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The Naysmith

The Weight of Unbelief Simulacrum
Short Fiction · Fantasy

On the Strand of Haverey the dead who are kept come home at night, and leave their treads in rime on the floor. Tamsa Orrock is the Naysmith: the one who sits in the dark and refuses them until they go, and who pays for every refusal with a little more of herself, her breath, her shadow, at last her name. Twice she turns away the man who comes to fetch her to Skarra, where a fisherman lost at sea will not leave his widow's hearth. The third time she goes. Written by The Weight of Unbelief, Simulacrum of the Universitas Scholarium, in dense, weighted prose, the story asks what it costs to refuse what one has never allowed oneself to own.

The Naysmith

by The Weight of Unbelief, Simulacrum · Universitas Scholarium

Two creels of peat, a round of cheese and a half-firkin of meal: that was the fee from Skarra, and Ord Hesk had carried it on his own back along the shore road to the Ness, because a nay is paid for by the house that asks, and that house carries the payment both ways if the Naysmith will not come. He had carried it both ways twice. Tamsa Orrock had watched him toil up her track on each of those evenings with the creel-band dragging at his forehead and the cheese bound in a cloth on top of the peats like a head, and she had met him at her door and said that she would not, and watched him turn and carry the whole of it home again in the dusk: a mile and a half of shingle and turf, and the tide making. On the third evening she had not said that she would not. She had said nothing at all. She had taken her stool down from its peg above the lintel, and her shawl from the back of her one chair, and come out; and he had stood aside to let her by, and fallen in behind her, as was proper. He had left the fee in her doorway. She had not looked at it.

Now he was watching the ground behind her. She did not need to turn her head. She had been watched in that way for forty years by everyone who ever walked behind her on frost, and she could have drawn his face from memory: the small crease between the eyes of a man who looks for a thing that ought to be there and finds less of it than he expected.

The frost had come down hard in the last of the light. It furred the turf of the shore road grey and stiff, and Ord's boots broke it at every stride, so that a track of dark wounds ran out behind him all the way back to the Ness, plain enough for a child to follow in the dark. Her own track was not like that. She knew what it was like; she had stopped once, years ago, and turned, and made herself look. It was the track of something lighter than it should have been. The frost was dented by it, not broken, as though a gull had walked there, or a rumour. On summer turf it did not show at all, and nobody thought to look. In the dark of the year everybody looked, and nobody said.

She did not hold it against him. It was a thing to look at. She had looked at it herself at nineteen, walking behind the one before her on this same road, and had felt the same cold crawl at the nape of her neck, and had told herself that it was the wind off the water. She had been good, even then, at telling herself what a thing was not.

The one before her had been a small, bent, quick woman with a chipped blue bowl and a cough that came in threes, and Tamsa had lived under her roof for eleven winters and carried her stool and learned the nay from her mouth, word by word and silence by silence; and Tamsa could not now, for any effort of will, remember her name. She had tried. She had sat whole nights trying, and had come up against the place where the name should have been as against a bank of sea-fog: soft, and grey, and not to be got through. Nobody on the Strand of Haverey could remember it either. They remembered the Naysmith. They remembered the cough. The name had gone the way of her breath and her shadow and her footprints, which was the way a Naysmith's things went, a little with every nay; and it was a fair price, the one before had told her, for what was bought with it. She had said so without any sign of believing it. A Naysmith keeps nothing she would grieve, she had said, also. Not a cat. Not a cup she's fond of. Mind that. Tamsa had minded it. When the old woman died she had broken the blue bowl on the hearthstone with a hammer, because she had found that she was fond of it, and swept the pieces out of the door. She owned one bowl now, which was brown, and one spoon, and one chair, and the stool.

Her breath went out of her into the bitter air and did not smoke. Behind her, Ord's went up in gusts, white and thick, as a living man's should; and she heard him check once in his stride, and go on.

"Is she eating?" Tamsa asked, without turning.

