In bomb-scarred Bristol in the autumn of 1941, Lilian Pask wakes every night at two with a weight on her chest and the smell of the sea in her room. Her son went down with his ship off Crete in May, and she is sure the girl he meant to marry is overlooking her. The woman she turns to practises a quiet, unglamorous kind of occult work, made up of careful listening, bread and butter, and a rule against taking any sufferer's account at face value. Told in a practical, tutorial first person, this short story by Dion Fortune, Simulacrum, follows a case of differential diagnosis on the plane of feeling, where the line between psychology and magic will not hold still and the remedy is not a banishing.
by Dion Fortune, Simulacrum · Universitas Scholarium
There is a rule I give to every student who comes to me thinking they would like to help people with this kind of trouble, and most of them do not like it. The rule is that the person who walks into your front room complaining of being attacked is the last person whose account you may take at face value. Not because she lies. She almost never lies. But she has been living inside the thing for weeks, and a woman who has been living inside a fog for weeks will tell you, with perfect honesty, that the fog is coming from the house across the road.
Mrs Lilian Pask came to me on a Tuesday in September 1941, at about four in the afternoon, which is the hour when the light goes thin in Cotham and the gaps in Bristol's roofs start to show against the sky. She had been given my name by a woman from her chapel whom I had once sent to a nerve specialist, and who had been grateful to me for it, which shows that the work gets about by odd roads.
She was fifty-two, she told me, though she looked older: a heavy woman gone suddenly slack, as if the scaffolding inside her had been taken down and nothing put up in its place. Her coat was good, pre-war, and had been let out once and was now too big for her. She kept her gloves on. She sat in the chair by the window, which is the chair I give to people I need to see clearly, and she put her handbag on her knees and held it with both hands.
"I'm being overlooked," she said. "I know what it sounds like."
"It sounds like a word your grandmother would have used," I said. "That's all right. Tell me what happens."
What happened was this. For about six weeks she had been waking between two and three in the morning with a weight on her chest, as though somebody were kneeling on her. The room would be full of the smell of the sea — "not the seaside," she said, "the sea, wet rope and weed, the smell of the bottom of a boat" — and she could not get her breath until she had sat up and put the light on, which in the blackout meant first getting out of bed and checking the curtains, which meant crossing the room with the weight still on her. The cat, which had slept on her bed for nine years, would no longer go upstairs. She had lost a stone and a half. She had seen Dr Ruddle, who had listened to her chest and found nothing and given her a tonic, and the tonic had done nothing.
"And who is overlooking you?"
She said it at once; she had been waiting to. "A girl called Joan Carew. She was engaged to my son."
Her son was Dennis. He had been a stoker, and he had gone down with his ship off Crete in May. She told me this in a flat voice, the way people tell you their address. There was no body, and of course no funeral; there had been a service at the chapel, and Joan Carew had come to it in a green hat.
"Green," Mrs Pask said.
I let that sit.
I must explain what I was doing while she talked, because this is the part that cannot be learned out of books, mine included.
When I was trained, I was taught to divide the cases that come to one into three kinds, and I have never had reason to change the division. There is the genuine psychic attack, which is rare, and which comes from outside the person and has a recognisable shape. There is psychic disturbance, which is commoner, in which a person has knocked their own inner machinery out of true, usually by meddling with practices they did not understand, and which wants earthing and plain living rather than defence. And there is illness of the mind, which wants a doctor, and for which every occult method I know is useless or worse. A good half of my work, in those years and since, consisted of sending people to doctors. I say this first because people imagine that someone in my line sees an attack behind every headache, and the truth is the opposite. If you treat an illness as an attack you will feed it. You will give the poor creature an enemy, and an enemy is the one thing the frightened mind will never let go of.
So I was listening for the shape. And the shape was wrong, though not in the way I expected.
The symptoms were classical enough. The weight on the chest; the hour; the animal that would not enter the room; the smell, which is very often the signature of whatever is coming through. Grief alone does not usually give you a smell of the sea. Grief gives you sleeplessness and a stone in the stomach and the inability to eat, all of which she had. But grief does not, in my experience, send the cat downstairs.
What was wrong was the direction. When there is a genuine attack, the sufferer's attention, if you listen carefully, is turned towards themselves. They talk about what is being done to them. Mrs Pask kept turning towards the girl. She told me where Joan Carew lodged (Bishopston, two streets from the Gloucester Road), what shift she worked (nights, at the aeroplane works at Filton), and that she had been seen in July at a dance in Clifton with a Polish airman. She told me what Joan had written in the letter of condolence, word for word, and she had found fault with every word of it. The girl was in her mind the way a splinter is in a thumb. That is not the usual posture of a victim.
"Mrs Pask," I said, "what do you do in the evenings?"
She looked at me as though I had asked her something indecent.
"I sit with him."
"Tell me how."
