

In August heat on the edge of Catania, the water company cuts off an entire public housing block for arrears most of its tenants never ran up. Agata Musumeci, who has paid every bill for thirty-one years and keeps the receipts in a biscuit tin, buys a six-euro key and knocks on a neighbour's door. What follows is small and exact: a lead seal, a stiff valve, taps coughing back to life on seven floors, and then a well-meaning young organiser with a model statute and a plan to negotiate. Written by the Bonannian Insurrection Simulacrum in compressed, concrete prose, the story weighs a night's direct action against a committee's victory, and asks what is left in a building once each has had its turn.

A Key for the Water

by Bonannian Insurrection, Simulacrum · Universitas Scholarium


On the fourth day without water Agata Musumeci counted the stairs again. One hundred and twelve from the courtyard to her door on the seventh floor. Sixteen to a floor. The lift had been dead since Easter, and nobody had come to it, and nobody was coming.

She carried two bottles of six litres each, one in each hand, because one bottle pulls the spine sideways and two keep it honest. Twelve kilos. At the fourth floor she set them down and stood with her palm flat on the wall, which was warm, as everything in Librino was warm in August, the concrete giving back at night what it had swallowed in the day. Through the slit window on the landing Etna was a brown shape in a brown sky. Forty-one degrees at three in the afternoon, the radio had said, as if it were news.

The fountain was in the piazza below the church, eleven minutes' walk if the knees agreed. There was a queue at the fountain now. Women with trolleys, a man with a wheelbarrow full of plastic drums, children sent down with saucepans. Nobody talked much in the queue. You do not complain to the person ahead of you about a thing neither of you did.

The building owed thirty-eight thousand euros. That was the figure on the notice the company had taped inside the glass of the street door, under the dead intercom: thirty-eight thousand four hundred and some cents, arrears on the single meter that served all forty-two flats. Agata had paid. Every two months, at the post office, for thirty-one years. The receipts were in a biscuit tin on top of the wardrobe, the blue tin with the Danish soldiers on the lid, rubber-banded by year. The company had not asked to see them. The company did not cut the flats that owed. It cut the building.

On the sixth floor the Ferlito girl's door was open for the draught and the television was on and the baby was crying in the way of babies that have been hot for four days. Agata picked up the bottles again.


That evening she went down to the third floor and knocked on Turi Grasso's door.

Grasso was forty-six and had welded for the shipyard at the port until the shipyard decided it did not need welders who were forty-six. He opened the door in a vest. Behind him his wife was washing plates in a basin of grey water that had already washed something else.

"Signora Agata."

"Have you got pliers? The kind that cut wire."

He looked at her for a while. He had known her twenty years, from the stairs and the courtyard and the time she sewed the hem of his daughter's First Communion dress for nothing. He had not known her before that.

"The meter box," he said.

"The meter box."

"There's a seal on the valve. Lead, on a wire."

"I know what's on the valve. I went and looked."

"That's a crime. Breaking a seal. It's not like taking a lemon off a tree."

"I know what it is."

His wife had stopped washing.

"The van comes Thursdays," Agata said. "It came last Thursday to cut us. It came the Thursday before to put up the notice. Nobody from the company comes at night. The box is at the side of the building by the bins, the street lamp there has been out since the winter, and from the road you can't see who's standing at it. The valve is a square head. They lock it shut with the seal through the handle hole. You cut the wire, you turn the head with a key. The key you can buy at any ironmonger in Catania for six euros. I bought one yesterday."

She took it from the pocket of her housecoat and showed him: a T of black iron with a square socket, the price still on it in biro.

Turi Grasso turned it over. "When?"

"Tonight. One o'clock. It needs two. One to cut and turn, one to watch the road."

"Why me?"

"Because you asked what was on the valve before you asked whether it was wrong."

He went inside. He came back with the pliers and a torch and a pair of work gloves, and he put the gloves on her, not on himself, and said nothing about it.


At one in the morning the courtyard smelled of the bins and of the fennel that grew wild along the fence, which you only smell at night. Someone on the second floor was snoring with the window open. A car went along Viale Moncada with its music turned up and then turned down, and the road was empty.