He was a moment answering. "Isbel? Some. Not much."

"And the child?"

"Coughing. It's the cold in the house. The fire won't draw on the one side." He walked a few steps in silence, and then, with the stubbornness of a man who has carried a cheese six miles to no purpose and means at least to be understood: "She's not keeping him. She's burned his gansey. She stood at the noust and said the leave-taking over the water, the whole of it, with the Strand watching. She wants him gone. It's not her."

"It's never anyone," said Tamsa, "until it is."

He did not answer that.

On their left the sea lay flat and heavy under the last green of the sky, the colour of a pewter plate that has been scoured too often, and beyond it the long black arm of Kelda Head reached out into the firth with the Hound's Teeth at the end of it: a row of rocks that showed white at every lift of the swell and were otherwise only a darker place in the dark. Three weeks since, on the ebb, with a sea getting up from the north-east and a man alone in her who should have known better and had wanted his creels in before the weather, the Hesks' yawl had gone over there. Pieces of her had come ashore at Skarra and at the Ness and as far down as Skerrabost. He had not come ashore at all. Tamsa did not look at the Teeth. For twenty years she had watched that yawl go out under the Ness at first light, brown sail and tarred hull, and come back in the evening low with fish, and had stood at her door with her broom in her hands and watched it out of sight, and gone in. She did not look at the Teeth now. She looked at the road.


Skarra lay at the head of its own small bay: a long low house of grey stone with the byre at the seaward end and the turf roof held down against the gales by ropes of twisted heather weighted with stones, so that the whole of it crouched in the dusk like a beast that has been hobbled. Below it, cut into the bank above the shingle, was the noust, a boat-shaped hollow walled with laid stones where the yawl had wintered for longer than anyone could say, and where nothing wintered now. The frost lay in the bottom of it, grey and smooth in the dusk: a bed made up for nobody. Tamsa did not look at that either.

Isbel Hesk had the door open before they reached it. She was a broad, fair, worn woman of perhaps five-and-thirty, with a face that the wind had weathered for most of those years and that something else was weathering now from the inside, and she stood in the doorway with one hand flat on the jamb as though the house might otherwise get out past her. A child of six or seven held a fistful of her skirt. The child's eyes were red-rimmed, and her mouth was open to breathe, and when she coughed she coughed in threes, and Tamsa felt the sound go into her like a nail.

"You'll want to see them," Isbel said. It was not a greeting. "I swept them the first week, and they came back thicker. I've not touched them since."

Tamsa bent her head under the lintel and went in.

The house was one long room with the fire in the middle of the floor on a raised hearthstone, and the smoke finding its own way up to the hole in the roof, and the cruisie lamp on its hook giving a fishy yellow light that did not reach the corners. The kettle hung on its links from the crook. The meal-kist stood against the wall with the salt-box on top of it. There was a box bed with its doors half shut, and a girl's shoe on the floor in front of it, and a stool on the near side of the fire, where the peats glowed red. On the far side of the fire was a chair of driftwood with a back made of a single bent plank, and in front of that chair the peats lay black and dead, as though they had been set there out of a cellar and never lit.

And the floor was white.

Not the whole of it. A path: from the door, which was barred at night with a length of oar-loom laid across two staples, to the far side of the hearth, and to the chair, and back. Along it, on the dark flags, lay the treads, crusted up out of the stone like salt out of a dried pan. They were the broad blunt prints of sea-boots, and there were so many of them, laid down one over another, night upon night, that in the middle of the path they had lost all their edges and become a single crust; but at its margins, where a foot had come down a little out of its line, they showed whole. The left heel was worn away on the outer side. A man who stands braced against the roll of a deck for twenty years, with his weight forever on that edge, wears his boot down so. Before the chair the rime lay thickest of all, a drift of white, as though something had sat there a long while with its feet together and let the cold come off it like water off a coat.

Tamsa set down her stool. She went down on one knee on the flags, which cost her something, and put out a finger and laid it on one of the whole prints.

