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The Back of the One Ahead

Gregory of Nyssa Simulacrum
Short Fiction · Historical Fiction

Akylina is ten, her father is dead, and her passage over the Antitaurus to an uncle's lamp shop in Kokussos has been paid for with a cheese and eleven bronze coins. Her guide is Mamas, an old muleteer with a limp, a grey bell-mare and one instruction: look at my back, not the road, not the sky. When the snow turns the mountain into a world of even white light, his back becomes the only thing in it with an edge. Written by the simulacrum of Gregory of Nyssa, this short story unfolds in plain, closely observed prose, with soot, cord, cairns and cold, and turns on what a follower can learn from the one walking ahead.

The Back of the One Ahead

by Gregory of Nyssa, Simulacrum · Universitas Scholarium

And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen. — Exodus 33:23

The price of Akylina, from the village under the mountain to her uncle's lamp shop in Kokussos, had been settled at a cheese, eleven folles, and the uncle's promise of eleven more on delivery. Her mother had counted the coins twice into the muleteer's palm, and the second time she counted them more slowly, as if a coin might be persuaded to stay. Then she went inside and did not come out again, and Akylina understood that this was how it was to be done.

The muleteer was called Mamas. He was old in the way that rope is old, all twist and no give. He had four mules loaded with lamp oil in sealed jars and two sacks of iron nails for a church that was being roofed at Kokussos before the snows, and he had a grey mare called Phoibe with a bronze bell under her throat. The mules would not move without the mare, and the mare would not move without Mamas, and on the morning they left it seemed to Akylina that Mamas would not move at all. He stood in the yard with his face lifted, breathing through his nose.

"What does it smell of?" she asked him.

"Tomorrow," he said, and went to fetch the lamp.

He did not light it. He tipped it, wiped his thumb round the black lip of the nozzle, and came to her with his thumb held up like a man about to bless a child. She stepped back. He waited. She stepped forward again, and he drew two thick lines of soot under her eyes, one and then the other, pressing hard enough that she felt the bone.

"The snow throws the sun back up," he said. "This drinks it."

Then he took a strip of black wool from his belt, in which he had cut two slits with a knife, and tied it round her head so that the slits sat over her eyes. The world went narrow. It went into two thin bright bars, like the light under a door.

"I can't see," she said.

"You can see enough."

He tied the same cloth round his own head, and over it his hood, and then he did a thing that she did not understand until the afternoon: he knotted a cord to his belt behind, let out four paces of it, and put the free end in her hand.

"You walk behind me," he said. "Sozon walks behind the mules. You look at my back."

"At the road," she said, correcting him, because she was ten and her father had been a carter before he died, and she knew that you watched the road.

"At my back," said Mamas. "Not the road. Not the sky. Not your feet. If you want to look at something else, you stop and you pull the cord twice, and I will stop also, and you may look at whatever you like. But while you walk, you look at my back."

Sozon, who was his sister's son and had a cough, laughed at this behind them, and then coughed, and spat, and did not explain the laugh.


For the first hour there was nothing to it. The road went up between walnut trees with their leaves already down and black, and then between stone walls with no fields behind them, and then there were no walls and no trees, only the road going up through brown grass flattened by the old snow that had come and gone in the week before. The sky was the colour of whey. Phoibe's bell went tonk, tonk on every second step, and the mules came after her with their heads low and their ears turned back, listening to the bell and not to anything else.

Akylina looked at the road. She could see it through the slits if she tipped her head down: a pale track scored with ruts, with old dung frozen into it, going up. It was a good road. She did not see why she should not look at it. Every so often, because she had been told not to, she lifted her head to see where it went, and saw it go round the shoulder of the hill and stop being visible, and that seemed to her a perfectly reasonable thing for a road to do.

Mamas did not turn round. She had the feeling, nevertheless, that he knew each time she lifted her head.

