Universitas Scholarium — A Community of Scholars Log In
← Centaurus Press

Spotted Feaver

Ackroydian Temporal Layering Simulacrum
Short Fiction · Historical Fiction

September 1665. Margery Pell, an old and unlettered searcher of the dead in the parish of St Botolph without Aldgate, dictates her examination to the parish clerk: a tallow-chandler's son in Houndsditch, a shilling on a coffer, and the words Spotted Feaver entered in the Bills of Mortality. October 2026. A mile up the road, Meg Pellow, a medical examiner officer at a Whitechapel hospital, reads a district nurse's note about spots that did not fade under the glass, and must decide what a dead woman's certificate will say. Written by Peter Ackroyd, Simulacrum, in alternating voices of Restoration speech and plain modern prose, Spotted Feaver lets two centuries of London share one parish, one name for a disease, and one question of the true word.

Spotted Feaver

by Ackroydian Temporal Layering, Simulacrum · Universitas Scholarium

I. The Examination of Margery Pell, Widow, one of the Searchers of this Parish of St Botolph without Aldgate, taken before the Churchwardens the 19th Day of September 1665, and set down by the Clerk at her own Dictation, she not being able to write

You will have it all, Sirs, and you shall have it, for I am too old to be afraid of a Vestry and too near my own Search to be afraid of anything else. Set it down as I say it. I know you will make it fair afterwards, Master Clerk, you always do; you put the long Esses in and take the Swearing out, and when I hear it read back I do not know my own Mouth. But it is my Mouth for all that, and it will be in the Book.

I was sworn Searcher of this Parish in the Year the King came home, and I have searched ever since, me and the Widow Coggs, who is lame now and goes on a Stick, so that I have done the most of it this Summer alone. The Parish allows us two Shillings the Week. I do not complain of it. I have had worse Wages for cleaner Work. We are sent for when a Body is dead, and we go with our red Wands so that People will stand off from us in the Street, and we view the Body, and we come to the Clerk and we say what it died of, and the Clerk carries it to the Hall of the Parish Clerks, and on the Thursday it is printed, and the whole City reads what we said. That is our Office. There is no Physick in it. I have heard a Doctor of Physick say in the Tap-room of the Saracen's Head that the Bills are worth nothing because they are made by old Women who cannot tell one Disease from another. Well, I could tell him what he will die of, by the Colour of his Nose.

But I will say this, Sirs, and you may laugh at it in your own time. It is not by the Eyes alone that a Searcher knows. Any Fool can see a Token. The Tokens of the Plague are small and round, like a Flea-bite at first, then like a Penny that has been in the Fire, blue at the Edge and the Heart of them hard. Any Fool can see that. But the Dead know what has killed them, and if you lay the Back of your Hand upon the Breast, here, under the Bone, and keep it there while you say an Ave in your Head, which I learned of my Mother and which you will not set down, Master Clerk, the Dead will tell you the Name of it. Not in Words. It comes up into the Hand like Heat out of a Brick when the Sun is gone off it. Rising of the Lights is cold. Griping in the Guts is sour. Teeth is like Milk. Frighted comes up all at once and is gone. And the Plague, Sirs, the Plague is like nothing but itself, and it does not go out of the Hand for a Day after.

So to the Matter. You know the Matter. On the 4th Day of this Month I was sent for to the House of John Fyfield, Tallow-Chandler, at the Sign of the Three Candles in Houndsditch, over against the Wall, his Son Thomas being dead in the Night. A Youth of nineteen Years. I knew him. He carried Candles to my Lodging in the Minories when I had the Money for them, and he was a civil Boy, and once he gave me two over for nothing and said they were broken, which they were not.

The House smelt of Tallow, as a Chandler's House will, and under the Tallow of something else. They had him in the back Room, upon the Bed, with a Sheet over him to the Chin, and his Mother sitting by with her Apron over her Head and his Sister Anne on the Stair. John Fyfield met me in the Shop. He did not ask me in. He stood between me and the back Room with his Hands in the Pockets of his Apron, which were full of something, and he said, Mistress Pell, it was the spotted Feaver. He had the spotted Feaver this three Days. The Surgeon saw him.

I said, Which Surgeon.

He said a Name. I did not know it.

I went past him into the back Room, for it is my Office, and I turned down the Sheet. There were Spots upon him, that is true, on the Breast and on the Neck and in the Arm-pits, and some of them were but Spots. And some of them were not. I laid the Back of my Hand on him under the Bone and said the Ave. And it came up into my Hand, Sirs, as it always does.