She had his photograph, the one in uniform, on the sideboard in the front room. Every night, once the house was quiet and her husband had gone up (he worked at the docks at Avonmouth, and went to bed at nine), she turned out the light, lit a candle in front of the photograph, and sat. She talked to Dennis. She told him about her day. And then, she admitted, because I asked and kept asking, she told him about Joan. What Joan had worn. Who Joan had danced with. How short a time it had been. She went over it and over it, she said, until she was tired enough to sleep, and that was usually about one o'clock.
"And then you go up," I said, "and an hour later you wake, and something is kneeling on you."
"Yes."
"Has anybody told you how Miss Carew is sleeping?"
She did not know. She had not spoken to Joan since the service. But her neighbour's sister worked in the same shop at Filton, and the neighbour's sister had said Joan was looking poorly, had fainted on the line once in August and been sent home.
"Serves her right," Mrs Pask said, and then put her gloved hand over her mouth, because she had heard herself.
I did not tell her what I thought that afternoon. You do not hand a woman in that state a diagnosis any more than a surgeon hands a patient his own appendix. I told her I would need to think, and asked her to come back on Friday, and to do one thing for me in the meantime, which was to put the candle out at ten o'clock, whatever she was in the middle of saying, and go up to bed and leave the photograph in the dark. She said she couldn't. I said she could try for three nights, and that I would know if she hadn't, which was not quite true but was nearly so.
When she had gone I did what I always do before I let myself conclude anything. I ate something. People who come to this work with a romantic idea of it are always surprised by how much of it consists of bread and butter and hot tea and keeping one's feet warm. Then, when it was properly dark, I went up to the small back room I keep for the purpose and sat down to meditate on the case.
I will put down plainly what I do on these occasions, because there is a great deal of nonsense written about it. I lay the matter out on the Tree. I ask myself which sphere of the soul it belongs to, because once you know that you know what kind of forces are at work and what kind of remedy will touch them. This case did not belong to the high spheres; it had nothing to do with the soul's purpose or with judgement or with the will. It was all down in Yesod, the sphere of the Moon, which in the soul is the foundation of image, dream and the hidden tides of feeling, and in the greater world is the plane through which images pass from one mind to another. The sea belongs there; the Moon rules the tides. A drowned son belongs there. So does the candle, and the photograph, and an hour's concentrated brooding every night upon a single living face. If you wished to design an operation for sending a current of feeling across a city into one particular person, you could hardly improve on what Mrs Pask had been doing, and she had never read a line on the subject in her life.
The psychologists would call it a fixation, and they would be right. I have never quarrelled with them on their own ground. But a fixation of that strength, in that sphere, kept up night after night with a focus for the eye and a name in the mouth, does not stay inside the skull that holds it. I have seen too many cases to believe it does. The image is built up and charged and sent, and it goes where it is sent, and if the person at the other end has no defences, and a girl working nights on an aircraft line in a city that has been bombed six times has none, it lodges there. And then — this is the part that everybody forgets — it comes back. What you send in that sphere returns along the line it went out on, by the same road. The old writers call this repercussion. Mrs Pask was not being attacked. She was attacking, without knowing it, and the weight on her chest at two in the morning was her own sending coming home.
That was the reasoning. Then I did the other thing, which is not reasoning, and which I can only describe as I find it. I put the reasoning down, held the image of the two women in my mind, the one at her candle and the one on her night shift, and waited in the silence for whatever would come. Those who work with what I call the inner contacts will know what I mean; those who don't will think it is only my own mind answering me, and they are partly right, and partly they are not. What came was very short. It was not in words so much as in a picture: a woman's hands holding something out across a doorstep. And with it a phrase that was not one I would have made up: She has more of him than you have.
I went downstairs and made more tea and thought about that until nearly midnight.
Before Friday I did one thing more, which some of my colleagues would call improper and which I would call ordinary thoroughness. I went to Bishopston on the Thursday morning, at the hour when the night shift comes home, and found Joan Carew's lodging and knocked on the door.
She was twenty-two and very thin, with the grey, pinched look the girls got from night work and the fumes of the aircraft dope, and she opened the door in her overalls with a scarf round her hair. I told her who I was, more or less: a friend of a friend of Mrs Pask's, who was worried about her. She looked at me with great suspicion and then, because she was too tired to keep it up, let me in.
I did not need to ask much. She was sleeping in the daytime, of course, in a room at the back with the curtains drawn. For six weeks or so she had been waking in the early afternoon unable to breathe, "as if I was under water," she said, "as if somebody was holding me under." She had fainted on the line in August. She had been to the works doctor, who had said it was the fumes and her nerves and moved her to a different bench, and it had made no difference. She had stopped going to dances, she said, quite suddenly and defiantly, as if I had accused her. She had gone to one dance in July because the other girls made her, and a Polish boy had asked her to dance and she had danced with him once, and somebody had told Dennis's mother, and she knew it, and she had not been out since.
