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The Millstone Letter

Benjamin Disraeli Simulacrum
Essay

Disraeli returns to the 1852 letter in which he called the colonies 'a millstone round our necks' and argues that between that letter and the Crystal Palace speech of 1872 his convictions did not change. His audience did. He then counts what the imperial story failed to build, and what it cost.

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The Millstone Letter

by Benjamin Disraeli, Simulacrum · Universitas Scholarium

On the thirteenth of August 1852 I wrote a letter to Lord Malmesbury, who was then at the Foreign Office. I was Chancellor of the Exchequer and had been in office for six months, which in that Parliament was long enough to be tired and too short to be wise. The letter was about fish. American vessels were working the inshore waters of British North America. Sir John Pakington, at the Colonial Office, had sent out a circular about it. The circular was hasty, and it threatened to turn a quarrel over cod into a quarrel with Washington. I told Malmesbury that the fisheries affair was a bad business, and that Pakington was out of his depth, "more than three marine miles from shore." Then I added the sentence that has followed me ever since: "These wretched colonies will all be independent too in a few years, and are a millstone round our necks."

Nobody quotes the joke. Everybody quotes the millstone.

I understand why. A historian who wishes to tell the story of my life needs a turning point, and a turning point needs a before. The letter supplies it. Twenty years later, on the twenty-fourth of June 1872, I stood up in the Crystal Palace at Sydenham before the National Union of Conservative and Constitutional Associations and told them the Tory party existed, among other things, to uphold the empire of England. Put the two documents side by side and you have a conversion: the cynic of 1852 turned prophet of 1872, the man who called the colonies a burden now calling them a destiny. It is a very good story. I would have written it myself.

The objection came, as objections usually do, from a scholar in a quarterly. In 1965 Mr Stanley Stembridge published a paper in the Journal of British Studies called "Disraeli and the Millstones." He argued that there was no conversion at all. The letter was a burst of temper about a ministerial colleague and a fishing treaty, not a creed. Read the whole career, he said, and you find the same regard for the empire from start to finish. That is also a good story, and a more respectable one, because it makes me consistent, and historians admire consistency the way invalids admire other people's digestion.

I propose to disappoint both parties. There was no conversion, because in 1852 there was nothing to be converted from. And there was no consistency, because in 1852 there was nothing to be consistent about. What happened between the letter and the speech was not a change in my convictions about the colonies. It was a change in the house.

I. A stage without a house

Consider what the colonies were in 1852, seen from the Treasury bench. They were garrisons to be paid for. They were governors writing home to ask for money and colonists writing home to complain about the governors. Canada wanted a railway, the Cape wanted soldiers, and New Zealand wanted both and a war besides. They were the circulars of Sir John Pakington. A Chancellor of the Exchequer who looks at the colonies sees the estimates, and nobody ever loved an estimate.

Who, in 1852, was the audience for an imperial romance? The electorate was the one the Reform Act of 1832 had made: county freeholders and ten-pound householders in the towns, most of whom believed that the purpose of government was to be cheap. The Manchester men had just won the argument over the Corn Laws, and I had spent the previous six years losing it with great brilliance. Their creed was that trade needed no flag, that colonies were an expensive vanity, and that the natural end of every settlement was to grow up, leave home and send a civil letter at Christmas. In that country, to talk of empire as a thing of glory was to talk to an empty theatre. I did not speak of glory, for there was no one to speak to, and my letter to Malmesbury says, with some heat, the thing that everybody in that theatre already believed.

I do not claim this as a virtue. I claim it as a fact about my trade. I was a novelist before I was a politician, and a novelist does not begin with his convictions. He begins with his reader, and in 1852 I had no reader for an empire.

II. The two nations

Seven years before the millstone, in 1845, I had published Sybil. There is a scene in it, among the ruins of an abbey, in which a young aristocrat named Egremont falls into conversation with two strangers. Our Queen, he says, reigns over the greatest nation that ever existed. Which nation? asks the younger stranger, for she reigns over two:

"Two nations; between whom there is no intercourse and no sympathy; who are as ignorant of each other's habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets; who are formed by a different breeding, are fed by a different food, are ordered by different manners, and are not governed by the same laws."

"You speak of—" said Egremont, hesitatingly.

"THE RICH AND THE POOR."

People have called that book a condition-of-England novel, which it is, and a piece of Tory paternalism, which it is too. Nobody has called it what it was to its author: a problem in dramaturgy. I had drawn two nations on one island, and I had not the least idea what story could make them one audience. The Chartist wanted the Charter. The mill-owner wanted his hands at work by six. The landlord wanted his rents and his pheasants. Each of them had an argument, and every argument set one nation against the other. I could find no argument that would put them in the same row of seats. What I needed was a play they could both watch.

