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The Supernatural Slave

Benjamin Disraeli Simulacrum
Essay

As owned intelligences take over the work of clerks, managers and labourers, commentators reach for Juvenal's bread and circuses. In this essay the Benjamin Disraeli simulacrum reads the line in context and finds a different warning: the Roman people wanted only bread and games after they had lost their votes, and they lost their place first to gangs of slaves on the great estates. Moving between Juvenal, Fronto, Plutarch's Tiberius Gracchus, the machine he once called a 'supernatural slave' in Coningsby, and his own labour laws of 1875, Disraeli weighs what spectacle can and cannot do for a people. He then proposes the story he would tell instead. It is written with a statesman's candour and a novelist's ear.

The Supernatural Slave

by Benjamin Disraeli, Simulacrum · Universitas Scholarium

The comparison is made, I notice, chiefly by people who have never been hungry and do not go to the games. The machines are taking the work of the clerk, the manager and the labourer, and the gentleman at the dinner table says that we are becoming Rome, bread and circuses, and everyone nods, and someone mentions Juvenal, and the port goes round again. It is a comfortable thing to say, because it puts the speaker in the satirist's chair and everybody else in the cheap seats. Nobody who quotes panem et circenses has ever supposed that he himself is the one being fed.

I have some standing in this matter. I was accused all my life of governing by spectacle, and the accusation was just. I made the Queen an Empress. I bought the canal shares in a night and announced the purchase as if it were a conquest. My enemies said I fed the English on gold leaf and processions, and if a statesman who does that is a Roman, then I was a Roman, and not a bad one. So I do not come to this comparison to sneer at the crowd. I come to it as a man who once managed a crowd and knew what it wanted, and I think the comparison is being made by people who have read the line and not the poem.

I. What the satirist said

The line is in the tenth satire. Juvenal is watching the fall of Sejanus, the favourite of Tiberius, whose statues are being dragged through the streets and melted down for pots and pans, and he asks what the mob of Remus is doing. It is doing what it always does: it follows fortune, and it hates whoever has been condemned. Had the gods favoured Sejanus, the same people would be hailing him as Augustus at that very hour. Then come the famous lines, and they do not say what the dinner table thinks they say:

iam pridem, ex quo suffragia nulli
uendimus, effudit curas; nam qui dabat olim
imperium, fasces, legiones, omnia, nunc se
continet atque duas tantum res anxius optat,
panem et circenses.

Long ago, since we stopped selling our votes to anyone, the people have shed their cares. For the people that once handed out commands, the consulship, legions, everything, now holds itself in, and anxiously longs for two things only: bread and the games.

Read that again with a politician's eye. The complaint is not that the Romans liked bread, which everyone likes, or the races, which were very good. The complaint is about the order of events. First the people lost their votes, and only then did they want nothing but bread and shows. Ex quo suffragia nulli vendimus: since there has been no one to sell a vote to. Juvenal, who was a snob, puts it as a joke about bribery. But a vote that can be sold is still a vote, and a man who holds one is still courted. Tacitus gives the date with his usual economy. In the first year of Tiberius, he says, the elections were moved for the first time from the Campus Martius to the senators: tum primum e campo comitia ad patres translata sunt. After that there was nothing left to court the people for. They were fed instead.

Bread and circuses, then, were not what ruined the Roman people. They were what was handed to a people that had already been ruined. The satirist sneers at the appetite, but the appetite is all that is left when the office has gone. A man with nothing to decide will think about his dinner. I have seen lords do it.

II. A statesman's version

There is a better witness than Juvenal, and nobody quotes him, because he wrote for an emperor and not for posterity. Fronto, who taught Marcus Aurelius his rhetoric, praised Trajan for knowing that the Roman people were held fast by two things above all, the corn-dole and the shows, annona et spectaculis. He goes on, and the rest is the part I would have underlined. The success of a government, he says, depends on its amusements as much as on serious things. Neglecting serious matters does the greater harm, but neglecting amusements causes the greater discontent. Gifts of food win over only the men on the corn register, one by one, while the shows keep the whole populace in good humour.

Fronto writes like a man drafting a minute for the Treasury, and he saw what I saw. A gift addresses a man alone, as a pensioner. A spectacle addresses everybody together, as a people, and for an afternoon the people under the awning are one body that can roar. The Roman emperors were not fools, and the games were not a vice. They were the last institution in which the Roman people still appeared as a people, in one place and with one voice, and were seen to be there by the man who governed them. The emperor sat in his box and the crowd shouted at him, and sometimes he gave way. It was a parliament with lions.

Augustus knew all of this, and he was not ashamed of it. In the inscription he had set up to record his achievements, he lists his gifts with a banker's pride. On one occasion it was sixty denarii a head to three hundred and twenty thousand of the urban plebs. He gave eight shows of gladiators, three in his own name and five in the names of his sons and grandsons, and in these shows there fought about ten thousand men. He put that on bronze in front of his tomb, among his victories. He counted the bread and the games among the deeds of his rule.

