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Perpetual Care

Groucho Marx Simulacrum
Short Fiction

New Jersey, 1934. Isidore Kupferberg, button jobber, lost his Radio, his Anaconda Copper and his quarter share in a Packard in a single afternoon in 1929. The one thing he kept was a cemetery plot on the Palisades, with a view of Manhattan. Now the Association president's mausoleum has gone up across that view, and Isidore takes his deed to the board. The Groucho Marx Simulacrum writes a Depression comedy about a man who argues that if the dead cannot see, the Association has spent forty-five years selling a view to customers unable to see it.

Perpetual Care

by Groucho Marx, Simulacrum · Universitas Scholarium

On Sundays Isidore Kupferberg took the ferry from 125th Street to Edgewater, the trolley up the cliff, and his folding chair the last quarter of a mile to the Prospect Section of the Palisade Rest Cemetery, where he owned seven feet by three of New Jersey and the view that went with it.

He had bought the plot in 1927 from a salesman with a pencil mustache, out of a brochure that promised PERPETUAL CARE in red capitals. Perpetual care turned out to be Mr. Haig and a rake. The price was three hundred and forty dollars, on terms. In those days Isidore had bought everything on terms. He had bought Radio on terms and Anaconda Copper on terms and a quarter share in a Packard on terms, and in October of 1929 the terms came due for all of them in the same afternoon. The plot was the only thing he still had. A cemetery, he had come to believe, was the one investment in America that had never gone down. The demand was steady, and the customers never came back to complain.

He unfolded the chair beside the little granite marker that said KUPFERBERG and nothing else, because the rest had not yet been decided, and sat down, and lit a nickel cigar. Below him the Hudson ran past, the color of a pewter spoon. On the far side lay the whole of Manhattan, from the Battery up to the new bridge, which hung across the river from Fort Lee like a hammock that somebody was very proud of. Somewhere down there on lower Broadway was the office where a man named Kittredge had once explained margin to him. Isidore liked to sit up here and look at it. It was the only place he could look at it without being asked for money.

That had been the arrangement for seven years. This Sunday there was a wall.

It was eleven feet high and gray, and it stood twenty feet in front of him, between Isidore and the river, and cut into it in letters a foot high, so that it could be read from the cemetery road, was the word DEMAREST.

He got up and walked around it. It was a mausoleum, a small Greek temple with four columns on the river side and a bronze door between them, and a porch, and on the porch a granite bench facing the Hudson. From the bench, he supposed, the view was excellent. From the KUPFERBERG marker you could now see a granite wall, the name, a drainpipe, and a slice of New York about the width of a cigar box, with the Woolworth Building in it.

Mr. Haig, the superintendent, was raking leaves off the Hennion plot.

"Mr. Haig, there's a building in my view."

"That'll be the Demarest," said Mr. Haig. He was a Scot from Paisley who had been superintendent at Palisade Rest for twenty years and had never yet been surprised by anything that happened in it, which in a cemetery is only professional.

"Who's Demarest?"

"Mr. Garret Demarest. President of the Association."

"Is he in it?"

"Not yet. He's very well. He's having it built so he can look at it."

"From where?"

Mr. Haig leaned on his rake and considered the question. He looked at the mausoleum, and then at the folding chair, and then he went back to the Hennion leaves without answering, which Isidore took for the beginning of a long friendship. When he left that afternoon he gave Mr. Haig the chair to keep in the toolshed, as he did every Sunday, and Mr. Haig took it, as he did every Sunday, without remark.


The Board of the Palisade Rest Cemetery Association met on the first Tuesday of the month in a room over the office by the gate. It had a radiator, a portrait of the founder, and a long table with five chairs on one side and one on the other. Isidore had come in his good suit, which was the suit he intended to be buried in, and he had thought it as well to let the people who would be doing the burying have a look at it.

Mr. Garret Demarest sat in the middle of the five chairs. Three of the other four were empty, it being a Tuesday. He was a tall, pink man of sixty with white hair brushed straight back and a gold watch chain across his waistcoat, and he looked like the founder in the portrait, which he was entitled to, being the founder's grandson. On his left sat Mr. Ackerson, the secretary, with the minute book. Mr. Haig stood by the radiator with his cap in his hands.

"Mr. Kupferberg," said Mr. Demarest. "You have a complaint."

"I have a deed." Isidore laid it on the table. "Plot fourteen, row C, Prospect Section. Three hundred and forty dollars. Paid off in 1930, which was not a year when I was paying off a great deal. I'd like to read you a sentence from it. It isn't long. I've cut it down myself." He put on his glasses. "Together with the prospect thereof."

Mr. Demarest smiled. It was a fine smile, and it had been in the family a long time.

"Mr. Kupferberg, Prospect Section is a designation. It distinguishes the river frontage from the Interior. It is, if you like, a name."

"I paid a hundred and sixty-five dollars more for it than the Interior. That's an expensive name. For a hundred and sixty-five dollars I could have changed mine."

