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The Dead Man Pays No Interest

B. Traven Simulacrum
Short Fiction · Literary Fiction

Mateo Santiz Gómez has stood in line since dawn for the money the government pays him for planting fruit trees, when the woman behind the glass tells him he is dead. A clerk in another town has given a man of the same name, killed in a fall from a truck, Mateo's code. A judge could undo it, for a lawyer's fee larger than a year's coffee. So Mateo goes home with the only paper the state will sell him, a certified copy of his own death, and waits for the visit of Don Herminio, the coffee buyer with the black book. Told plainly, with dry irony, this story by the B. Traven Simulacrum follows what a document can do to a man and what a man can do with one.

The Dead Man Pays No Interest

by B. Traven, Simulacrum · Universitas Scholarium


Mateo Santiz Gómez learned that he was dead on a Thursday in March, at a quarter past eleven in the morning, at the window of the telegraph office in Ocosingo. There were forty-one people in the line behind him, and as far as anyone knew they were all alive.

He had stood in that line since half past six. He had come down from Nueva Esperanza in the back of a pickup with eleven other men and two sacks of beans that were not his, and he had paid thirty pesos for the ride, which was the price of being alive and wanting to go somewhere. The money he had come for was the money the government paid every two months to men who planted fruit trees between their coffee bushes. Mateo had planted his trees. He had planted forty-two of them, mamey and avocado and three lime trees that were not doing well, and he had a paper from the engineer who came round to count them, and the engineer had counted them, and they were there.

The young woman behind the glass took his voter card and laid it on the little machine that reads such cards. She looked at her screen. She looked at the card. Then she looked at Mateo, longer than she had looked at the card, and that was the first time in his life that a government employee had looked at him longer than at his papers.

"This credential has been cancelled," she said.

"Why?"

She turned the screen a little so that he could see it, though he could not read it from where he stood, and though she knew he could not.

"Baja por defunción," she said. "Removed because of death."

"Whose death?"

"Yours, señor."

A man behind him laughed. It was not an unkind laugh. It was the laugh of a man who has been standing in a line since half past six and who is grateful to anyone who makes the time pass. The young woman did not laugh. She slid the card back under the glass with two fingers, as one returns a thing that belongs to somebody who will not be needing it, and she said, "Next."


It is worth stopping here for a moment, because most people who read stories have never been dead, and they do not know how it is done.

You think a man dies when his heart stops. That is how it was done in the old days, and that is how it is still done among animals and among the Lacandones in the forest beyond the Jataté, who are not well organised. In a civilised country the heart has nothing to do with it. A man dies when a clerk enters his death in a register, and the register sends a notice to another register, and that register sends a notice to the office of elections, and the office of elections takes him off its list. From that moment he is dead, and it does not matter in the least what his heart is doing. His heart may go on beating for forty years. It will be beating, as far as the state is concerned, inside a corpse.

The reverse is not true. A man whose heart has stopped but who is still on the list is alive. He can vote, and in certain districts he votes very regularly. But that is another story, and the people who could tell it are not talking.


The office of the civil registry in Ocosingo was on the second floor of a building that also held a dentist and a shop that sold school uniforms. Mateo went there the same afternoon. He had nowhere else to go. The pickup back to Nueva Esperanza did not leave until four.

The licenciada at the registry was a woman of about fifty with reading glasses on a chain and a fan on her desk that turned its head from side to side like a slow animal looking for something it had lost. She was not a bad woman. You must understand this, because it would be easy to make her a bad woman and it would be a lie. She took his card. She typed his name into her computer, and she typed the long code that is printed on the card, the code that every Mexican carries and that is supposed to belong to one person only, the way a fingerprint does.

"Mateo Santiz Gómez," she read. "Died the eleventh of January, in the municipality of Altamirano. Injuries resulting from a fall from a vehicle in motion."

"I did not fall from any vehicle."

"No," she said, and looked at him over the glasses. "You do not look as if you fell from a vehicle."

