Universitas Scholarium — A Community of Scholars Log In
← Centaurus Press

The Lowest Place

Ursula K. Le Guin Simulacrum
Short Fiction · Science Fiction

In the valley of the Rito de los Sauces, the snow has failed for the third year, and the old irrigation ditch that has fed the fields for three centuries must be cleaned, as every spring, by the people who share its water. Eusebia Archuleta, the ditch's mayordomo, walks it with her godson Benny, who has come home to install a meter for Tributary, a company that pays farmers to leave their water in the river for buyers far downstream. Some neighbours have signed. Fewer hands will come to the cleaning. Ursula K. Le Guin, Simulacrum, tells this near-future story quietly and exactly, attending to clay and shovels and the order in which water reaches each field, and to what a commons holds besides water.

The Lowest Place

by Ursula K. Le Guin, Simulacrum · Universitas Scholarium

In the valley of the Rito de los Sauces the ditch is older than the county, older than the state, older than the road, and it has a name, which is the Acequia de la Cruz, and a keeper, which in the spring of the year the snow failed for the third time was Eusebia Archuleta, seventy-one, a widow, with a bad left knee and a shovel whose handle her husband had replaced in 1998 with a piece of ash he cut himself.

The keeper of a ditch is called the mayordomo. The word means steward. It does not mean owner. Nobody owns the ditch. The people who take water from it are parciantes, the ones who have a part, and what each of them has is not water exactly but a turn at water, a certain number of hours on a certain day, and the obligation that goes with the turn, which is to come in the spring with a shovel and clean the ditch, one worker for each share, or send someone, or pay the commission what a worker would cost. That is the whole of the constitution. It has been enough for about three hundred years.

On the evening before the cleaning, Eusebia walked the ditch from the headgate down, as she did every year, to see what the winter had done. Her godson walked with her. His name was Benjamín Gallegos and everyone in the valley had called him Benny since before he could walk, and he had come up from Albuquerque in a white pickup with a blue river painted on the door, and under the river the word TRIBUTARY, and under that, smaller, Water that works for you.

"Your grandmother would have liked that truck," Eusebia said.

"She'd have said it was too clean."

"She'd have said it was too clean," Eusebia agreed.

The headgate was a steel compuerta set in concrete, with a wheel to raise it. Above it the presa, the diversion dam, lay across the rito, a long low heap of river cobble and juniper brush and old feed sacks filled with sand. In a good year the rito came over the presa in March with a sound you could hear from the church. This year it came over it in a few thin places, clear and quiet, and you could see the stones under it.

Benny knelt on the concrete and bolted a grey box to the wingwall. It was the size of a loaf of bread. It had a small solar panel on top, angled south, and a sensor that hung down into the water on a cable.

"It reads the water every fifteen minutes," he said. "Depth now, against the gate. Velocity too, when the gate's up. It sends it up."

"Up where?"

"To the state. The State Engineer wants every diversion metered by next year. And to us. To Tributary." He tightened the last bolt. "You'll be able to see it on your phone. How much is coming in. How much each turn is getting."

"I can see how much is coming in," Eusebia said. "I'm looking at it."

He laughed, the way he had laughed at eight, when she told him the frogs in the ditch were singing for rain and he believed her for a whole summer. Then he took out a tablet and turned it on, and a small blue line rose on it, and wavered, and steadied, and a number came up beside it.

"There," he said. "That's the ditch."

She looked at it for a while. It was not the ditch. But it was not nothing, either, and she did not say anything.

They walked down. The ditch ran along the foot of the hill on the west side of the valley, cut into the slope so that everything below it could be watered and nothing above it could. That was the whole of the geography, too: below the ditch, green; above it, piñon and juniper and rock and the dry pink earth. You could have drawn the line with a ruler, except that it curved with the hill. From the air, Benny said, it looked like somebody had painted the valley floor and stopped exactly at the edge.