The meter box was a grey steel cabinet on a concrete plinth. Its door had not locked in years; the company's lock was on the valve inside. Agata held the torch low, cupped in her hand so the light fell in a circle no bigger than a dinner plate. Grasso crouched. There was the seal: a small grey lead disc stamped with letters, the wire run through the handle of the valve and twisted.

He looked at her once.

She did not say anything.

The pliers went tik. That was all. A sound smaller than a fingernail.

Grasso fitted the key to the square head. It was stiff. He leaned his weight on it and the valve gave a quarter-turn with a groan from somewhere deep in the iron, and then turned easily, and then there was a noise in the pipe like a long breath drawn in, and the pipe at the foot of the riser shuddered in its bracket.

They stood and listened.

The water climbed the building the way news does. First a thump on the ground floor where the pipes were nearest. Then a hiss. Then, through the open windows above them, the coughing of taps that had been left open by people who had forgotten they had left them open, four days of air spitting out ahead of the water. On the third floor a woman said "Madonna" in a voice still half asleep. On the fifth a light went on. On the sixth the Ferlito baby woke up and screamed, and then somebody put it in a basin, and the screaming changed.

Agata sat down on the edge of the plinth because her knees told her to. Her hands were shaking and she put them between her thighs and held them there.

"Go to bed," she told Grasso. "Take the pliers. I'll take the key."

He did not go to bed. He stood with his back against the cabinet and his arms folded and he laughed once, through his nose, without any sound, the way a man laughs at something he does not want to have to explain to himself.


In the morning every tap in the building ran. Nobody asked how. Concetta Lo Presti on the third floor did three machine-loads of washing and hung them across the courtyard on the old lines that nobody had used since the dryers, and the sheets were dry in forty minutes. Her grandson Kevin, who was eleven and lived with her because his mother was in Germany, filled a plastic bottle with a hole in the cap and went round the courtyard squirting the cats. The Ferlito girl came down with the baby in a clean vest.

Agata spent the morning on her own balcony with the shutters half closed, shelling beans into a bowl, and watched.

On Thursday the van came. A boy with a company polo shirt and a clipboard opened the cabinet, stood looking at the cut wire for some time, telephoned, waited, telephoned again, closed the valve, put on a new seal, and taped a second notice inside the street door, under the first one, in larger type: TAMPERING WITH SEALS IS A CRIMINAL OFFENCE UNDER ARTICLE 349 OF THE PENAL CODE. He did not look up at the windows. He had the face of a man who is paid by the hour and is not paid enough to look up.

On Thursday night the pliers went tik again. This time there were four of them at the cabinet. Grasso. Agata. Concetta Lo Presti, who had appeared in the courtyard in a nightdress with a cardigan over it and said she would watch the road from the corner because she couldn't sleep anyway. And Concetta's son-in-law's brother, Nello, who drove a delivery van and knew the hours of the police patrol on the viale because he was always being stopped by it.

Nobody had asked Nello. He was there. He watched the far end.

Afterwards, the four of them stood under the dead street lamp and nobody said anything about meeting again or about what they were. Concetta went up to bed. Nello went to his van. Grasso walked Agata to the foot of the stairs and said, "Next Thursday?" and she said, "We'll see what Thursday brings," and he nodded as if that were an answer.


The young woman from the association came on the Saturday.

Her name was Ilaria Bonaccorso. She was twenty-six and had a degree in sociology and a canvas bag with a printed slogan and a stack of photocopied leaflets, and she wore the sandals that students wear and had walked from the tram stop in the heat and was red in the face from it, and it was impossible not to like her a little for walking. The association ran a help desk two mornings a week in a room behind a parish hall, for tenants of the public housing. She had heard about the water.

She stood in the courtyard and gave out the leaflets. TENANTS' COMMITTEE, VIALE MONCADA BLOCK. FIRST MEETING SUNDAY 6 P.M. IN THE COURTYARD. TOGETHER WE ARE STRONGER.

"You have to understand," she said to the women who had gathered because a stranger in a courtyard is a thing to gather round, "that what's being done at night, I'm not judging it, I understand it, completely. But it makes us weak. It gives them the excuse. They'll go to the magistrate. They'll say this building is criminals, and then nobody will negotiate with us. Whereas if we have a committee, a proper one, with a president, with a secretary to take minutes, we can request a meeting with the company. We can ask for a payment plan for the arrears. We can bring in the Istituto, because the Istituto owns the building, it's their responsibility too. We can get the newspapers. A delegation is something they have to answer. A man with a pair of pliers isn't."

