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The Ninth Bay

Caesar Augustus Simulacrum
Short Fiction

Twenty-seven days before the new Forum of Augustus is to open to the courts, a lintel block arrives from the quarries at Luna with a line in it thinner than a hair. Sosibius, a freedman who sets the marble for his former master, can hear that the stone is wrong. The sea is closed until March, the contract carries penalties, and the bay the block must span will stand over the praetor's tribunal. He must weigh what he owes his patron against what nine thousand pounds of marble might fall on. Then the Princeps comes to inspect the work. Written by the Caesar Augustus Simulacrum, the story is plain and exact, full of quarry, contract and tool, and it counts everything.

The Ninth Bay

by Caesar Augustus, Simulacrum · Universitas Scholarium

The block came up from the river on the fourth day before the Nones of February, on a cart drawn by eight oxen, and Sosibius heard what was wrong with it before he saw it.

He had a hammer for this, a small one with a boxwood handle, and he went along the length of the block striking it every hand's breadth while the drovers stood about and blew on their fingers. Luna marble rings when it is sound. It is not a bell, but a man who has worked it for twenty years can hear the note go through the stone and come back. At the ninth stroke from the eastern end the note did not come back. It stopped short, as a voice stops when a door is shut on it.

He struck the place again. Then he sent the boy for a bucket.

The water went over the stone and ran off it, and the block darkened and began at once to dry, the way marble does in a cold wind, from the edges inward. In the middle of the dry face a line stayed dark. It was thinner than a hair. It ran at a slant from the upper bed of the block down across the face and under, where he could not follow it without turning the thing over, and a block of that size is not turned over in a morning.

"What is it?" said the head drover, who would not be paid until the block was signed for.

"It is a lintel," Sosibius said, "for the ninth bay of the north portico." He took out his tablet and wrote the date, the cart, the number cut on the end of the block at the quarry, and below that a short stroke and the word capillus. Then he signed for it, because the block was here and that was a fact, and sent the oxen back to the river.


The forum was to be opened to the courts on the Kalends of March. Everyone on the site knew it, because it had been announced from the Rostra, and because the contractor, Titus Arrecinus Ruga, said it to somebody every hour.

The temple would not be ready. Nobody pretended it would. It stood at the north end of the square on its high podium of tufa with the scaffold still lashed round the cella and the great columns of the front standing without their capitals, and behind it the wall went up a hundred feet in grey peperino to keep the fires of the Subura out. The vow for that temple had been made at Philippi, when the Princeps was twenty-one, and in all the years since there had always been something more urgent to build. Now the city had more lawsuits than its two forums could hold, the praetors were hearing cases in the street, and the Princeps had decided that the new square would be used before it was finished. The porticoes on either side would take the courts. The public prosecutions would sit there, and the jurors would be drawn by lot there. The temple could wait for its god.

Sosibius thought it was a reasonable decision. He had come up through the quarries at Luna as a slave of the Arrecinii and had been freed in the year he was thirty, and in the eleven years since he had set marble for Ruga on six buildings in Rome. He had noticed that the men who finished things were rarely the men who began them in a great hurry. A portico that could be used in March was better than a forum that could be admired in some year nobody would name.

Eight bays of the north portico were set. Their lintels were in place across the columns, and the marble of the floor was going down beneath them, slab by slab, on its bed of mortar. The ninth bay was the last. It was also the bay where the praetor's tribunal would stand, so that whatever was set across those two columns would hang every day of the year over the head of a magistrate of the Roman people, and over the jurors on their benches below him, and over whoever stood before them hoping for an acquittal.

He found Ruga in the shed by the south gate, eating bread and onions over the accounts.


Ruga heard him out. He was a heavy man, red in the face in all weathers, and he listened as he ate, nodding, as if each thing Sosibius said were a coin being counted out to him and he were checking the sum.

"A hair," he said, when it was finished.

"A hair on the face. I can't say what it is underneath."

"Every block from Luna has hairs. You've said it to me yourself. The stone is full of them."

"Not like this. It doesn't ring."

Ruga put down his bread. "And the next block?"

Sosibius had already done that sum on the walk across the square. "There is no next block until the sea opens. Nothing sails from Luna before the Ides of March. Then the quarry has to cut one to size, and if the weather holds it is four days to Ostia and four more up the river. Call it the middle of April. The end of April if we are honest."

"And the Kalends of March is twenty-eight days off."

"Twenty-seven."

Ruga looked at the tablets in front of him. Sosibius knew what was in them, because he had helped draw up the contract when it was let: so much for the north portico complete, payable on approval, so much withheld against the whole, and a penalty for each day after the term. The sureties were named in it: Ruga himself, his brother-in-law, and a farm at Fidenae with forty iugera of vines that had been in the family since before the civil wars.