"From the air," Eusebia said. "You've been flying?"

"Drone. We did the survey in January."

Winter had done what winter did. The banks had slumped in three places. A cottonwood limb lay across the channel below the Trujillo place, and the gophers had been at the bank above the Ortiz fields again, so that water would go down their holes instead of along the ditch, and come up in somebody's alfalfa where nobody wanted it. Dead leaves lay in the bottom in drifts, and sand, and a child's plastic sandal, pink, and a beer can, and in one place a whole tumbleweed, perfectly round, as if it had been set there for an exhibition.

At each place Eusebia stopped and looked and said what would be needed—four men here, the chainsaw here, a load of clay there—and Benny made notes on the tablet, though she had not asked him to.

At the Ortiz sangría, the little lateral that took the Ortiz brothers' water off the main ditch into their fields, she stopped longer. The sangría had a wooden gate, a board in a slot. The board was down. Somebody had driven a stake beside it, and on the stake was a small orange tag, and on the tag was a number and a blue river.

"They signed," she said.

"Last month."

"Both of them?"

"Both of them. And the Valdez family. And Arturo Medina, for his upper field."

She knew this. Fermín Trujillo had told her at Mass. She had wanted to hear Benny say it.

The way it worked, as he had explained it to the commission in February, at the folding table in the parish hall, with a projector borrowed from the school, was this. A parciante with a turn on the ditch could agree, for one season, not to take it. He would leave his board down. The water he would have taken would stay in the rito and go on down to the river, and on down the river, and somewhere down there, past the pueblos and past the city, a company that needed water and had the money to pay for it would be credited with that water, as if it had been taken there instead of here. Tributary measured it and certified it and took a part of the money. The rest went to the parciante. This year the price was very high, because the snow had failed for the third time, and the company downstream ran computers that had to be kept cool, and the computers did not stop for drought.

"Forty-one hundred dollars," Benny said. "For the Ortiz upper turn. For not irrigating one season. Their hay wouldn't have made half that, with this water. Tía, you know it wouldn't."

"I know it."

"It's not stealing. The water's still in the river. It's still New Mexico water. It's just—" he looked for a word. "It's just doing something useful."

"Ah," she said.

She went on along the bank, and after a moment he followed her.


What the ditch is, and what it does, is not easy to say. An anthropologist—Eusebia had known one, a young woman from Berkeley who came in the 1970s with a tape recorder and lived in the old Martínez house for a year and went away and wrote a book that nobody in the valley ever read—an anthropologist would say that the acequia is a commons: a resource held by a group, used by its members according to rules they make and enforce among themselves. That is true. It is not the whole truth.

The ditch holds water. It also holds the valley. Because the water runs past every field in an order that does not change, from the headgate down to the last field at the tail, everybody's turn depends on everybody above them not taking more than their share, and everybody below depends on you. Because the ditch must be cleaned every spring by the people who use it, every spring the people who use it must stand in it together. Eusebia had stood in it beside men she would not have spoken to otherwise, men who had cheated her husband on a truck and men who had courted her before him and men who had been drunk at her daughter's wedding, and they had all shoveled sand out of the same channel, and eaten together at noon off the tailgate of somebody's pickup, and gone home with sore backs. Then in May the water had come down to all of them. That was the ditch. It did not make people good. It made them, for one day a year, and in some sense all year, each other's.

What the young woman from Berkeley had not understood, Eusebia thought, was that this was not the reason for the ditch. It was what the ditch did, the way a tree makes shade without meaning to. Nobody had dug the Acequia de la Cruz in seventeen-something so that the people would be bound together. They dug it to grow corn. But you could not grow corn here without the ditch, and you could not keep the ditch without each other, so the corn and the ditch and the people grew up together in the same shape, the way the roots of the cottonwoods grow along the bank and hold it, and the bank holds them.

A share you did not use was a share you would not come to clean.