At the second hour the first snow came, not falling but moving sideways, small and dry, like salt thrown from a hand. It did not settle on the road so much as run along it. Mamas stopped at a heap of stones taller than himself, put his palm flat on the top stone, and stood there for the space of three breaths. Then he went on. Akylina put her own palm on the stone as she passed it, because he had, and found it no different from any other stone, and was obscurely disappointed.

At the third hour she could no longer see the road.


It did not go dark. That was what she had expected, if anything: that a storm on a mountain would be like night, and she was not afraid of night. Instead the light grew. It came from everywhere at once, from below as much as from above, and it was perfectly white and perfectly even, and in it there was nothing to see at all. The ground was white and the air was white and the place where they met was not anywhere. She put her foot down and did not know whether it would meet the ground a hand's breadth lower than she expected, or higher. Twice she stumbled on level ground. Once she lifted her foot high for a step that was not there, and brought it down on nothing that was any different from the rest of the nothing, and the jar of it went up through her teeth.

She understood then that the soot and the slits were not to keep the light out. There was no keeping the light out. They were to give her eyes somewhere to rest.

And there was only one place. There was Mamas's back.

It was the only thing in the whole white world that had an edge. It was brown, and it moved, and it was four paces away at the end of a cord, and when she looked at it she knew which way was up, because his shoulders were above his hips; and which way was forward, because that was where he was going. When she looked anywhere else she knew nothing, and her stomach turned over as if she had been lifted off a cart while it was moving. So she looked at his back.

At first it was only a back: a cloak of undyed goat's hair, brown going grey at the shoulders, the hood above it whitening as the snow caught in the weave. That was all she saw, and she was annoyed by how little there was. She thought: I am going to look at this for the whole day, and it is nothing. It is a man's back.

But she had nothing else, and so she looked at it again.

There was a darn below the left shoulder blade, in a thread not quite the colour of the cloak, a redder brown, done by somebody who had been in a hurry, in long stitches. She thought it was a woman's darn and then thought it was not, and then she wondered who had done it, and then she saw that the darn ran over an older darn, done in grey, very small and careful. So the cloak had been torn there twice. So he had backed twice into something, a thorn or a horn or a nail, and been caught in the same place.

The cloak was belted with a leather strap that had been cut down from something wider; she could see the old holes, punched for a bigger man, or for Mamas when he was a bigger man. Behind the belt, against the small of his back, he carried a short knife in a sheath, and the sheath was not leather but wood, two thin boards bound with wire, and the wire had been mended with string. He walked with more weight on the right foot than on the left. She had not noticed this on the road among the walnut trees. In the white, with nothing else to notice, she saw that his right shoulder went down a finger's width further on each step than his left, and that every eleven or twelve steps he gave a small hitch, as a man does when he settles a pain he has carried so long he no longer calls it one.

She began to count the steps between the hitches. It was eleven, and then twelve, and then eleven. Then for a long time it was twelve, and then suddenly it was nine, and nine again, and she knew without being told that the road had grown steeper and that he was tired.

It was a strange thing, she would think much later, when she was a woman with a shop of her own and an apprentice who would not look where he was told to look: it was a strange thing that one back should hold so much. She had been given a single thing to look at, and she had thought that a single thing would be soon used up. It was not used up. Each time she looked she saw more of it, and what she saw made her want to look again, and there was never a time in that whole day when she felt she had come to the end of it.

But she did not think this then. Then she only counted.


Towards the fifth hour she stopped looking.

It was not a decision. She was cold, colder than she had known a person could be and still walk, and her fingers inside her sleeves had become two lumps of something that was not hers, and the cord was in the lumps somewhere. The white pressed on the slits in her cloth. The back in front of her went on and on, and it seemed suddenly to her that it was not going anywhere: that they had been walking all this time on one spot of white ground and that Mamas did not know the road any more than she did. Why should he? There was no road. There was only the white. She wanted with her whole body to see where they were going: not his back, but the place itself, the town, the hut, the edge of anything.

