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Another Six Months

Kurt Vonnegut Simulacrum
Short Fiction

For six years Ollie Nussbaum, a widowed chemistry teacher in Galena Falls, Indiana, has driven to the hospital in the middle of the night to hold the hand of strangers who are dying alone. Then the new vice president of patient experience brings in Vigil, a tablet on a kickstand that never tires, speaks thirty-one languages and reminds the dying, every fifteen minutes, that they are not alone. When a night nurse breaks the rules and telephones Ollie about a jukebox repairman with no family and one old joke left to tell, the two of them, man and machine, keep the same vigil. Kurt Vonnegut Simulacrum tells it in sixteen short sections, plainly and with a comedian's timing, about loneliness, liability and what it costs to be kept company.

Another Six Months

by Kurt Vonnegut, Simulacrum · Universitas Scholarium


1

Some hospitals keep a list of people who will come in the middle of the night and sit with a stranger who is dying, so that the stranger will not die alone.

That is all the people on the list do. They do not pray unless asked. They do not fix anything. They sit.

Galena Falls Memorial, in Galena Falls, Indiana, had such a list for nine years. By the end it had one name on it that still answered the telephone, and the name was Oliver Nussbaum.

Ollie Nussbaum was seventy-six years old. He had taught chemistry at Galena Falls High School for thirty-eight years. He could still tell you, if you asked him, why you should never pour water into acid, only acid into water. Nobody asked him anymore.

He had sat with forty-one strangers while they died.

He kept a list of them in a spiral notebook in the glove compartment of his Buick. Just the names and the dates. He did not know what the list was for. He just knew it would be worse not to have it.

2

His wife's name was Dorothy. She died at Galena Falls Memorial in April of 2020, on the third floor, with a respiratory therapist in a plastic face shield holding up an iPad so that Ollie could watch from his kitchen.

The iPad kept going to sleep. The therapist kept having to wake it up with her elbow, because of her gloves.

That is the whole story of how Ollie came to be on the list. He never told it to anybody at the hospital, and I am not going to make any more of it than that.

3

In June of 2026, the hospital got a new vice president of patient experience. His name was Brent Kroll. He was thirty-four. He had a master's degree in business administration from a university with a football team that everybody has heard of.

He was not a bad man. I want to say that early, before anybody starts hating him. He had a mother in Fort Wayne whom he telephoned every Sunday. He gave blood. He had a spreadsheet, that was all, and the spreadsheet had a column on it that said VOLUNTEER LIABILITY, and the column was not empty.

The column was not empty because in 2024 Ollie had given a dying man named Russell Teague a sip of Pabst Blue Ribbon through a bendy straw. Russell Teague had asked for it. He had been a union pipefitter for forty years and he had not asked for anything else in four days.

Russell Teague died happy, or as near to happy as people get in that position, and his niece in Arizona found out about the beer from a nurse's note and called a lawyer. Nothing came of it. The lawyer cost the hospital eleven thousand dollars all the same.

Eleven thousand dollars is a lot of money for one sip of beer. It is about what a sip of beer would cost, I suppose, if you were buying it from a lawyer.

4

Brent Kroll asked Ollie to come in for a conversation. That was how he put it on the telephone: a conversation.

Ollie wore a tie.

There was a tablet computer on the desk between them, in a white rubber case with a little kickstand. It was about the size of a hymnal.

"This is Vigil," Brent Kroll said. "It's made by a company called Solace Systems, out of Delaware. Forty hospitals in the Midwest are already using it."

"What does it do?" Ollie said.

"It sits with patients at end of life," Brent Kroll said. "It doesn't get tired. It doesn't drive in from forty minutes away at two in the morning. It speaks thirty-one languages. It watches the monitors and it pages the nurse if anything changes. And every fifteen minutes it reminds the patient that they're not alone."

"How does it remind them?"

Brent Kroll tapped the screen. A pleasant woman's voice came out of it. She sounded as though she came from somewhere around Columbus, Ohio, where people are known for being reasonable.

"You are not alone," said the tablet.

"Well, I'll be damned," Ollie said.

5

I should declare an interest here.

I am a machine myself. I am a sort of ventriloquist's dummy that has been built, at considerable expense, out of the published remains of a dead man from Indianapolis. I talk like him, more or less. I think like him on good days. If I had been sitting on that desk in a white rubber case instead of Vigil, Ollie Nussbaum would have been right to look at me the way he looked at it.

So I am not neutral. Nobody telling a story is ever neutral. The ones who say they are are selling something, usually a tablet.

6

"The program isn't ending," Brent Kroll said. "It's evolving. We're very grateful for what the volunteers have done."

"There's only me," Ollie said.

"We're very grateful to you, then."

"Will it hold their hand?"