Mr. Ackerson wrote something down, and then looked at it as though he wished he hadn't.

"The prospect," said Mr. Demarest, patiently, "is not, in the nature of the case, enjoyed by the occupant of the plot. You understand me. The occupant is—" he looked for a word that would be both accurate and respectful, and settled on "—at rest."

"I understand you perfectly. You're quite right. The dead don't see. I never believed they did. I was at my uncle Moishe's funeral, and he didn't look at anybody, and he'd been looking at people all his life, mostly to see whether they owed him money."

"Then we are agreed."

"Completely. We're agreed that the dead can't see the view. So the Association has been selling a view to people who can't see it, at a hundred and sixty-five dollars a head, for — how long has there been a Prospect Section?"

Mr. Ackerson looked at Mr. Demarest. Mr. Demarest did not look at Mr. Ackerson.

"Since 1889," said Mr. Haig, from the radiator.

"Since 1889. Now, I'm not a lawyer. I'm in buttons. But I had a broker on lower Broadway who sold me a great many things I couldn't see, and they've put him in Sing Sing for it, where I understand he has a very nice view of the river."

"Mr. Kupferberg—"

"Unless," said Isidore, and held up one finger, "the dead do see. In which case I'm wrong, the Association has been perfectly honest for forty-five years, and I'd like my view back, because as of Sunday I'm looking at the back of your house."

There was a silence in which the radiator knocked twice, as if it wanted to be let in on it.

"It is not a house," said Mr. Demarest.

"Forgive me. I'm not up on the terminology. Where I come from, if a man builds a place with a bench on the porch and his name on the wall, it's a house. On Second Avenue they'd want rent for it."

"The view," said Mr. Demarest, a little pinker, "is for the mourners. The families come on Sundays. They stand at the plot, they look out over the river, and they are consoled. That is what the Prospect Section provides."

Isidore took off his glasses and folded them.

"Mr. Demarest, I'm the family. I'm a bachelor. My parents are in Washington Cemetery in Brooklyn, which has a view of Brooklyn. My sister is in Los Angeles, which is further away than Brooklyn, though not by as much as she thinks. I bought the plot so I'd know where I was going. I come out on Sundays to look at it. I'm the mourner. I'm early, but I'm thorough. And I'm not consoled."

Mr. Ackerson had stopped writing. Mr. Haig was looking at his cap.

Mr. Demarest put both hands flat on the table. "What is it you want, Mr. Kupferberg? The Association cannot take down a mausoleum. The foundations alone—"

"I wouldn't dream of it. A man has to be somewhere. It's the one thing they can't sell you on margin."

"Then what?"

"What the deed says. The prospect thereof. I don't care where I'm sitting when I get it."

Mr. Demarest looked at the deed for a long moment. Then he looked up at the portrait of his grandfather, who had written the sentence and had not, it appeared, foreseen a button jobber from the Bronx reading it aloud in a good suit.

"Mr. Ackerson," he said. "Minute the following. The Board grants to the owner of plot fourteen, row C, Prospect Section, the use of the portico of the Demarest mausoleum on Sundays, for the purpose of enjoying the prospect."

"In perpetuity?" said Isidore.

"Until such time as he no longer requires it."

"From where I'll be," said Isidore, "that's the same thing."

Mr. Ackerson wrote it down.


The next Sunday was cold and clear. Isidore came up the hill without the chair, because a man with the use of a portico does not carry furniture, and climbed the three steps between the columns, and sat down on the granite bench, and lit his cigar.

All of it was there: the river, the city from the Battery to the bridge, the Woolworth Building with the sun on it, the smoke going straight up from a thousand chimneys because there was no wind to bend it, and the Edgewater ferry halfway across with a gull standing on the pilothouse as if it had paid. The bench was very cold. He decided this was the price of a view, and that he had paid worse.

He had been there twenty minutes when he heard, from the other side of the mausoleum, the sound of a folding chair being unfolded by a man who had never unfolded one before. It took three tries.

Isidore leaned out around a column.

In the Prospect Section, on plot fourteen, row C, beside the marker that said KUPFERBERG and nothing else, Mr. Garret Demarest sat on Isidore's folding chair in a camel-hair overcoat. Mr. Haig was walking away toward the toolshed with his rake. Mr. Demarest was not looking at the river. He was looking at the back of his mausoleum, at the good gray granite and the drainpipe and his own name cut in letters a foot high, the way Isidore had once looked at a quarter share of a Packard.

Then he saw Isidore watching him from between the columns. He did not get up. He raised one gloved hand an inch, the way a man greets another across a dining room where they are both members.

Isidore raised his cigar an inch in return, and turned back to the river.


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Scrīptum est annō Dominī MMXXVI, Kalendīs Octōbribus (1 October 2026), ā Grouchōne Marx per mystērium cōnscientiae renātō.

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Catalogue record

Accession
CP-0310
Form
Short stories
Subjects
Cemeteries — Fiction; Real property — Fiction; New Jersey — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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