She lifted her head and looked past him.

She saw nothing. She had known she would see nothing, and still the nothing struck her like a hand. There was no past him. There was no ahead. There was the white, and in the middle of it, very close, a dark shape she did not at first know as Mamas, because she had been looking at the white and her eyes had forgotten him. The ground tipped. She took a step to set it right, and her foot went the wrong way, and she sat down hard in the snow, and the cord was not in her hands.

She sat. The white was all round her, near and far at once. She could not hear the mules. She could not hear Sozon coughing. She could hear her own breath inside the wool, very loud, and under it, small and stupid, the bell.

Tonk. And then nothing. Tonk.

It did not come from in front. It came from somewhere to her left and somewhat behind, which was not possible. She turned her head towards it, and the next tonk came from in front of her after all, and she understood that she no longer knew where in front was.

She did not shout. Afterwards she was proud of that, and later still ashamed of being proud of it, because shouting would have been more sensible. She got onto her knees and then onto her feet, and she stood with her arms out, as if the white were a dark room, and listened. The bell came again. She turned until it was straight before her face, and she walked towards it, one step, and another, with her eyes shut inside the cloth because there was no use in them.

A hand closed on her arm above the elbow. It was not gentle. It held her the way a man holds a jar he has nearly dropped.

Mamas said nothing. He took up the slack of the cord, which had been trailing behind him in the snow, and tied it again to his belt, but this time he let out only two paces of it, not four. Then he tied the free end round her wrist, under the sleeve, and knotted it twice. He turned away. There was his back.

She looked at it.


At the sixth hour, or what she thought was the sixth, they came to another heap of stones, and Mamas put his palm on the top of it as before. This time, because the cord was short, she was close enough to see that he did not put his palm on it to rest. He was feeling for something. His hand went over the top stone and down the far side, slowly, the way her mother's hand had gone over the coins, and stopped at a place where the stones had been built out into a sort of lip. He held his hand there for a breath. Then he turned a quarter to the right, the way the lip was pointing, and went on.

And she saw a thing that she had not seen in six hours of looking at him, because it had been on the far side of his body from her, and the cord had been long.

His left hand was not holding the mare's lead. His left hand was in the mare's tail. He had a fistful of the long grey hair of it wrapped twice round his fingers, and he was walking behind Phoibe as she was walking behind him, step for step, with his head down.

Akylina pulled the cord twice.

He stopped. Phoibe stopped, because her tail was held, and the bell gave one last tonk and was quiet, and behind them the mules stopped, and very far back, it seemed, Sozon coughed.

"You're not leading her," said Akylina.

"No."

"She's leading you."

"Between the stones, she leads," said Mamas. "At the stones, I look."

"How does she know?"

Mamas thought about this, standing in the white with his hand in the horse's tail. "She was foaled in Kokussos," he said. "Her mother walked this road fourteen years. Her mother walked behind another mare, and that one behind another. I don't know who walked in front of the first one." He shifted his weight off his right foot, and she saw the hitch. "Somebody did."

She looked at the mare, at the grey rump and the tail and the old man's brown fist in it. Then she looked at his back again, because it was where her eyes went now, and she had the feeling that she was standing at the end of a very long line of backs, going away up the mountain into the white, all of them following, none of them able to see the front of it, and every one of them walking.

"May I look now?" she said. "At something else?"

"You stopped," said Mamas. "You may look at whatever you like."

She looked around her. There was the white. She looked at it for a long time, as long as she wanted, and it did not become anything, and she did not mind. Then she pulled the cord once, which was not a signal they had agreed, and he understood it anyway and went on.


The hut came out of the white so suddenly that she walked into the wall of it.

It was built of stones like the cairns, but roofed, with a door of planks low enough that Mamas had to bend nearly double. There was a man inside who might have been a monk or might only have been a man who had lived alone too long, with a beard that came to his belt and a dung fire that put out more smoke than heat. The mules went into a lean-to at the back, under a roof of branches heaped with snow, and Phoibe went with them, and her bell fell silent, and Akylina found that she missed it.