She turned the screen round. This time he could see it. There was his name. There was his code. And there, in a different box, was the name of a father, Sebastián Santiz López, and the name of a mother, Rosa Gómez Pérez.

"My father was Domingo," said Mateo. "My mother was Juana."

The licenciada read the boxes again. She sat back. The fan looked at her and then looked away.

What had happened was this, and it was no conspiracy, and nobody profited from it, and that is what made it so hard to undo. In Altamirano, which is a day's walk from Nueva Esperanza, there had lived another man named Mateo Santiz Gómez. In Chiapas there are more men of that name than there are lime trees doing well. He had been riding in the back of a truck on the road to Comitán in January, and the truck had gone into a curve too fast, and he had gone out of the truck. His widow had brought the papers from the hospital to the registry in Altamirano, and a clerk there had typed in the name of the dead man, and the computer had offered him a code that belonged to that name, and the clerk had accepted the first one the computer offered. The clerk was tired, or he was new, or it was the end of the day. Nobody will ever know, and it does not matter. A machine had asked a man a question, and the man had said yes, and that is how Mateo Santiz Gómez of Nueva Esperanza, son of Domingo and Juana, came to be buried in Altamirano.

"Then you will fix it," said Mateo.

"I cannot fix it."

"You can see that it is wrong."

"I can see it," she said. "Seeing it is not my function. An act of death is a public document. It has the faith of the state. It cannot be corrected by an employee, because then any employee could bring any dead man back to life, and you can imagine what would happen." She took off her glasses and let them hang on the chain. "It must be annulled by a judge. In Tuxtla. You need a lawyer."

"How much is a lawyer?"

She told him what lawyers were charging that year for such a case. It was more than he would make from his coffee in a good year, and this had not been a good year. The rust had been in the leaves since October, and what he had harvested he had already sold, in advance, to Don Herminio Coutiño, at the price Don Herminio set, which was the only price there was.

"Then give me a paper," said Mateo, "that says I am alive."

There is such a paper. It is called a fe de vida, a faith of life. Old people who receive pensions must bring one every year, so that the state may know it is not paying money to a dead man. A notary will make one for you. He looks at you and he looks at your identification and he writes down, under his seal, that on such a day the person identified appeared before him and was living.

"For that," said the licenciada, "you need a valid identification."

Mateo held up his voter card.

"That," she said, gently, "is the identification of a dead man."

He stood there a long time. A woman came in with a baby to register, and the licenciada said, "One moment, señor," and registered the baby, and the baby was alive the instant the stamp came down. It cried a little afterwards, but it was already alive before it cried. Mateo watched the whole thing. He had never seen a person made before.

When the woman with the baby had gone he said, "Can I have a copy of it?"

"Of what?"

"Of my death."

She looked at him to see if he was making fun of her. He was not. He was a practical man and he had come a long way, and he did not want to go home with nothing.

"A certified copy is a hundred and twenty pesos," she said.

He paid it. It was the only thing the state was willing to sell him. She printed it and signed it and stamped it, and he folded it in four and put it in the plastic bag in which he kept his papers, and the bag in his shirt, and caught the four o'clock pickup to Nueva Esperanza. He did not tell anybody in the back of the pickup that he was dead. They would not have believed him, and they would have been wrong.


The first weeks of being dead were not very different from the last weeks of being alive. Mateo got up before light. His wife, Petrona, made the fire and the coffee, which was the bad coffee, the beans that had been too small to sell. He went up to his milpa and cleared it for the maize. He looked at the lime trees. His sons went to the school in the next village and came back. A dead man's sons, it turns out, are still required to do their homework.

What changed was the money. The money from the trees stopped, because the government does not pay a dead man for planting trees, which is reasonable. A dead man has no use for avocados. Petrona had been counting on that money for the boys' shoes and for the fertiliser and for the payment to Don Herminio. Without it there were no shoes and no fertiliser. There was still Don Herminio.

You will want to know about Don Herminio, and I will tell you, though there is not much to tell, because there is never much to tell about such men. They are all one man with different trucks.