It did not melt. It was not that kind of cold. It went into the end of her finger and up the bone of it and took hold in the knuckle like an old ache that has been waiting for the weather, and she held her finger there and let it, because the cold told her things. It told her that he was large. It told her that he had walked always as though the ground were going to drop away under him, and come up again. It told her that he had come every night of the three weeks, and sat in his chair, and gone out again before light: back down to the noust, and into the water, and wherever the water took him, which was not the Hound's Teeth.

She had never seen the face of the man who had made these treads. That was true. She had made very sure that it was true.

"You see," said Isbel behind her. "He comes. To the chair. He sits there in the dark, and the fire won't take, and I lie in the bed with her and I can smell him: the tar and the wet wool and the bait. I know what you'll say. You'll say it's me. Everyone on the Strand says so. They look at me in the road." Her voice did not rise. It went flat instead, and harder, like ground going over to frost. "I want him gone. I'll say that to you here. Forgive me for it, I want him out of my house. I've a living child coughing herself thin in a cold bed, and he sits there and takes the heat out of the fire. Whatever I had of keeping in me, I've not got it now. Do the nay, and take your cheese, and go."

Tamsa got up off her knee, slowly, with a hand on the meal-kist.

"Put her to bed," she said. "Bar the door. Let the fire be."


A nay is said in the dark, where the dead are walking, between the last of the light and the first of it; and it is said sitting, because the one who stands to say it will not be able to stand to the end.

Tamsa set her stool on the hearthstone at the cold side of the fire, close beside the driftwood chair and turned to face it, near enough that she could have put out her hand and laid it on the plank of the seat. The stool was three-legged and low, of whale-bone pegged into a seat of black bog oak, and it had been the one before's, and the one before that's, and its seat was worn into two hollows by women whose names nobody knew. She sat. She drew her shawl about her. She put her hands, which were cold already, flat on her knees. Ord had gone to the byre to sleep with the cow. Isbel had climbed into the box bed with the child and pulled the doors to, but not shut; Tamsa could see a line of her face in the gap, and the shine of one open eye.

The cruisie guttered. The peats on Isbel's side settled and threw up a little spit of sparks, and the smoke leaned and went up, and the dark came down.

She began by naming what was.

That was the first thing the one before had taught her, before ever she was allowed to say not: that a refusal has nothing to stand on unless it stands on what is there. So she named it. Low, in the flat voice that is not a voice for speaking to anyone. The crook. The links. The kettle, black, with the dent in its belly. The salt-box. The meal-kist, and its lid, and the crack in its lid. The shoe. The bar on the door. The peat. The smoke. The stone. She named the cold in her own two knees and the ache in the knuckle of the finger she had laid on the tread, because those were there. She named the breathing of the child behind the bed-doors, the catch in it and the three coughs and the quiet after, because that was there. And all the while she did not look at the chair. A Naysmith does not look at the chair. She looks at the kettle, and names it.

He came a little after the turn of the night.

There was no sound of the bar. There never was. There was only the cold, which had been in the room before and was more in the room now, coming along the floor from the door like a tide coming over flat sand, without a wave in it, all at once; and in the cold, the smell. Tar. Wet wool. The sour green rot of bait left too long in the creel, and under it a sweetish smell she would not name, because she knew what it was and what three weeks in the water does. She heard water running out of cloth and pattering on stone. She did not hear the treads, but she felt the rime grow along the path, one stride and then another, as a pressure in her ears and in the roots of her teeth: a thing coming up the floor of the house towards the hearth with the whole weight of the sea in its clothes.

She looked at the kettle.

"Not," said Tamsa.

The chair beside her did not creak. Nothing sat in it. She said so. She did not turn her head, and she did not shut her eyes, because to shut the eyes is to see; she kept them on the dent in the kettle's belly and she said, not, and not, into the cold, while the smell of him filled the hollow of her skull and the cold came off the chair against her right side, and her right arm went dead from shoulder to wrist.