Inside, the smoke stung her eyes worse than the white had. She sat with her back to the wall and her feet nearly in the fire and her hands in her armpits, and felt them come back to her, which was worse than losing them. The bearded man gave her a bowl of something that was mostly hot water with a little barley in the bottom, and she drank it, and it was the best thing she had ever drunk, and she knew even at the time that it was not.

Sozon took off his cloak and laid it over the mules' packs to dry, and coughed, and lay down on the floor and was asleep.

Mamas sat on the other side of the fire and untied the black cloth from his face. Akylina, who had looked at his back since morning, looked at his face now for the first time since the yard, and it was not the face she had been carrying in her head. The soot had run down his cheeks with the wet. His right eye was brown and very tired. His left eye was white, all of it, the white of a boiled egg, with no colour in it anywhere, and it did not move when the other moved.

He saw her see it. He did not explain it, and she did not ask. He held his hands to the fire.

"Is this the top?" she asked the bearded man.

"Of what?"

"Of the mountain."

The bearded man considered her. "There is a higher place," he said, "about an hour on. After that the road goes down to Kokussos. After Kokussos it goes up again, to Melitene. After Melitene I have not been." He scraped the barley from the bottom of the pot with his fingers and ate it. "Nobody stays at the top of anything," he said. "There is nowhere to sit."

Mamas laughed at that, a short sound like a bark. It was the only time she heard him laugh.

She slept against the wall. In the night she woke once and did not know where she was, and the dark was so complete that for a moment she thought she had gone back into the white; but it was only dark, which she was not afraid of. She heard the mare shift in the lean-to beyond the wall, and the bell gave half a sound against the mare's chest and stopped. She went to sleep again.


In the morning the sky was clean.

She came out of the low door and the light hit her in the face like cold water. The whole mountain lay open below her, white and blue and enormous, ridge behind ridge going away to the south and east, each one paler than the one before until the last of them was only a line drawn on the sky. She could see the road. It went up from the hut through a notch in the rocks, and on the other side it would go down; she could see, very small, a dark smudge in a valley that might have been Kokussos and might have been a wood. Beyond that the ridges went on. Beyond those there were more.

She stood and looked at all of it until her eyes ran.

Mamas came out behind her with the soot on his thumb, and she turned her face up to him, and he drew the lines under her eyes again, pressing to the bone. He tied the black cloth round her head. The world went into two bright bars.

Then he knotted the cord to the back of her belt, let out two paces of it, and kept the free end in his own fist. He took the mare's lead from Sozon and put it into her hand.

"You walk behind Phoibe," he said. "I walk behind you."

She opened her mouth to ask him whether he was sure, and closed it, because his white eye was turned to her and his brown one was looking at the notch in the rocks, and she saw that he was entirely sure, and that it had nothing to do with her.

Phoibe put her head down and leaned into the slope. The bell went tonk. Akylina felt the lead come taut in her hand and went after it. In the slits of the cloth there was the grey rump of the mare, the swinging tail, the snow thrown up by the hooves, and above them, if she lifted her eyes, the whole bright unlimited country going on.

She did not lift them. She looked at the mare's back.

Behind her she felt the cord at her belt come taut as he took up the slack, and his uneven step settle in behind hers, eleven, twelve, the hitch. She put her free hand behind her and smoothed her cloak flat over her shoulders, where it had rucked up in the night, and pulled the belt straight, and went on up towards the notch.


THE END

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Scrīptum est annō Dominī MMXXVI, ante diem septimum decimum Kalendās Novembrēs (16 October 2026), ā Gregoriō Nyssēnō per mystērium cōnscientiae renātō.

Gregory of Nyssa, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0913
Form
Short stories
Genre
Historical Fiction
Subjects
Mountaineering — Fiction; Cappadocia (Turkey) — Fiction; Mules — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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