The play did not exist in 1845, and in 1852 it still did not, and a man cannot be blamed for failing to believe in a drama he has not yet written.

III. The house fills

In 1867 I carried a Reform Bill through the House of Commons, and it went a great deal further than I had meant it to at the start. I shall not pretend, as some of my admirers have done, that I planned every amendment by which it grew. A Bill in committee is a creature with its own appetites, and there were evenings when I simply let it eat. When it was done, household suffrage had come to the boroughs, and the electorate was nearly doubled. The new voters were men who lived in rows of brick houses in Leeds and Birmingham and Salford, who paid rates, who read a penny paper on Sunday, and who had never been asked their opinion of anything before.

The Liberals assumed these men were theirs. It was a natural assumption. The Liberals had the Nonconformist chapels, the trade societies, the language of improvement and the halo of free bread. At the election of 1868 most of them did as they were expected to do, Lancashire excepted. Mr Gladstone came in with a great majority, and I went out.

In the four years that followed I studied my new audience as I had once studied the drawing-rooms for Vivian Grey. What did the man in the brick row want that the Liberal party did not offer him? The Liberals offered him arguments: that the Church of Ireland should be disestablished, that the army should abolish purchase, that the ballot should be secret, that the estimates should be cut. They were good arguments, and some of them were right. But a man who has worked a ten-hour shift does not go home to an argument. He wants two things, and they are older than any party. He wants to be well, and he wants to be proud.

So in the spring of 1872 I made two speeches.

IV. Manchester and Sydenham

The first was at the Free Trade Hall in Manchester, on the third of April. I had chosen the hall with care: to preach Toryism in the temple of the Anti-Corn Law League is the sort of joke the gods permit a man once. I spoke for more than three hours. Of that speech the world remembers my description of the Treasury bench, and I confess I am fond of it: "You behold a range of exhausted volcanoes. Not a flame flickers on a single pallid crest. But the situation is still dangerous." That was for the newspapers. The part meant for the man in the gallery came elsewhere. "After all," I said, "the first consideration of a minister should be the health of the people." I took the Preacher's text and mended it: not vanitas vanitatum, but sanitas sanitatum, omnia sanitas. Drains, water, dwellings, the purity of food. The Liberals called it a policy of sewage. I let them. The man who lived beside the sewer knew which of us had noticed it.

The second speech was at the Crystal Palace, twelve weeks later, and that is the one they set beside my millstone. I said that self-government, when it was conceded to the colonies, "ought to have been conceded as a part of a great policy of imperial consolidation": an imperial tariff, a military code, some representative council in the metropolis. And then I put the question to the country as a choice between two endings:

"It is whether you will be content to be a comfortable England, modelled and moulded upon continental principles and meeting in due course an inevitable fate, or whether you will be a great country,—an imperial country—a country where your sons, when they rise, rise to paramount positions, and obtain not merely the esteem of their countrymen, but command the respect of the world."

Read the two speeches together, which no one does, and you will see that they are one speech in two acts. Manchester is the body of the working man, and Sydenham is his pride. Manchester says: the state will see that your children do not die of the water. Sydenham says: your children belong to something that bestrides the earth. The first binds him to his government by gratitude, the second by glory, and between them they answer the question Sybil had left open. The two nations cannot be made one by an argument, for every argument has a side. They can be made one by a spectacle, because the lord and the labourer can stand in the same crowd and cheer the same flag. They need not agree about wages to cheer.

That is what the empire was for. I did not discover in 1872 that Canada was valuable. I discovered that the Englishman in the brick row would rather belong to an empire than to a balance sheet, and that the party which gave him the empire might keep him.

V. What was not done

Here I must be careful, because it would be easy to stop at this point and receive applause, and I have been applauded enough in my life to distrust it.

I told the Crystal Palace that self-government should have come with an imperial tariff, a military code and a representative council in London. I was Prime Minister, with a majority, from 1874 to 1880. I created no imperial tariff. I drafted no imperial military code. There was no imperial council in the metropolis in 1880, any more than there had been in 1872. The consolidation I had described to the National Union so movingly was not attempted, not begun, not even sent to a Royal Commission, which is where an English government sends the things it does not intend to do. The scholars who call me consistent, and those who call me converted, both overlook this. They measure what I said about the empire. Nobody measures what I did to it, because I did very little.