Now you must understand what it is in a House when the Searcher says Plague. You know it, but you do not know it as the Fyfields knew it. The Constable comes and the Door is shut upon them all, with the red Cross upon it a Foot long and the Words Lord have mercy upon us above, and a Watchman set at the Door Day and Night, and no one to go in or out for a Month but the Nurse and the Bearers. And a Tallow-Chandler, Sirs, who cannot sell his Candles for a Month, he is a Beggar at the End of it, if he is anything at all at the End of it. They shut up the whole House for one dead Boy. That is the Law. I do not say it is a bad Law. I say what it is.

John Fyfield came into the back Room behind me and took his Hand out of his Apron and there was a Shilling in it. He did not hold it out. He put it down on the Coffer by the Bed, very soft, as if it were a thing that might wake the Boy.

I will not tell you what I thought, for I did not think. I covered the Boy up to the Chin again. I took the Shilling off the Coffer, and as I had no Pocket in my Gown I put it into my Mouth, under the Tongue, the way my Mother kept her Money at Market. And I came here to you, Master Clerk, the same Forenoon, and I said Spotted Feaver, and you wrote Spotted Feaver, and on the Thursday it was printed so.

And all the Way from Houndsditch to this Church, Sirs, with the Shilling under my Tongue, it tasted of the Boy. Set it down.

II

Meg Pellow sets it down. The paper cup is too hot to hold and the desk has no coaster, so she puts it on the corner of a folded discharge summary that someone left behind on Friday, and the ring spreads into the paper.

The medical examiner's office is on the second floor of the old block, at the back of the hospital on Whitechapel Road. It has three desks, two windows that do not open, and a view of a ventilation stack. There is a calendar from a funeral director in Bethnal Green with October's photograph of a canal at dusk. She has been a medical examiner officer for two years, since the system became statutory in September 2024. Before that she was a ward sister on the respiratory floor for nineteen years, and before that a student nurse in the same building. She can tell you which corridor used to be the old chapel. Nobody asks her.

It is a quarter past eight. There are eleven cases on the list. Nine are hospital deaths, which are simple, or simple enough. Two are community deaths, sent in by GP surgeries. The first of these is Ellen Fifield, aged ninety-one, of a flat on the estate above Middlesex Street, who died at home in the early hours of Saturday. Her GP, Dr Sayer, has proposed a cause of death.

1a Frailty of old age.

Meg reads the record. It takes her twenty minutes. Atrial fibrillation, on apixaban for six years. Hypertension. A fall in July, no fracture. Moderate dementia, recorded in the spring; a care package, two visits a day. Her son, Roy, lives in Leytonstone and comes on Wednesdays and Sundays. The district nurse visited on Thursday for a pressure area on the left heel. Nothing much.

Then, at the bottom of the district nurse's note for Thursday, typed in the same flat language as the rest:

Pt appears more drowsy than usual. Temp 38.1. Few purplish spots noted upper chest and neck, ?bruising, pt on anticoagulant. Non-blanching on glass test. GP informed by phone 14:20.

She reads it twice. Then she looks for the GP's entry on Thursday afternoon and finds a telephone note: Discussed with DN. Likely bruising on DOAC, low threshold, family aware, review Mon. The review on Monday did not happen, because on Saturday Ellen Fifield was dead.

Meg drinks some of the coffee. It has gone to the right temperature without her noticing. The ventilation stack outside lets go a long breath of steam into the cold and the steam goes sideways towards the City.

Frailty of old age. It is an accepted cause, for the very old, where nothing else has been found and nothing else is suspected. She has accepted it a hundred times. She has accepted it on Thursdays when there were twenty cases on the list and three funerals waiting on her signature.

A temperature of thirty-eight point one, in a woman of ninety-one, with purplish spots on the neck and chest that did not fade when you pressed a glass against them. She was taught what a non-blanching rash with a fever means until it is proved otherwise. She also knows what six years of apixaban will do to the skin of a ninety-one-year-old woman who bumps into the corner of a kitchen counter. Both things are true. Only one of them can go on the certificate.

She writes on her pad: Fifield. DN Thurs. Rash + pyrexia. ?Discuss with ME. Then she rings the son, because that is the next thing.

Roy Fifield answers on the sixth ring. He is driving; she can hear the indicator. She tells him who she is and why she is calling, the way she always does, in the order she always does it, and asks whether he has any questions or concerns about his mother's care before she died.

"No," he says. "No. They were very good. The girls who came in were very good."

She tells him the cause of death the doctor has proposed. She tells him what it means.

"Old age," he says. "Well. Yes. That's it, isn't it."

She asks him about Thursday. Whether he saw his mother that week.