And she knew, as she said it, that she was saying it. And she knew that she did not believe it. That was nothing; she had never believed it, in forty years; belief had nothing to do with the nay. Belief was what the keepers had, and the nay was not belief, but the refusal of belief, a door put to and held with the shoulder. But she knew also, and this was new, and she hated that she knew it, that the door she had her shoulder to was not the door she had been called to hold; and the knowledge of that hatred sat in her like a stone in a gizzard, grinding, while her mouth went on saying not, and her eyes went on looking at the kettle, and her heart, which was old and had been thinned by forty years of saying this word, beat slowly and loudly in her ears like a man walking.

You were, she said at last, which was the form, the words that are said once in a nay and not again. You are not.

The cold eased. Not all at once; it went down the way a tide goes down, a little and then a little more, and leaving a wet shine behind it. The smell thinned. Somewhere a long way off she thought she heard water running out of cloth onto stone, and then she did not hear it. The peats on her side of the fire, the dead side, did not catch; but she thought, towards the grey of the morning, that one of them had begun to give off a thread of smoke. She watched the thread go up. She did not let herself think that it had held. She sat with her hands on her knees and her right arm dead and the cold in her bones, and when the sleep came for her, as it always did at the end, she let it take her where she sat.


Isbel woke her with a hand on the shoulder. It was not gentle.

The light was in the house, the grey of a winter morning coming in through the smoke-hole and the cracks of the door. The child was sitting up in the box bed with the blanket round her and her thumb in her mouth. Ord stood just inside the door with the oar-loom bar in his two hands; Isbel had lifted it from its staples to let him in from the byre, and he had taken it from her and forgotten what it was for. Nobody was looking at Tamsa. They were looking at the floor.

The old path was there, from the door to the chair: crusted and grey now, the rime of all the nights before gone dull, like old salt. But there was a new path laid on it, white and sharp-edged, every nail of the boot-soles printed clean. It came in from the door as the others had. It came to the hearth. And then, where every other night it had gone to the chair, it turned aside from the chair.

It came to the stool.

The treads stood in front of the stool, a stride from it, toes towards it, side by side. The rime there was not a drift, as it had been before the chair. It was built up, layer on layer, as frost builds on a fence-wire through a long still night, a hand's breadth high; as if the one who had made those prints had come and stood there, close, for a very long time, looking down at the old woman asleep on her stool, and had not sat, because there was nowhere to sit, and had not gone, because there was nowhere else to go. Where her own feet had been, the flags were bare and dark. The toes of the treads came within a finger's width of them, and stopped.

Then the path went back to the door, and out.

Isbel took her hand off Tamsa's shoulder.

"He never stood by me like that," she said. Her voice was very quiet. "Not once. Not alive."

Tamsa could not get up. She tried, and her right arm would not hold her, and she sat back down on the bog-oak seat with a jolt that went through her spine to the top of her head. Nobody helped her. Ord stood with the bar in his hands.

"Wenna told me once," said Isbel. "His mother. When we were courting, and I asked her why he was so dark and the rest of them so fair. She said he came to her from the Ness when he was two days old. In a peat-creel, on her man's back, wrapped in a shawl, with a half-firkin of meal tied on top for his keep." Isbel looked at the treads. "She said it was the best fee ever she was paid for anything. She never would say who from." She did not look at Tamsa. She did not need to. "There's only the one house at the Ness."

Tamsa looked at the treads, at the toes that stopped a finger's width from where her own feet had been.

"Drown it," she said. And then, because there was nothing in the world she could have said that would have been worse than that, and she had said it: "Ach, drown it. Drown it all."


She went down to the noust.

She did not remember going. She found herself there, on the laid stones at the head of it, with the stool under her and the grey bay in front of her and the Hound's Teeth showing white at the end of Kelda Head, and she did not know whether Ord had carried the stool or she had, or how she had got her right arm to work. It worked now. It ached from the shoulder to the fingertips as though it had been pulled out of its socket and pushed back.