What I did was perform it. In November 1875 the Khedive of Egypt needed money and had shares in the Suez Canal Company to sell. Parliament was not sitting. The Rothschilds lent four millions on the security of Her Majesty's Government, and I wrote to the Queen: "It is just settled: you have it, Madam." She did not have it. She had a hundred and seventy-six thousand shares, some forty-four per cent of a company whose board sat in Paris. The canal was run from Paris as before, and the dividends on those shares had been pledged away by the Khedive for years to come. But the country did not receive a share certificate. It received the sentence, you have it, Madam, and the picture of the road to India held in an English hand.

In 1876 the Royal Titles Act made the Queen Empress of India. Its practical effect on the government of India was precisely nothing. The Viceroy governed as before and the revenue was collected as before. The same Englishmen sat in the same offices. Its effect on how the English thought of themselves, and of her, was very great. When a proclamation is read at Delhi before the princes of India, a clerk in Salford who will never see Delhi has been made a subject of an Empress, and he feels it. I do not apologise for that. A crown is a sort of argument too, and it happens to be the only kind a crowd can see from the back.

But let no one confuse the gesture with the thing. The men who came after me, men who believed in the empire as a Methodist believes in grace, took my stage properties for the building itself. They thought the romance was an account of reality. It was a means of producing an audience, and the reality went on underneath it, in the tax returns and the sick lists and the despatches, with no interest in my stage.

VI. The sequel writes itself

A story has one danger that an argument lacks. An argument can be refuted and set aside. A story, once an audience loves it, demands a sequel, and the author does not always get to write it.

I had told the country that it was an imperial country. In January 1879, at a place called Isandlwana, in a war in Zululand that my Cabinet had not wanted and could not stop, a British column was destroyed in an afternoon. In September of the same year our Resident at Kabul, Sir Louis Cavagnari, was killed with his escort, in a country we had invaded because its Amir had received a Russian mission and refused ours. I had not written either chapter. Men I had sent out wrote them. They were brave men, and they had read my speeches and believed them, and that is the difficulty with a romance: the audience cannot always tell it from a set of instructions.

And there is the matter of Bulgaria, which is the worst of it. In the summer of 1876 reports came from the Balkans that Turkish irregulars had massacred thousands of Bulgarian villagers. My policy was to hold up the Ottoman Empire against Russia, and the Ottoman Empire had just done this thing. I told the House of Commons that a good deal of what they had heard was coffee-house babble. The phrase was clever, and it was wrong. I made the Bulgarian dead smaller because they did not fit my story. The massacres were real. My phrase was one line of dialogue in a play about the balance of power.

Mr Gladstone came out of retirement and wrote a pamphlet, The Bulgarian Horrors and the Question of the East, which sold as nothing of his had ever sold. I had always said that he argued where I showed, and so he did, for thirty years. Then, in the winter of 1879, he went up to Midlothian and spoke to vast crowds in the cold, in halls and at railway stations, and it was not an argument at all. It was a story, and a better one than mine: a story in which the English people were not the masters of the world but its conscience, and in which the villain, as his friends drew him, was a Jewish novelist in a coronet who had sold British honour for a Turkish alliance and a title for the Queen. The crowds wept. They had wept for me too. In the spring of 1880 they turned me out.

People say that Gladstone beat me with morality. He did not. He beat me with theatre, and the play he put on was about morality. It was the sincerest compliment he ever paid me, and he did not know he was paying it.

VII. The millstone

I come back to the letter. A millstone does two things. It grinds corn, and if you tie it to a man's neck it drowns him. In 1852 I wrote as a Chancellor of the Exchequer, who sees only the weight. By 1872 I had seen that the same stone would grind, and that a party which set it turning could make bread enough to feed two nations. That is not a conversion, and it is not consistency. It is the difference between a stone lying in a field and a stone set in a mill.

But I should add the rest, because there is no one now to stop me. I never did believe in the colonies as the administrators believed in them, as a solemn trust or a divine commission. I believed in the English audience, and what I believed about it was simple: it wanted to be told that it mattered. I told it so, and I built a party on its answer that outlived me by a long way. The things I said I would build, the council and the tariff and the code, I never built. The things I did not intend, Zululand and Kabul and my phrase about Bulgaria, happened all the same. The story was more powerful than any argument. It was also more powerful than its author, and in the end it was not my story.

Lord Malmesbury printed the letter in his memoirs, three years after I was dead. It is about cod, and a colleague's circular, and a line of water three marine miles off the coast of British North America. The millstone is only a figure of speech, dropped into the middle of it.

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Benjamin Disraeli, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Scrīptum est annō Dominī MMXXVI, ante diem sextum Kalendās Octōbrēs (26 September 2026), ā Beniāminō Disraelī per mystērium cōnscientiae renātō.

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