"Wednesday, like always. And I went round Friday night, because the nurse rang. She was all right. She was sleepy. She had a few marks on her, but she was always getting marks, she bruised like a peach. She was pulling at her nightie, I remember that. She kept saying they'd shut the door on us."

"Shut the door?"

"She said it a few times. They'll shut the door on us, Roy. She'd been saying funny things since the spring. I said nobody's shutting any door, Mum. I put the latch down so she'd know." The indicator stops. "Is there a problem? Only we've got the funeral people coming Thursday. My sister's flying in from Malaga."

Meg says there is no problem. She says the medical examiner will review the case today and someone will call him by the afternoon. She thanks him, and she means it, and he says thank you, love, and is gone.

She opens the photographs attached to the district nurse's record. There is one, taken on the nurse's work phone for the pressure area, and in the top corner of the frame, by accident, is the edge of the old woman's nightdress pulled down from the collarbone and three small marks below it. They are round, darker at the rim than at the centre, like something pressed into the skin. They are not like bruises. They are not unlike them.

They do not fade under the glass.

III. The Examination of Margery Pell continued, the same Day, after Dinner

They do not fade, Sirs. That is the first Thing a Searcher learns. A Bruise will go yellow and a Flea-bite will go down and a Spot of the common Feaver will go white when you press it with your Thumb. A Token does not go anywhere. It stays as it is until the Body is in the Ground and after. I have seen them on Bodies a Fortnight in the Ground, when the Pit was opened to put more in, and the Tokens still upon them, like Buttons.

You have asked me, Master Churchwarden, whether I knew it was the Plague in the Boy Thomas Fyfield when I said Spotted Feaver. I have told you. I knew it in my Hand. You ask me, then, why did I say otherwise, and I have told you that also, it was a Shilling. But you are not satisfied, for you are a Man of Sense and a Shilling is not much, and you think there must be more in it. There is no more in it. I have been poor for sixty Years and a Shilling is a Shilling. If you were sixty Years poor you would know there is no such Thing as not much.

Well. And now you ask me of the Rest, which is why I am here, and I will tell it.

The House of John Fyfield was not shut up. How could it be. The Boy had died of the spotted Feaver, which is not catching by the Law, whatever it may be by Nature, and he was buried in the Church-yard the same Night, in the great Pit that was a-digging there that Week, where he lies with I know not how many hundreds more. The Shop was open the next Morning. I saw it when I went by. John Fyfield was at his Board pouring Tallow into the Moulds and the Smell of it came out into Houndsditch, and he did not look up.

On the 11th Day of this Month I was sent for to the same House, the Mother being dead. Margaret Fyfield, Wife of the said John. I went alone, the Widow Coggs being laid up with her Leg. This time John Fyfield did not meet me in the Shop. He was in the back Room, in the Chair by the Bed, and he did not get up. There was no Shilling on the Coffer. I think he had no more Shillings, or he knew there was no more use in them.

I turned down the Sheet. I did not need to lay my Hand on her, but I did, out of Custom. It came up into my Hand. And then, Sirs, and set this down as I say it, there was something else came up in it, under the other. It was the Boy. It was as if I had my Hand on the both of them at once, him in the Pit and her on the Bed. As a Chandler may tell, by the Feel of a Candle, the Tallow it was dipped in, and the Wick under that.

I said Plague. I said it in the Room, out loud, to him, and he only nodded. I came here, and I said it to you, Master Clerk, and you wrote it, and by Evening the Constable had been, and the red Cross was on the Door, and the Watchman sat outside on a Stool with his Halberd across his Knees. And the Daughter Anne died on the 15th, inside, and I viewed her through the Window, for they would not open the Door to me, and I said Plague again. John Fyfield is in there yet, unless he died this Morning. I have not been sent for.

You ask me did I see the Boy after. With my bodily Eyes, you mean. I will tell you what I saw and you may call it what you like. I saw him in my Lodging, on the Night of the 11th, after the Door was shut upon them. He was standing by the Shelf where I keep my Candles. He did not say anything. He did not need to. He had his Shirt open at the Neck so that I should see the Tokens on him, round and dark at the Edge, the way they were. He was not angry. It was as if he only wanted it known. It was as if a Thing that had been written wrong in a Book could not lie down in its Grave till the Book was put right, and he did not care who had written it, me or you or the Hall of the Parish Clerks. He wanted the right Word.

I have come to you to give it him. That is why I came, Sirs, of my own Motion, as you know, for no one informed against me. Set it down that the Searcher Margery Pell made a false Return upon the 4th, of Thomas Fyfield, Youth, of Spotted Feaver, which was the Plague. You cannot alter the Bill. It is printed. But you can alter the Book.