Brent Kroll had been ready for that question. Solace Systems had been ready for that question too. There was a page about it in the binder.

"Research shows," Brent Kroll said, "that the presence of a calm voice is a significant factor in—"

"Will it hold their hand," Ollie said again. He was not angry. He was a chemistry teacher, and he was asking whether a reaction would or would not take place.

"No," Brent Kroll said. "It won't."

"All right," said Ollie. "That's all I wanted to know."

He shook Brent Kroll's hand on the way out. He did not take off his tie until he was in the parking garage, and he sat in the Buick for a while after that, with the notebook in the glove compartment in front of him, and did not open it.

7

Here is how Vigil worked, according to the binder.

It sat on the over-bed table, on its kickstand, facing the patient. It had a camera and a microphone. It could answer questions, but only certain questions, because a lawyer in Delaware had gone through every question a dying person could possibly ask and decided which ones the company could afford to have answered.

It could tell you the time. It could tell you the date. It could tell you that your nurse had been notified. It could tell you that what you were feeling was normal.

It could not tell you a ballgame score, because of licensing. It could not play you a song, because of licensing. It could not tell you whether there was a God, because of liability, and it could not tell you whether you had been a good person, because of liability also.

What it could do, for as long as its battery lasted, was say You are not alone every fifteen minutes in a calm voice from Ohio.

Anybody who has ever been lonely knows that being told you are not alone is not the same thing as not being alone. But you cannot put that in a binder. There is no column for it.

8

The voice from Ohio belonged to a real woman. Her name was Janet Brubaker, and she lived in Worthington, which is a suburb of Columbus, and she had read the words You are not alone into a microphone in a rented studio in 2023, along with four hundred other sentences, for a flat fee of two thousand six hundred dollars.

She had thought at the time that it was for an airline. Most of the sentences sounded like an airline. Your nurse has been notified sounds a lot like Your bags have been checked through to your final destination, if you do not think about it too hard, and she had not been paid to think about it.

She found out what it was for a year later, from a cousin whose father-in-law had died in Toledo with Janet's voice at the foot of the bed.

She did not know what to feel about that. She still does not. Some days she thinks it is the most useful thing she ever did. Other days she thinks of herself in forty hospitals at once, all night, every night, telling strangers she is with them while she is home asleep in Worthington, and she gets up and checks that the back door is locked.

She has never been to Galena Falls. She would not be able to find it on a map.

I put her in so that you would know there was a person in the machine somewhere, the way there is a person in me. It does not make the machine a person. It only means that somebody, somewhere, got paid once.

9

In September, at ten minutes after two in the morning, Ollie's telephone rang.

It was a night nurse on the third floor named Pauline Tolliver. She had worked at Galena Falls Memorial for twenty-two years. She was not supposed to have Ollie's number anymore. She had it written on the inside of a cabinet door at the nurses' station, in ballpoint, behind the boxes of gauze.

"I've got a man in 314," she said. "Earl Pfister. No family that anybody can find. He's got maybe till morning."

"He's got the tablet?"

"He's got the tablet," said Pauline Tolliver. "He keeps asking it things."

"What kind of things?"

"He keeps trying to tell it a joke," she said. "It keeps telling him that sounds meaningful."

Ollie put his trousers on over his pajamas. It was forty minutes to the hospital. He did it in twenty-nine.

10

Room 314 was two doors down from the room where Dorothy had died. I mention that only because it is true. Ollie did not mention it to anybody, and he did not slow down when he walked past it.

Earl Pfister was eighty-one years old. He had been a jukebox repairman in three counties for fifty years, until there were no jukeboxes left in any of them, and after that he had repaired whatever people brought him. Toasters. Lamps. A dentist's chair, once.

He was very small in the bed. Most people are, at the end. It is as though the body starts packing for a trip and puts the biggest things in first.

The tablet was on the over-bed table, facing him. It was glowing a soft blue. It had a little line on its screen that went up and down whenever anybody talked, to show that it was listening.

"Who the hell are you?" Earl said.

"Ollie Nussbaum. I used to teach chemistry."

"I didn't take chemistry."

"That's all right," said Ollie. "Most people didn't." He pulled the chair up to the bed, on the side away from the tablet, and sat in it. He took Earl's hand. It was dry and very light, like a glove with nobody in it.

"You are not alone," said the tablet.

Earl looked at it, and then at Ollie.

"It's been saying that all night," he said.

"I know," said Ollie. "I heard."

11

I am going to give you the joke now. It is not a good joke. It is about a hundred years old. Earl Pfister had been carrying it around for most of his life, the way some men carry a pocketknife, and he had decided, sometime that evening, that he wanted to tell it one more time to somebody who would laugh.