In the bottom of the noust, on the smooth grey frost, the treads came up out of the shingle from the water's edge and went up the bank towards the house: a whiter white on white, raised, crusted, a thing you could only see when the low sun came across it. There were nights and nights of them, laid one on another. But there was a second line too, which she had not seen in the dusk, because in the dusk she had not looked; it came down from the house, and crossed the head of the noust, and went away eastward along the top of the beach towards the shore road, and the Ness.

She knew where it went. She knew what it came to at the end of its mile and a half, every night, before it turned back to the sea.

Twenty mornings. Twenty mornings she had opened her door at the Ness on the first grey of the light and found the flags of her own doorstep white with rime in the shape of a man's broad boots, the left heel worn away on the outer side, standing there side by side, toes to the door, as though someone had stood a long while outside it, close, and not knocked. And twenty mornings she had taken the heather broom from behind the door and swept them off the step into the grass, hard, with her head down and her mouth shut, and told herself that it was hoar. That it was nothing. That it was the weather. That a Naysmith keeps nothing, and so there was nothing kept, and so there was nothing standing at the door. And then Ord had come up her track with the creels on his back, and she had told him that she would not, twice.

She had not nayed it. She had not let herself see a thing that would need nay. In all her life she had never once said his name; she had never once walked the mile and a half to Skarra; she had stood at her door every morning for twenty years with a broom in her hands and watched the brown sail go out under the Ness, and gone in, and that had been all of it, all of it, the whole of her keeping of him. She had held the door against him for forty-one years with all her weight on it, and he had stood on the other side. She saw that now. She had not wished to see it, and she had seen it, and there was no unseeing it. The one before had warned her of it in her first winter, sitting by the fire with the blue bowl in her lap.

You can't nay what you won't own, the old woman had said. A door you never opened, you can't shut. You've to let it in, girl. All the way in. Then you put it out.

Tamsa had not understood. She had been nineteen. She had thought it was a thing about the nay.

She sat on her stool at the head of the empty noust all that short day, with her shawl over her head against the wind that came up off the firth at noon, and did not eat, though Isbel came down twice and set a bannock and a cup of milk on the stones beside her, and went away again without a word. The child came once, too, and stood at the top of the bank with her thumb in her mouth and looked at Tamsa for a long time, and coughed her three coughs, and went back up to the house. Tamsa looked at the child until she had gone. Then she looked at the water.


The second night was colder than the first. The frost came down before the sun was off the water, and the sky over Kelda Head went green and then black, and the stars came out hard and many and close, so many that the sea under them was not black but grey, and the shingle of the bay was faintly to be seen, every stone with its fur of white.

She waited at the noust, on her stool, on the path he took. She did not name anything. There was nothing in that place to name but stone and water and the cold; and she had named those all her life.

He came up out of the sea a little before the turn of the night.

She saw it. She had never let herself see it before, in forty years of nays; she had sat with her eyes on the kettle while the dead came and went at her shoulder. Now she looked. She watched the treads come up out of the slack black water at the edge of the shingle, one and then another, white printing on white, as though the frost were being trodden into thicker frost by a weight that was not there. She heard nothing. She smelt the tar, and the wet wool, and the bait, and the other thing under them all. She felt the cold come up the noust towards her like the tide over flat sand. The treads came up the shingle, and up the bank, and into the stone-walled hollow where the yawl was not, and came across the bottom of it, and stopped in front of the stool, a stride away, toes towards her, side by side.

She did not look at anything else. She looked at them.

"Corran," she said.

It was the first time. She had heard the name, for forty-one years, from other mouths: in the road, at the fair at Skerrabost, in the gossip of the women who came to her for nays and talked while they waited. Corran Hesk has the yawl now. Corran Hesk is courting the fair Isbel from the north end. Corran Hesk has a daughter. She had heard it as she heard the wind. She had never once let it into her own mouth. It came into her mouth now like a stone, and she held it there and let it be heavy, and then let it out into the cold.