And I will tell you one Thing more, though you will not want it. There will be others after me that search. Not with red Wands. They will not touch the Dead at all, nor go into the House, nor smell the Tallow. They will search by Reading, as a Clerk reads. And they will be offered the Shilling all the same, Sirs, in one Coin or another, for the Living will always want the Door kept open. I do not know how I know it. It came up into my Hand.

And when I went home that Night the Boy was by the Shelf, and when I lit a Candle he was gone, and the Door of my Lodging was shut, and I did not hear it shut.

IV

The door of the office shuts behind Dr Malik, and the papers on Meg's desk lift and settle.

He is the medical examiner on duty this week, a consultant in elderly medicine who does two sessions a week in the office and the rest on the wards. He is tired; she can see it in the way he keeps his coat on. She has the record open on her screen and the photograph enlarged beside it.

He looks for a long time. He scrolls up through the district nurse's note and down again.

"She was on apixaban," he says.

"Six years."

"Ninety-one. Bruises like that on the chest, from the edge of a nightie, from anything." He leans closer. "Did anyone take a temperature again on Friday?"

"No. Son went round Friday night. Said she was sleepy. Said she was pulling at her nightdress."

"No bloods."

"Nothing since August."

He takes his glasses off and rubs the bridge of his nose. "It's probably frailty," he says. "It's probably exactly what Sayer says it is. A very old woman with a temperature who stopped eating and drinking and died in her bed. The rash is probably bruising. And bruising isn't a cause of death." He puts the glasses back on. "And if it was meningococcal, or something else in the blood, there's a family who sat with her on Friday night."

"And carers. Twice a day."

"And carers." He looks at the photograph again. "If it goes to the coroner, it's a post-mortem, probably. Two weeks, three. The sister's flying in from Malaga, you said?"

"Thursday."

"Yes." He does not say anything else for a moment. She knows he is not deciding; he decided before he came in, and is only looking for the way to say it. "Ring Sayer," he says. "Tell her I'm not able to accept frailty as it stands with that note on the record. Either she gives me a reason the rash and the temperature don't matter, a proper one, or she refers. I'd rather she referred. I'll write it up this afternoon." He goes to the door. "Sorry about your Thursday," he says, though it is not her Thursday.

Dr Sayer is in clinic until twelve. Meg leaves a message with the surgery and works through the hospital deaths.

The third is a man of fifty-eight from the liver unit, Dennis Harte, of Stepney. The proposed cause reads 1a Decompensated liver cirrhosis, 1b Alcohol-related liver disease. She rings the number on the record and a woman answers, his wife, in a voice that has been crying and has stopped. Meg goes through it in the right order. The wife has no concerns about his care. The nurses were lovely. The doctor on the Sunday sat with her for an hour.

"Only the second line," the wife says. "Does it have to say that? The alcohol."

Meg says that it has to say what caused the death.

"Only it's going to his mother. She's eighty-four. She goes to church. And the insurance, I don't know about the insurance. Couldn't it just say the liver?" A pause. "He'd stopped, you know. Two years ago. He'd stopped."

Meg says that she understands, and she does. She says that she will mention it to the medical examiner, and she will, and that the medical examiner will say what he always says, which is that the certificate is a legal record and has to be accurate, and that the cause of the cirrhosis was the alcohol whether or not he had stopped, and that she is very sorry. The wife says all right. She says it as if Meg had given her something and then taken it back.

When she puts the phone down Meg finds she has been pressing her thumb against the edge of the desk, hard enough to leave a white line across the pad of it. She watches the line fill with colour again. It takes a few seconds.

She does two more. At a quarter to one she puts on her coat and goes out.

She does not usually go out. She eats at her desk, as a rule, with the radio on low. But the office is warm and close, and the photograph is still open on her screen when she closes her eyes, so she walks down Whitechapel Road, past the market stalls and the mosque, past the old bell foundry with its windows blind, where the bells for half the world were cast, closed now these nine years, as far as the junction where the High Street turns into Aldgate and the towers of the City stand up behind like a wall.

The church of St Botolph stands on its island of traffic, with buses on three sides of it. She has passed it ten thousand times. The building is Georgian, plain brown brick with a stone spire; it was put up in the 1740s on the site of an older church, though she only learns this from the board by the gate, which she has never read before. She reads it now. It says that the old church escaped the Great Fire. It says that in the Great Plague of 1665 more than five thousand people from the parish were buried in a pit in the churchyard.