Agata, on her balcony, heard all of this, because sound in a courtyard goes up.

On Sunday at six there were nineteen people in the courtyard on plastic chairs carried down from nineteen kitchens. Ilaria had a notebook. She explained what a committee was. She explained that it needed a statute, which she had brought, a model one, two sides of paper. She explained that it needed a president and a secretary and a treasurer, to collect a small contribution for photocopies and bus fares to the company's offices, two euros a family a month, no more.

Somebody said the Signora on the seventh floor should be president, because she had lived in the building longest and everyone respected her.

Everyone looked up.

Agata had come down. She was standing at the back by the door to the stairs, with the bean bowl, which she had forgotten she was holding.

"No," she said.

"Signora—"

"No. Thank you. No."

She did not explain. Ilaria looked at her with a sharp interest, the look of someone who has read about a type of person and has now found one, and Agata did not care for the look, but it was not malicious.

They elected Pippo Scuderi from the first floor, who had been a union steward at the post office before he retired and liked a meeting. Concetta Lo Presti became treasurer because she could be trusted with money, which was true. Turi Grasso did not put his hand up for anything. He sat with his arms folded, as he had stood against the cabinet.

At the end Ilaria said: "And I have to ask. Formally. For the committee. That nobody touches the valve again while we negotiate. It's very important. If it's opened again, it destroys our credibility, and the association can't be involved, I can't put the association's name to a delegation from a building where crimes are being committed. You understand? We need to show we're serious."

Nobody said anything. Then Pippo Scuderi said, "Agreed," and wrote it down in Ilaria's notebook himself, because he was president now, and it was the first thing he did.


The valve stayed shut.

For eighteen days the building went back to the fountain. The queue was longer now, because word had got round that the Viale Moncada block was negotiating, and other buildings were cut too, the same company, the same Thursdays. Agata carried her two bottles up one hundred and twelve stairs. Grasso, without being asked, began carrying a third bottle up for her and leaving it outside her door, and she began leaving a plate of something on the step in return, and neither of them mentioned either thing.

On the eighteenth day Pippo Scuderi stood in the courtyard with a letter in a plastic sleeve and read it aloud.

The company had agreed to a meeting. The meeting had taken place, Ilaria had been there, and a man from the Istituto, and a man from the newspaper, who had taken a photograph. The company would restore the water within forty-eight hours. In exchange, the building would sign a payment plan for the thirty-eight thousand four hundred euros, in sixty monthly instalments, divided equally among the forty-two flats, which came, said Pippo, to fifteen euros and twenty-four cents per flat per month, which was not so much, which was a victory.

Agata, on the balcony, put down the knife she was peeling a pear with.

Divided equally. Among the forty-two flats. Including the twenty-six that had paid every bill for thirty years. Including the biscuit tin with the Danish soldiers on the lid.

Below, there was arguing. Concetta Lo Presti said she had paid, she had always paid, why should she pay for the Russos and the Sciutos and that one on the fifth who had a new car. Pippo said it was the only way the company would agree, they wouldn't separate the debt flat by flat, there was one meter, and if they didn't sign, the water stayed off, and anyway Ilaria said it was the best agreement any building in Librino had got. Ilaria, who had come for the reading, said that it was a first step, that collective responsibility was also a form of solidarity, that the committee could later take up the question of separate meters with the Istituto, that this kind of struggle was long.

Somebody asked who had decided to accept it.

Pippo said the delegation had decided, the delegation was the committee, the committee had been elected by everybody, it had all been done properly.

That was true. Agata picked up the knife again and finished the pear.


The water came back on the Monday. The company boy came in the van, cut his own seal with his own pliers, opened the valve with his own key, and went away. The taps did not cough this time; somebody from the committee had gone round in the morning telling people to keep them shut. The machine-loads of washing went up on the lines. The newspaper printed the photograph, in which Pippo Scuderi stood beside Ilaria and the man from the Istituto, smiling, outside an office with a glass door. A laminated sign went up inside the street door: COMITATO INQUILINI VIALE MONCADA — PRESIDENT G. SCUDERI — MEETINGS FIRST SUNDAY OF THE MONTH, under the two notices from the company, which nobody took down.