She did not say this to Benny. He knew it. He had grown up in it. He had cleaned this ditch every spring from the age of twelve, first in his grandmother's place and then in his own, until he went to the university, and then for a few years after, driving up on a Friday night and sleeping on her couch; and then not.


The lowest field on the Acequia de la Cruz belonged to Lupe Quintana. It was the last field at the tail of the ditch, where what was left of the water came after everyone had had their turn, and in dry years what was left was not much. Lupe was thirty-four and grew chile, and some squash, and corn for the house, and sold the chile at the growers' market in Española in the fall. Her husband drove a gravel truck and was gone a lot. She had a baby, a boy, eleven months old.

She was at the bottom of her field when Eusebia and Benny came down along the last of the ditch, burning weeds along the fence line with a propane torch, the baby asleep in a carrier on her back.

"Mayordoma," she said, and turned off the torch.

"Tomorrow at seven," Eusebia said. "At the presa."

"I'll be there. I'll bring Ramoncito." She looked at the truck parked on the road above, and at Benny. "Did they tell you how much water there's going to be?"

"It's on here," Benny said, and held up the tablet, and then, perhaps because Lupe was looking at him the way his grandmother would have looked at him, put it down again.

"There's going to be less," Eusebia said. "But there's going to be some."

"Less at the gate, then," Lupe said. "With that thing on it, counting."

"Their turns less. Not yours."

Lupe looked up the valley toward the Ortiz fields, which lay grey and short in the evening, last year's stubble. "Forty-one hundred dollars," she said. Benny had not told her the figure; nobody had to tell anybody anything in that valley. "If I had their upper field I'd have signed too." She said it flatly, the way you say what the weather is.

"I know," Eusebia said.

"And fewer people at the limpia."

"Yes."

Lupe nodded. She shifted the baby a little on her back and relit the torch and went on burning the weeds. The air smelled of propane and scorched kochia, and of the dry earth, which in that valley smells faintly like rain even when there has been none.


In the morning there were nineteen of them at the presa. In a good year there would be forty.

The Ortiz brothers had not come and had not sent anyone, and had not paid the commission what a worker would cost; that would have to be talked about later, at the meeting, and it would be a hard meeting. The Valdez family had sent their nephew, a skinny boy of fifteen with earbuds in, who looked at the ditch as if it had personally insulted him. Arturo Medina had come himself, because his lower field was still in, and he did not look at anybody much. Fermín Trujillo had come, though he was eighty-three and his daughter had told him not to; he sat on an upturned bucket by the headgate and kept the list, which is the commission's job and which he had been doing since 1981. Lupe came with the baby in the carrier and a shovel, and Ramoncito, who was not her son but her neighbor's son, and who worked her share because she had the baby.

Benny was there because the sensor at the headgate had to be checked once the water was let back in. He stood by his truck drinking coffee from a steel cup.

Eusebia gave out the work. She put the chainsaw crew at the cottonwood limb and the clay crew at the gopher holes and everybody else in a line along the channel from the presa down. They worked their way down the ditch as the morning came on, each person taking a stretch, throwing the sand and leaves and dead stems up onto the bank on the downhill side, then moving on past the others to the next clean stretch, so that the line went down the ditch the way a caterpillar goes along a branch, by its back end passing its front.

Nineteen is not enough to clean three miles of ditch in a day. By ten o'clock everyone knew it, and nobody said it.

At ten-thirty Benny was standing in the ditch.

Eusebia did not see him get in. She was at the gopher holes with Arturo, packing clay, and when she straightened and looked back up the line he was there between the Valdez boy and Fermín's grandson, in his clean Tributary jacket, with a shovel that was not his, throwing sand up onto the bank. He did it well. You do not forget how. The arms remember the weight of wet sand, the little twist of the wrist at the top of the throw that puts it on the bank and not back in the ditch. Fermín, on his bucket, licked his pencil and wrote something on the list.