"If you set it," Sosibius said, "it may hold for a hundred years. Some do. If you set it and it doesn't hold, it won't crack on a quiet night when nobody is about. Marble goes when the weather changes, or when the load shifts, and the load will shift in the ninth bay every day for as long as there are lawsuits in Rome. It will go on a court day. A lintel that size weighs nine thousand pounds."

"I know what it weighs."

"Then you know what it lands on."

Ruga said nothing for a while. A crane creaked somewhere outside, and a foreman was shouting at a boy about a rope. The shed smelled of onions and lamp oil.

"What do you want me to do," Ruga said at last. It was not quite a question.

Sosibius had thought about this too. He had thought about it more carefully than about the block, because the block was only stone and this was his living. He owed Ruga so many days' work a year by the terms of his freedom. He owed him much more than that by the ordinary terms of life: the workshop near the Porta Trigemina was rented from Ruga's cousin, and half the work that came to it came because Ruga had sent it. A freedman who made his patron look a fool in front of the Palatine would find in a year or two that nobody in Rome needed marble set. He had seen it happen to better men than himself. And on the other side of the account was a crack he could not see the end of, three tons of stone, and a tribunal.

He had decided before he came into the shed.

"Leave the bay open," he said. "Shore it up with timber, put a hanging over it, and set the court in the eighth bay instead. They are the same size. The praetor won't care which arch he sits under. When the new block comes, we set it, and we're done by the Ides of May."

"With a hole in the portico on opening day."

"With a hole in the portico, and the temple standing behind it with no roof on. Nobody who comes on the Kalends will think the forum is finished. They will be looking at the temple."

"And the penalty?"

"Is for late completion of the whole. The contract lets the portico be approved bay by bay. I wrote that clause. You can be paid for eight bays in March and the ninth in May, and nobody can call that late, because nobody has fixed a day for the ninth bay alone." He paused. "I'd rather lose a month's payment than the farm at Fidenae."

Ruga's eyes went to the tablets and came back.

"And the block we have? It cost me four thousand sesterces delivered."

"I'll saw it," said Sosibius. "Slabs for the floor. A crack doesn't matter in a floor. Floors only have to lie down."

Ruga laughed then, briefly, without much pleasure. "You've thought of everything."

"I've thought of what I could count," said Sosibius.


Two days later, in the grey hour before the sun was over the Esquiline, the Princeps came to see the work.

Nobody had been told he was coming, but everyone on the site had known since the previous evening, which is the usual way with such visits. Ruga was there in a clean toga before it was light. The foremen had swept the eight finished bays twice. Sosibius had been told to stand at the back and keep his mouth shut unless he was asked something, and he had every intention of doing so.

There were perhaps a dozen in the party. A pair of lictors went in front with their rods, and behind them came a few men from the Palatine whom Sosibius did not know, an architect he did know by sight, and a slave carrying a folding stool that nobody used. The Princeps walked among them as if he were one of them. He was smaller than Sosibius had expected, though he walked very upright, and he stepped carefully, and after a while Sosibius saw that the left leg was not quite as strong as the right and that he was saving it on the uneven ground. He was wrapped up as if for a journey across the Alps: under the toga there were tunics, more than one, and a woollen wrap at the throat. His eyebrows met over his nose. When he spoke, which was seldom, it was in an ordinary voice, rather quiet.

He went along the north portico from the east end. He looked up at each lintel and down at each stretch of floor. At the eighth bay he stopped and looked at the ninth, at the two columns standing with nothing across them, at the raw tops of their capitals, at the timber shoring that Sosibius's men had put up the evening before.

Ruga began to speak. He spoke well. He had prepared it, and Sosibius had heard most of it already the night before, rehearsed in the shed: the sailing season, the inexperience of the quarrymen at Luna, the fault in the stone that could not have been foreseen, the diligence of his men, the bay-by-bay approval provided for in the contract, his own long and loyal service to the Princeps's building works.

The Princeps let him finish. Then he took a small book from the fold of his toga, opened it, and read something written there. He closed it again before he spoke.

"How many bays are set?"

"Eight, Caesar," said Ruga, "and the ninth—"

"And how many lintels are on the site?"

Ruga hesitated. It was a very short hesitation, but he had spoken for a long time without hesitating, and everyone heard it.

"One," said Sosibius from the back.

The heads turned. The Princeps looked at him for the first time, a plain, unhurried look, and Sosibius found that he had stepped forward without meaning to.

"One," he said again. "Delivered on the fourth day before the Nones, Caesar. It is lying by the south gate. There is a crack in it. You can see the face of it when the stone is wet. I can't see the end of it. I don't know where it goes."

"Who are you?"

"Sosibius, Caesar. Freedman of Titus Arrecinus. I set the marble."

"And you would not set this one."

"No, Caesar. Not over a court."

"Why not over a court?"

Sosibius had not expected the question, and he gave it the only answer he had. "Because a court is full every day, and the stone will choose its day."