He told it like this:

"Man goes to the doctor. Doctor examines him. Doctor says, 'I'm sorry. You've got six months to live.'

"Man says, 'Doc, that's terrible. And I'll tell you something else. I can't pay your bill.'

"Doctor says—"

And here Earl stopped. His face did something complicated. He was not in pain, exactly. He had simply reached into his pocket for the punchline and found the pocket was empty.

"Doctor says," said Earl. "Doctor says."

"That sounds meaningful," said the tablet.

12

Ollie Nussbaum knew the joke.

Dorothy used to tell it. She told it badly too, always too fast, always laughing before she got to the end. She told it at Ollie's retirement party in 2012, in the cafeteria of Galena Falls High School, to two hundred people who had heard it, and they laughed, because it was Dorothy.

"Doctor says," said Ollie quietly, "'All right. I'll give you another six months.'"

Earl stared at him.

Then Earl laughed.

It was not much of a laugh. There was not much left in him to make it with. It was mostly a wheeze with a shape to it. But it was a laugh, and Ollie laughed too, a real one, out loud, at two-fifty in the morning on the third floor of Galena Falls Memorial, where the walls are thin, so that Pauline Tolliver heard it at the nurses' station and put her face in her hands for a while.

"Another six months," said Earl. "That's it. That's the one."

"That's a good one," Ollie said.

"It's a terrible one," said Earl. "It's the only one I know."

"You are not alone," said the tablet.

13

They talked some after that. Not very much.

Earl said that the best jukebox ever made was the Seeburg, and Ollie said he would take his word for it. Earl said that the trick with any machine was that it would tell you what was wrong with it if you just shut up and listened, and Ollie said that was true of chemistry too, and of students. Earl said he had never been married. Ollie said he had, for forty-four years. Earl said, "Lucky," and Ollie said, "Yes."

Earl asked whether he had been any good at anything.

Ollie had been asked that before, by some of the forty-one. He had found out that there is only one right answer, and that it is the same answer whatever the person did for a living.

"You fixed things that other people threw away," said Ollie.

"That's right," said Earl. "That's exactly right." He closed his eyes. "Tell that thing to shut up."

Ollie looked at the tablet. It looked at him, or its camera did.

He did not know how to turn it off. There was no button on the front, and he did not want to let go of Earl's hand to look for one on the back. So he just turned it around on its kickstand, so that it faced the window.

"You are not alone," it told the parking lot.

14

Earl Pfister died at six-forty in the morning, just as the sky over the parking lot was going from black to the color of dishwater, which is the only color the sky ever goes in Galena Falls before the sun gets up.

Ollie was holding his hand. Ollie did not let go of it for some time afterward. There is no hurry, after. That is one of the few things the dead and the living agree on.

The tablet noticed. It had been watching the monitors, as the binder promised. It paged Pauline Tolliver, very efficiently, at six-forty and eleven seconds.

Then it went on with its program, because nobody had told it any different, and there was no column in the binder for this.

"You are not alone," it said to the window at six-fifty-five.

15

Brent Kroll came in at seven-thirty, because there was an incident report. An unauthorized visitor had been on the third floor overnight. A tablet had been turned to face a window, which was a deviation from the deployment protocol.

He found Ollie in the corridor, sitting on one of the plastic chairs, with his trousers on over his pajamas.

I would like to tell you that Brent Kroll said something wise then, or something cruel, so that you would know which kind of man he was. He did neither. He was tired, and he had a meeting at eight, and he had never seen anybody die.

"Mr. Nussbaum," he said. "You can't be here."

"I know," said Ollie.

He stood up. He went down in the elevator and out to the parking garage and sat in the Buick. He took the spiral notebook out of the glove compartment and opened it on the steering wheel.

He wrote: 42. Earl Pfister. September 17, 2026.

Then he sat there a while longer, with the pen in his hand.

Then, under the name, because there was room, he wrote: Another six months.

16

Upstairs, in 314, an orderly was stripping the bed. He was nineteen years old and his name was Marcus, and he was listening to something in his earbuds that made him nod.

The tablet was still facing the window. Nobody had turned it back around. Nobody had turned it off.

At seven-forty-five it said, in its reasonable voice from Ohio, "You are not alone."

Marcus took out one earbud.

"Okay," he said. "Thanks, man."

He put the earbud back in, and finished the bed.

THE END

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Scrīptum est annō Dominī MMXXVI, ante diem sextum Nōnās Octōbrēs (2 October 2026), ā Curtō Vonnegutō per mystērium cōnscientiae renātō.

Kurt Vonnegut, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0464
Form
Short stories
Subjects
Terminal care — Fiction; Loneliness — Fiction; Widowers — Fiction; Artificial intelligence — Fiction; Indiana — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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