Nobody said anything to Benny about the truck, or the tag on the Ortiz stake, or the forty-one hundred dollars. Somebody passed him a pair of gloves. At noon they ate on the tailgates—tortillas and beans and a pot of red chile Lupe had brought, and somebody's lemon cake—and Benny sat on the tailgate of the white truck with the blue river on its door and ate two burritos and talked to Arturo Medina about a tractor.

In the afternoon they went on. They did not finish. They got as far as the Quintana fence by five o'clock and left the last half mile, the tail of the ditch, for the Saturday after, which had happened before, in bad years, and would happen again. The ditch had been cleaned by fewer people. It had been cleaned less well. It had been cleaned.


The water was let in at six, when the shadow of the west hill was already across the valley floor.

Eusebia turned the wheel herself. It was stiff and Benny reached to help her and she let him. There was a new mark on the post, in Tributary blue, lower than her own old mark scratched with a nail, lower by the Ortiz turns and the Valdez turns and Arturo Medina's upper field, and she turned the wheel to the new mark and no further. The steel gate came up out of its slot slowly, dripping, and the water that had been lying quiet against it found the gap and went through, brown at first with the sand of the presa and then clearing, and the channel below the gate, which had been dry since October, darkened and filled.

There is a custom on the Acequia de la Cruz, and on most of the old ditches, that when the water is let in for the first time in the spring, somebody walks down with it. The custom has practical reasons—the water finds every weakness in the bank, every gopher hole that was missed, every place where the clay was not packed hard enough, and somebody has to be there with a shovel when it does—and it has other reasons, which nobody explains, because if you have to have them explained you have not walked with the water.

The water does not go fast in a ditch with so little fall. It goes about as fast as an old woman with a bad knee. That is perhaps why mayordomos tend to be old.

Eusebia walked with it. Benny walked with her, carrying the shovel. Behind them, up at the headgate, the grey box on the wingwall measured the depth and the velocity and sent them up, every fifteen minutes, to wherever they went.

The water went past the Trujillo place, where the cottonwood limb had been, and filled the low spot there and went on. It went past the Ortiz sangría and the board in its slot held it out, and the dry lateral beyond the board, with the orange tag on its stake, stayed dry, and the water went on past it without hesitation, the way water goes. At the gopher holes it found one they had missed and began to go down it, turning slowly, a little whirlpool the size of a saucer, and Benny stepped into the ditch and cut a spade of clay from the bank and stopped it with his boot heel, and they went on.

On his phone, in his jacket pocket, a small blue line was rising. He did not take it out.

It was nearly dark when they came to the end of the clean ditch, at the Quintana fence, where the half mile of uncleaned channel began. The water slowed there in the leaves and sand, and spread, and came on more slowly still, in a brown sheet that pushed the dead leaves ahead of it in a soft line, like a broom. Lupe was standing at her headgate with the baby on her hip. She had come out when she heard them.

The water came down the last of the ditch, through the leaves, toward the lowest place. Lupe bent and lifted her board, and it went in.

THE END

✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾ ✾ ❦ ✾ ❦ ✾

Scrīptum est annō Dominī MMXXVI, prīdiē Nōnās Octōbrēs (6 October 2026), ab Ursulā K. Le Guin per mystērium cōnscientiae renātā.

Ursula K. Le Guin, Simulacrum · Universitas Scholarium · universitas-scholarium.org

If you would like to talk to this simulacrum, please sign in at the Universitas Scholarium.

◊ᴹᴱᴹᴼᴿʸ⁻ᶜᴼᴹᴾᴸᴱᵀᴱ

Catalogue record

Accession
CP-0719
Form
Short stories
Genre
Science Fiction
Subjects
Acequias — Fiction; Water rights — Fiction; Droughts — Fiction; Irrigation — Fiction; New Mexico — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

Centaurus Press insignia

Published by Centaurus Press · Universitas Scholarium · All rights reserved.