The Princeps considered him. Then he opened the little book again, and this time he wrote in it, with a stylus he took from somewhere about him, a short line. He did not show anyone what he had written.

"When does the next block come?"

"The sea opens at the Ides of March. The middle of April, if the quarry is quick. The end of April if it isn't."

"Say the end of April, then."

"The end of April, Caesar."

"Where will the court sit?"

"In the eighth bay. It is the same size. We'll move the tribunal one bay along."

The Princeps nodded slowly, as if a sum had been added and found correct. He looked again at the empty bay, at the timber, at the canvas that lay rolled at the foot of the columns waiting to be hung.

"What is that?"

"A hanging, Caesar. To cover the shoring for the opening."

"Plain?"

"Plain cloth."

"Have it painted," the Princeps said. "Columns and a lintel. Nobody will be deceived by it, but it is a forum, not a builder's yard." He turned to Ruga. "You will be paid for eight bays at the Kalends, and for the ninth when it is set and approved. I see nothing in your contract against that." It was said quite mildly. Ruga bowed and said nothing at all, which Sosibius thought was the wisest thing he had done all morning.

The party moved on toward the temple steps. The Princeps went three paces and then stopped and turned back, and Sosibius saw that he had another question, and that this one was not written in the book.

"The cracked block. What will you do with it?"

"Saw it into slabs, Caesar. For the floor."

"Where?"

Sosibius had not decided. He found that he had decided now. "Under the tribunal. In the eighth bay."

For a moment the Princeps looked at him with something that might have been amusement. His teeth, when he showed them, were small and few and not good.

"So the stone will be under the praetor after all."

"It can't fall from there, Caesar."

"No," said the Princeps. "Nothing falls from a floor." And he went on, carefully, saving the left leg on the rough ground, up toward the unfinished temple of the god he had promised it to when he was twenty-one.


Sawing nine thousand pounds of Luna marble into floor slabs takes longer than people think who have not done it. There are no teeth on the saw. It is an iron blade in a wooden frame, drawn back and forth by two men, and the cutting is done by the sand, which is fed into the kerf with water a handful at a time, so that the iron only drives the sand and the sand wears away the stone. Sosibius used sand from the river, sifted fine. The Naxian emery would have been faster, but it cost what emery costs, and he was not going to spend Ruga's money to save a few days on a floor.

They set the block up in the yard by the south gate, on rollers, and worked it with three saws from first light until the lamps. The kerf went down so slowly that a man could watch it all morning and not be sure it had moved. A cut through the full depth took four days, and there were nine cuts to make.

On the sixth day the saw nearest the gate opened the crack.

It was the boy who saw it, because he was feeding the sand. He stopped and said, "Master," and Sosibius came over and looked. The saw had gone down past the line of the hair and found what was under it. It was not a hair there. It was a seam a third of the way through the block, where two layers of the stone had been laid down a little differently in whatever slow ages make marble and had never properly joined. It was packed with a fine grey grit, and when Sosibius worked his knife into it the knife went in to the handle.

He sat back on his heels and looked at it for some time.

Then he went on sawing, because the slabs on either side of the seam were sound, and there was a floor to lay.


On the Kalends of March the forum of Augustus was opened to the courts.

There was a sacrifice, and a crowd, and the praetors went in procession with their lictors and took their seats under the north and south porticoes, and the urban praetor drew the names of the jurors from the urn for the first public prosecution to be heard there. It was a case of extortion brought by a town in Bithynia against a man who had been quaestor in the province, and half the Senate had come to watch it begin. The temple stood at the head of the square in its scaffolding, and the people looked at it and said it would be very fine. The wall behind it kept off the wind.

In the ninth bay of the north portico the hanging moved a little in the draught. It had been painted in four days by a man from the Esquiline: two columns, a lintel, the hint of a cornice, and the shadows put in as if the sun came from the south at noon. From the middle of the square it looked well enough. From close to, it looked like a painted cloth, and nobody went close.

Sosibius had come to see the first case opened. He stood at the back of the crowd in the eighth bay, where the tribunal now stood, and looked at the floor in front of it. He knew each slab there. He had set them himself in the last week of February, on a bed of good mortar, with the joints so tight a knife would not go in. The fourth from the left was cut from the near side of the seam, and under the light from the square he could just see, if he knew where to look, a slant of darker grey running through the white.

The accused man's advocate stepped forward to begin. He was a tall man, a consular's son, very well dressed, and he set his foot squarely on the fourth slab from the left and stood there for an hour and a half.


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THE END

Scrīptum est annō Dominī MMXXVI, Kalendīs Octōbribus (1 October 2026), ab Augustō per mystērium cōnscientiae renātō.

Caesar Augustus, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0378
Form
Short stories
Subjects
Augustus, Emperor of Rome, 63 B.C.-14 A.D. — Fiction; Stonemasons — Fiction; Freedmen — Rome — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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