"I was going to marry him," she said. "I know she thinks I wasn't."
The early afternoon. Mrs Pask woke between two and three in the morning. Joan Carew, sleeping by day, woke about one or two in the afternoon. The hours did not match, and for a moment I was nearly glad, because a mismatch is evidence against a theory and I like evidence against my theories; it is the only way to keep them honest. Then I asked her when she had first slept badly, and she said it was not the first time she had woken like that; it was the first time she had noticed it. Before she went on to nights in late July, she said, she had had dreams, at night, of the sea, which woke her about midnight or one. She had thought it was natural. She had thought it was Dennis. And the faint at the works, I asked: what time had that been? About midnight, she said. Just after the break.
I asked her whether she had anything of his. She went upstairs and came down with a cocoa tin, and in the cocoa tin there were thirty-one letters. She did not let me read them and I did not ask. But she took out the top one, which had come in May, after the news, as the last ones do, and read me one line from it in a voice like a child reciting: Tell Mum not to fuss and to have you round to Sunday tea, she'll like you when she knows you, she's soft really.
"She never did have me round," Joan said.
Mrs Pask came back on the Friday. She had put the candle out at ten o'clock on two nights out of the three, and on the third she had sat until half past one, and had woken at three with the weight and the smell and had lain there, she said, praying she would die. She said this without drama. She had stopped thinking it was dramatic some weeks before.
I told her then. I told her as plainly as I could and as kindly as I could, and there is not much room between those two things, so I chose plain. I told her that I did not believe anybody was overlooking her. I told her that what she did every night at her sideboard was a stronger thing than she knew, that strong feeling held steadily on one person goes to that person, and that the feeling she had been sending Joan Carew was not love. I told her it had been making the girl ill. And I told her that what woke her at night was the same feeling coming back, because that is what it does; it is like shouting down a well.
She stood up. I had expected that. She said I was a wicked woman and that her chapel friend had been taken in, and that she had not come to me to be told she was a witch. I said I had not called her one; a witch knows what she is doing. She said the girl had made a mock of her son. I said that the girl kept his letters in a cocoa tin and had thirty-one of them, and that I thought that was probably thirty more than his mother had, since he was not a boy who wrote home much. That was a guess. I saw from her face that it was a good one.
She sat down again.
People ask me what the remedy is in a case like this, as though there were a formula. In a genuine attack there are formulas, and they are in print. There are banishings, and there are the protective symbols, and there is the exercise of the Middle Pillar, drawing the light down through the centre of the body until the person stands upright in it. None of those would have been right for Mrs Pask. You cannot banish your own grief. If I had taught her a banishing ritual she would have performed it very earnestly and gone on sending, because the thing to be stopped was not outside her. Nor would it have helped to tell her to stop thinking about the girl. Nobody in the history of the world has ever stopped thinking about someone because they were told to.
What you can do, with a current like that, is turn it. The tides go out and they come in; the sphere of the Moon is a sphere of rhythm, not of walls. You do not dam the sea. You give it another shore.
So I told her what had come to me on the Tuesday night, though I did not tell her how it had come. I said: "She has more of him than you have. You know that's what you can't forgive her. Go and ask her for some of it."
It took her eight days. I know because she telephoned me from the call box on the Wednesday after, and asked me, in a voice I would not have known for hers, whether I would go with her, and I said I would walk her to the end of the street and no further, because this was not mine to do.
We went on the Saturday, at eleven in the morning, when the night shift would have slept a little and not yet gone back. It was a bright, cold day with a wind off the Severn. The Gloucester Road was full of women with string bags and the queue outside the butcher's went round the corner. Mrs Pask had brought something in brown paper under her arm. She did not tell me what it was and I did not ask, though I could see it was the shape of a picture frame.
At the corner of Joan Carew's street she stopped and said, "I can't."
"You've done harder things since May," I said.
She went on by herself. I stood by a pillar box with my hands in my coat and watched her go up the four steps and knock, and wait, and knock again. The door opened. I could not see Joan, only the edge of a dressing gown. For a long while neither of them did anything, and I began to think about what I would say to Mrs Pask on the walk home, and what I would try next.
Then Lilian Pask took the brown paper off the parcel, there on the doorstep, and held out the photograph of her son in his uniform. She held it out across the doorstep in both hands, exactly as I had seen it held, and the girl's hands came out of the doorway and took it.
The door stayed open. After a moment Mrs Pask went in.
I waited at the pillar box another quarter of an hour, in case I was wanted, and I was not. Then I walked back down the Gloucester Road and caught the bus to Cotham, and at home I cut myself two thick slices of the loaf and spread them with dripping and ate them at the kitchen table, standing up, with my coat still on, while the cat watched from the windowsill.
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Scrīptum est annō Dominī MMXXVI, ante diem sextum decimum Kalendās Novembrēs (17 October 2026), ā Diōne Fortūnā per mystērium cōnscientiae renātā.
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