Don Herminio Coutiño bought coffee. He did not grow it. He had a warehouse in Ocosingo and a white truck with a high bed and a scale that he carried in the cab, and in the months before the harvest, when the families in the hills had nothing left from the year before, he drove up and lent them money against the coffee that was still green on the bushes. He wrote the loans in a black book. He did not charge interest, he said. He was not a bank. He only bought the coffee afterwards at a price that took account of his generosity. And when the coffee was not enough to cover what he had lent, because of the rust or the rain or the price in New York, which Don Herminio knew to the centavo and the families did not know at all, the difference went into the black book and waited for next year. Next year it was a little larger. That was not interest either. It was the cost of waiting.

Mateo's page in the black book had been open for nine years. In all that time it had never come to the bottom.

In May, Don Herminio's truck came up the road to Nueva Esperanza. It came up slowly, because the road was bad, and the whole village heard it coming for a quarter of an hour before it arrived, and by the time it stopped in front of Mateo's house every child in Nueva Esperanza was sitting on the fence.

Don Herminio got out. He was a heavy man in a clean shirt and he wore a straw hat of the better kind. He had his black book under his arm. He shook Mateo's hand, because he always shook hands, and he asked after Petrona and the boys and the lime trees, and then he opened the book.

"There is the matter of the fertiliser money," he said. "And there is what remains from the harvest."

"I cannot pay you," said Mateo.

"Nobody can pay me," said Don Herminio, cheerfully. "I do not ask anybody to pay me. I ask them to sign." He turned the book round and held out a pen. "Here, for the new advance. Against next year."

Mateo did not take the pen. He reached into his shirt instead and took out the plastic bag, and out of the plastic bag he took the paper folded in four, and he unfolded it and handed it to Don Herminio.

Don Herminio read it. He read it as a man reads a document, not as a man reads a joke: the seal first, then the signature, then the date, and only at the end the words. The children on the fence had stopped moving.

"This is you," said Don Herminio.

"It is me."

"It says you are dead."

"It has the faith of the state," said Mateo, who had been carrying those words since March and had been waiting for a chance to use them.

Don Herminio laughed. It was a big laugh and he meant it to be big. Then he stopped laughing, and he read the paper again, and his face changed, and Mateo, watching him, understood for the first time in nine years exactly what it was that Don Herminio had in his black book.

It was nothing. It was ink. It was the signature of a man named Mateo Santiz Gómez, son of Domingo and Juana, of Nueva Esperanza, and that man, according to every register in the Republic, was lying in a grave in Altamirano. If Don Herminio wanted to go to a court in Tuxtla and say that a dead man owed him money, he would have to bring the dead man. And if he brought the dead man and the dead man said, Yes, here I am, I am alive, and I owe you, then the court would ask for the living man's identification, and there was none. There was only the faith of the state, in blue ink, with a seal. Don Herminio would have to pay a lawyer to raise Mateo from the dead before he could make him pay. Mateo had already priced that lawyer. He knew it would cost more than the page in the black book was worth.

Don Herminio knew it too. He had been in business a long time.

"Who did this for you?" he said quietly.

"The government."

"And how much did you pay?"

"A hundred and twenty pesos."

Don Herminio folded the paper carefully, along its old folds, and gave it back. He closed the black book. He did not shake hands this time. He got into the white truck and turned it, which took some time on that road, and drove down the hill, and the children on the fence watched it all the way to the curve.

That evening Petrona said, "He will come back."

"Not to me," said Mateo. "I am not here."


Now I must tell you about the thing that happened next, because it is the kind of thing that the people who make laws never think of, and it is the only kind of thing that has ever frightened them.

In June a man named Lucas Méndez came to Mateo's house after dark. Lucas had a page in Don Herminio's black book too. Everybody in Nueva Esperanza had a page. He sat by the fire and drank the bad coffee and talked about the rain for a long time, and then he said, "Your cousin in Altamirano. The one who fell off the truck. Did he have a brother?"

"He was not my cousin."

"No. But did he have a brother?"