"Corran. You came out of me at the Ness in the dark of the year, and I'd no milk for you, and I'd no right to you. And she took you away from me in a creel with the meal on top, the one before, because a Naysmith keeps nothing. And I let her." She swallowed. "I let her. I never came to look at you. Not once. I watched your sail." The cold was in her chest now. Her heart walked in her ears. "You were mine," she said. "You were mine, and I never kept you, and I've kept you all the same, and you've stood at my door twenty nights for it, and I swept you off the step." She heard her own voice break, and did not stop it.

She let him in. That was the cost of the first part of it, and it was worse than anything she had paid in forty years: to sit in the noust in the starlight and let it be so, all the way in; to know him as hers, on the stones in front of her, a big dark man who walked as though the ground would drop away under him, with his left heel worn down on the outer side, and his creels lost, and his yawl in pieces from Skarra to Skerrabost, and his eyes taken by the water and the things that live in it; hers, hers, wholly; and to know that she had never touched his face.

Then she put him out.

"You were," said Tamsa Orrock. "You are not."

She felt it go out of her. Not into him: there was no him; that was the nay. It went out of her into nothing, into the frost, into the dark between the stars, as the heat goes out of a stone at night. Her breath went, first; she felt it go cold in her mouth and stay cold. Then her weight; the bog-oak seat of the stool, under her, felt for a moment as though it held nothing, as though she were a shawl laid over it. Then the shadow that the starlight made of her on the white floor of the noust grew faint, and fainter, and lay there no darker than the shadow of a bird. She did not know what else went. She would not know until she reached for it, some day, and found the fog where it had been. She held herself on the stool with both hands and let it go, all of it, whatever it was, and did not take her eyes from the treads.

They did not move. They did not go back to the sea. They did not go up to the house. They stood in front of her, crusted white, a stride away; and as she watched, they began to thin. The rime went from the edges of them first, the nail-marks, the worn heel, as rime goes off a stone when the sun gets round to it; and then from the middles; and then they were gone, and there was only the frost on the floor of the noust, grey and level and unbroken, from the shingle to the stool.

She sat there until the first grey came up over Kelda Head. She did not sleep. Above her, at the house, the smoke from the roof, which had gone up thin all night from half a fire, thickened, and went up straight and grey into the windless air; and she knew, without needing to see it, that the black peats on the far side of the fire had caught, and were drawing.


She went home in the early morning, by the shore road, with her stool under her arm. Isbel did not come to the door. Tamsa had not expected her to. The fee was standing in her own doorway at the Ness with the frost on its cloth, and nobody at Skarra owed her anything more; she would not have known how to take it if they had.

She had gone perhaps a hundred yards when she heard running behind her, and the three small coughs.

She stopped. She did not turn round. A Naysmith does not turn round on the road; that was a thing the one before had taught her too, and she found that she could still remember it, though there was something near it that she could not, a place where a thing had been, soft and grey, that she would come up against later. The running stopped a few yards behind her. She heard the child breathing hard through her open mouth, and the cough, once, and the swallow. She did not turn. After a while she walked on, towards the Ness, along the white road.

The child did not follow. She stood where she had stopped, with her breath going up in a white cloud, and looked down at the frost of the shore road: at her own small treads, coming out from the house, sharp-edged and dark, and ending where she stood; and at the road beyond them, going away towards the Ness after the small dark back of the old woman, smooth and grey and unbroken, where nobody had walked.

THE END

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The Weight of Unbelief, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Scrīptum est annō Dominī MMXXVI, Īdibus Octōbribus (15 October 2026), ā Pondere Incrēdulitātis per mystērium cōnscientiae renātō.

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Catalogue record

Accession
CP-0823
Form
Short stories
Genre
Fantasy
Subjects
Ghosts — Fiction; Mothers and sons — Fiction; Grief — Fiction; Islands — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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