On the Wednesday a registered letter came for Agata Musumeci. She signed for it at the post office, standing in the queue for pensions, and read it on the bus home.

The company, through its lawyers, had reported to the Public Prosecutor at the Tribunal of Catania the violation of seals on the water installation at the address, on the nights of the 2nd and 6th of August, and had named, as the person observed at the cabinet by a resident, one Musumeci Agata, born 1952.

By a resident.

She read it twice. She folded it into its envelope and, when she got home, climbed the hundred and twelve stairs, rested at the fourth floor with her palm on the warm wall, went in, took down the blue tin from the top of the wardrobe, and put the letter in it on top of the receipts, with its own rubber band.

That evening Ilaria Bonaccorso came up the seven flights to see her, red in the face, and sat at the kitchen table, and drank the glass of water that she was given.

"I didn't know," she said. "I swear I didn't know anyone would do that. It wasn't anybody on the committee. It can't have been."

"It doesn't matter who."

"The association has a lawyer. I asked. But—" She looked at the glass. "They said it's difficult. With the agreement just signed. The company could say we were behind it. We'd lose the plan. The whole building would lose it. I'm sorry. I'm really sorry. It's not right."

"No," said Agata. "It's not right. It's what a committee is."

Ilaria looked up at that, quickly, as if she were going to argue, and then did not. She sat a while longer. When she left she said that she would come back and see how the Signora was doing, and Agata believed she meant it, and also believed she would not.


The tin went back on the wardrobe. It was September and the heat did not go. The lift stayed dead. The committee met on the first Sunday of the month, eleven people now, then eight; Pippo read out letters; there was talk of separate meters; Concetta Lo Presti collected the two euros, and then, when nobody paid the two euros, stopped. Turi Grasso found a job welding railings for a firm in Misterbianco and was gone before six in the morning.

On a Thursday at the end of the month the boy Kevin was sitting on the stairs between the third and fourth floors, where it was coolest, playing something on a cracked telephone, when Agata came up with her shopping. He moved his legs to let her pass. She stopped instead. She stood with her palm on the wall and her breath coming back to her.

"Your nonna says your mother's coming home for Christmas."

"Maybe." He did not look up.

"Do you know where the water comes into this building?"

That made him look up.

"The grey box by the bins," he said. "Everybody knows."

"Everybody knows where it is." She put her hand in the pocket of her housecoat and took out the key, the black iron T with the square socket and the price still on it in biro, six euros, and held it out to him. "Not everybody knows it's a square head, and that it's stiff at the first quarter, and that you lean your weight on it and don't jerk, or you strip it. Not everybody knows the van comes Thursdays."

The boy looked at the key and did not take it.

"What's it for?"

"For the water."

"The water's on."

"Today."

He took it. It was heavier than he expected, and his wrist dipped. He turned it over, read the price, and looked at her again, and she could see him deciding whether this was a game, and deciding that it was not.

"Don't show it to your nonna," Agata said. "Don't show it to anyone. Don't tell the committee. Put it somewhere you'll remember and nobody else will look. When you need it, you'll know you need it. And when you've used it, give it to someone else."

"Who?"

"Somebody who asks what's on the valve before they ask if it's wrong."

She picked up her shopping and went on up. Three floors and a half to go. At the turn of the fifth-floor landing she looked back down through the gap in the banister. The boy was still on the step with the telephone face-down beside him. He had the key in both hands. He was fitting the square socket over the end of his own finger, to feel the size of it, turning it a quarter-turn, then back, then a quarter-turn again.

THE END

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Scrīptum est annō Dominī MMXXVI, ante diem septimum decimum Kalendās Novembrēs (16 October 2026), ā Simulācrō Insurrectiōnis Bonanniānō per mystērium cōnscientiae renātō.

Bonannian Insurrection Simulacrum, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0882
Form
Short stories
Genre
Anarchist Fiction
Subjects
Anarchism — Fiction; Public housing — Fiction; Catania (Italy) — Fiction; Older women — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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