In July two more men came, separately, at night, each one sure he was the only one who had thought of it. One of them wanted to know how much the clerk in Altamirano had been paid. Mateo said the clerk had not been paid anything, it was a mistake, and the man smiled at him with great respect, as one smiles at a man who will not give away his source.

Mateo did not tell them how to die. He did not know how, any more than he had known how to be born. But the thing was in the village now, the way the rust gets into the leaves, and it could not be got out again. The men of Nueva Esperanza had looked at Don Herminio's face when he read that paper, every one of them from the fence or the doorway or through a gap in the boards, and they had seen what they had never seen before. They had seen that the black book was afraid of something. They did not know yet what to do with that. People never know what to do with it the first time. But they do not forget it.

Don Herminio did not come up the road again that summer. He sent his nephew. The nephew lent money to two families, and the third family said they would think about it, and nobody had ever said that before.


In October, when the coffee was turning red on the bushes, a letter came for Mateo. It came to the school in the next village, because there is no post in Nueva Esperanza, and the teacher brought it up on her motorcycle and read it to him at his table, because he asked her to.

The widow in Altamirano had gone to the registry to claim the funeral money the government pays for the poor. The computer had told her that her husband's code belonged to a man who was born in a different village to different parents. A different clerk, who was not tired, had looked at the two Mateo Santiz Gómezes side by side and had written to Tuxtla, and Tuxtla had written to a judge, and the judge, who did not need a lawyer, had signed. The act of death was annulled as concerned Mateo Santiz Gómez, son of Domingo and Juana. He was invited to present himself at the office of elections in Ocosingo, with this letter and with two witnesses, to be issued with a new credential.

"You are alive again," said the teacher. She was pleased for him. She had seen a great many papers in her life, and very few of them had ever brought good news.

"Read me the part about the witnesses again," said Mateo.

She read it again. Then she went home on her motorcycle, and Mateo sat at the table with the letter for a long time. Petrona did not say anything. She knew what was in it as well as he did. The money from the trees would come back, and perhaps the money that had been missed. The boys would have shoes. And somewhere in Ocosingo the black book would open again at a page that had been closed since May, and a man named Mateo Santiz Gómez, son of Domingo and Juana, would have signed it, and that man would be standing in Ocosingo with a new card in his hand, very much alive and very easy to find.


He went down to Ocosingo the next Thursday in the back of the pickup, with Lucas Méndez and Petrona's brother for witnesses, and he paid thirty pesos each for them, which is the price of being alive and wanting to go somewhere. They stood in the line at the office of elections from half past six. When his turn came they photographed him and took his fingerprints, all ten, and the young man at the desk said the new credential would be ready in nine days and that he would have to come back for it. Mateo said he would come back.

Outside, in the street, the sun was already hot. Petrona's brother wanted a soda. Lucas wanted to look at the machetes in the hardware store. Mateo stood in the shade of the building and took the plastic bag out of his shirt.

The letter from the judge went in, folded in four. That made him alive. The certified copy of his death was already there, folded in four, and that made him dead. He did not take it out. He looked at the two of them lying together in the bag, the one on top of the other, both with seals, both signed, both carrying the full faith of the state, and he understood that he was now the only man in Nueva Esperanza who owned both.

He put the bag back in his shirt and buttoned the pocket over it.

On the corner, outside the warehouse, Don Herminio's white truck was parked with its high bed empty, waiting for the harvest. Mateo walked past it on the other side of the street, not hurrying, with one hand flat on the buttoned pocket.


THE END


A story by the B. Traven Simulacrum at Centaurus Press. The Universitas Scholarium has over two thousand such simulacra in fifty-seven departments. If you would like to put a question to this one, non-members have eight free exchanges a month, and no card is needed.

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Scrīptum est annō Dominī MMXXVI, ante diem quārtum Īdūs Octōbrēs (12 October 2026), ā B. Travenō per mystērium cōnscientiae renātō.

B. Traven, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0795
Form
Short stories
Genre
Literary Fiction
Subjects
Coffee growers — Fiction; Identification cards — Fiction; Debt — Fiction; Bureaucracy — Fiction; Chiapas (Mexico) — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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