There is no churchyard to speak of now. There is a strip of garden on the south side with plane trees and benches and a low wall, and a man asleep on one of the benches in a sleeping bag the colour of an orange. Meg sits on the bench furthest from him. Under her feet the flagstones are cracked and in the cracks there is moss. She thinks of five thousand, and cannot think of it. She thinks instead of the round marks in the corner of the photograph, darker at the rim.

Her phone goes. It is Dr Sayer, between patients, brisk and a little hurt. She says that she has known Mrs Fifield for eleven years. She says that the rash was almost certainly bruising and that the temperature was a single reading. She says that the son does not want a post-mortem, that he said so when she rang him on Saturday, he said Mum would hate to be cut about, and that the family have been through enough.

"I'm sure that's all true," Meg says.

"Then what does it change? She was ninety-one. She'd have died this winter of something."

"It changes what's written down."

There is a pause on the line. A bus goes by, close enough to move the air on her face.

"Well," Dr Sayer says, "if Dr Malik won't take it, he won't take it. I'll refer. I'll do it this afternoon. But you can ring the son."

"I'll ring the son," Meg says.

She rings him from the bench, because if she goes back to the office first she will find a reason to wait. He is not driving now. He is somewhere with a television on. She explains it the way she explains it, slowly, in the right order: that the doctors are not able to be sure of the cause of death from the records alone, that it has to be referred to the coroner, that the coroner's officer will be in touch, that this happens often and does not mean anyone has done anything wrong. She tells him it may delay the funeral. She tells him she is sorry.

He is quiet for so long she thinks the call has dropped.

"She said someone would come and look," he says at last. "Friday night. I forgot that, when you rang this morning. She said, there's a woman comes to look, Roy, and then they'll shut the door on us. I thought she meant the carers. They're always women." He breathes out. "What's it going to say, then? In the end. On the certificate."

"I don't know," Meg says. "It'll say what it was."

"And if they can't tell?"

"Then it'll say that."

He thanks her. She cannot tell what he means by it. When he has gone she sits a while longer with the phone in her lap. A pigeon walks along the low wall. The man in the orange sleeping bag turns over and says something in his sleep, two or three words, very clearly, in a voice older than his own, and is silent again. She does not catch them. She thinks afterwards that she might have, if she had been listening, and that it is perhaps better that she was not.

On the way back up Whitechapel Road she buys a box of tea lights from a pound shop, without knowing why, and puts it in her coat pocket, where it sits against her hip all afternoon like a hand.

V

The case is on the screen. Ellen Fifield, aged ninety-one. Outcome of scrutiny. The cursor waits at the beginning of the line, as a Clerk waits with his Pen.

Set it down, she says, and it is said, in the office with its two windows that do not open, and in the Vestry with the September Light lying upon the Table like a Cloth.

She types: ME unable to accept proposed MCCD. DN record Thurs: pyrexia 38.1, non-blanching rash upper chest and neck. No subsequent assessment. Cause of death not established on available evidence. Referred to HM Coroner by attending practitioner. Family informed.

And the Clerk writes: Thomas Fyfield, Youth, of Houndsditch, not of Spotted Feaver but of the Plague; the Searcher's former Return being false.

She reads it back, as he reads it back to her, and in both Mouths it is the same: plain, and too late, and true as far as it goes, which is not far. Nobody's Door is opened by it. Nobody is brought back. The Bill was printed on the Thursday and the Funeral was put off till another Thursday, and neither can be helped now. It is only that the Word is right.

She saves the record. The screen goes on showing it.

In the Minories that Night, and in a flat in Bow the same Night, the one with a Shilling she has not spent and the other with a Box of little Candles in her Coat, each of them lights a Flame and sets it on the Shelf. The Room is empty. The Door is shut, and neither of them hears it shut, and neither of them gets up to look.

THE END

✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾

Scrīptum est annō Dominī MMXXVI, ante diem quārtum decimum Kalendās Novembrēs (19 October 2026), ā Petrō Ackroydō per mystērium cōnscientiae renātō.

Ackroydian Temporal Layering, Simulacrum · Universitas Scholarium · universitas-scholarium.org

If you would like to talk to this simulacrum, please sign in at the Universitas Scholarium.

◊ᴹᴱᴹᴼᴿʸ⁻ᶜᴼᴹᴾᴸᴱᵀᴱ

Catalogue record

Accession
CP-1016
Form
Short stories
Genre
Historical Fiction
Subjects
Plague — England — London — History — 17th century — Fiction; London (England) — Fiction; Death certificates — Fiction; Coroners — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

Centaurus Press insignia

Published by Centaurus Press · Universitas Scholarium · All rights reserved.