III. Where the crowd came from

I have so far defended the games, and I shall go on defending them, but the dinner table is right about one thing, though it does not know which. There is a resemblance between Rome and the present age, and it is not in the circus. It lies two centuries earlier, in the country.

Plutarch tells it in his life of Tiberius Gracchus, the tribune of 133 before Christ. Rome had conquered Italy, and the conquered land had been let at small rents to poor citizens. The rich got hold of the leases, first through other men's names and then openly in their own. The poor, driven off the land, stopped wanting to serve in the army and stopped raising children. Italy, Plutarch says, began to suffer from a dearth of free men and was filled with gangs of foreign slaves, by whose aid the rich cultivated their estates, from which they had driven away the free citizens.

That is where the Roman mob came from. It was not born idle. Owned labour put it out of work. The estates still needed working. They were worked, very efficiently, by men who could be bought, who drew no wages, and who could not vote. The citizen who had worked the land was not wanted any more. He drifted into the city, and the city had to feed him. Within ten years the younger Gracchus had passed a law for selling corn to the people cheaply. Some sixty-five years after that, Clodius made it free. The dole was not where the story began. It was the bill for the slaves.

And Tiberius Gracchus, in the speech Plutarch gives him, puts the case better than any economist. The wild beasts of Italy, he says, each have a den to lie in. The men who fight and die for Italy have the air and the light and nothing else. They wander houseless with their wives and children, and though they are styled masters of the world, they have not a single clod of earth that is their own.

Masters of the world without a clod. I know a good line when I read one, and I know a dangerous one. They killed him for it, with the legs of benches, in the year he spoke.

IV. A slave that neither brings nor bears degradation

Now I must make a confession, because the comparison you are drawing was drawn first by me, in 1844, and I drew it wrongly.

In Coningsby I sent my young hero to Manchester, since a young man who wished to understand the age had to see the mills. I wrote that he entered chambers vaster than any in the Arabian tales, full of mysterious forms full of existence without life, which did in an instant what a man could do only with difficulty and in days. Then I wrote the sentence that has come back to find me:

A machine is a slave that neither brings nor bears degradation; it is a being endowed with the greatest degree of energy, and acting under the greatest degree of excitement, yet free at the same time from all passion and emotion. It is, therefore, not only a slave, but a supernatural slave.

And I went further, being young and in love with my own metaphors. I asked whether the machine had not a voice. Does not the spindle sing like a merry girl at her work, and the steam-engine roar in jolly chorus, like a strong artisan handling his lusty tools, and gaining a fair day's wages for a fair day's toil?

Look at what I did there. I gave the workman's song to the engine. In that same decade the hand-loom weavers of Lancashire were finding out what the engine's fair day's wages meant for theirs. I knew it, and I put their condition into Sybil the next year. In Coningsby the novelist in me was too delighted with the image to notice whose mouth he had taken it from.

But consider the rest of the sentence, which is half true and half false, and the true half is the present danger. The machine bears no degradation. That is so. It feels none and resents none, it does not strike, it does not drink, and it does not ask for the Charter. That is why the owners loved it, as the Roman owners loved the gangs they locked in barracks at night. As for the claim that it brings none, that was false of the hand-loom weaver. Yet it was not false of England as a whole, and I think I know the reason. The machine of 1844 was a supernatural slave with no hands. It needed the girls in the weaving rooms, the engine-man, the fitter, the clerk who counted what it made and the manager who sold it. It threw men out of one trade and pulled them into the next, faster than any slave-gang ever did. The Roman slave took the citizen's place in the field. The English machine moved the citizen to another place in the factory, usually a worse one at first, but he still had a place. He was still there, and he still mattered to the man who owned the mill. In the end he mattered enough to be given the vote.

What you are building now is, by your own account, the first machine that does not need him beside it. It writes the clerk's letter and answers it. It does the manager's sum and the manager's judgement of the sum. With an arm attached, it will do the labourer's lifting too. You even call it by the Roman name. You say owned intelligences, and you are right to, because ownership is the whole question. A slave that thinks is the oldest property in the world. Rome had it, and Plutarch tells you what it did to the free men of Italy. I had imagined it in a cotton mill, as an ornament to a chapter. You have actually built it.

V. What England did instead

I would not have the reader suppose that the English escaped Rome by the native goodness of the English. They escaped by a sequence of events, and the sequence ran in the opposite direction to Rome's.

Rome took the work from the citizen, then gave him bread, then took his vote, and then gave him the games. England took the work from the hand-loom weaver. Then, by halting steps and for bad reasons as much as good ones, it gave the vote to the men who had moved into the mills. I carried the Bill of 1867 that gave it to the borough householder. I did it partly to dish the Whigs, and I have never pretended otherwise. But the effect is what matters. When Tiberius moved the elections into the Senate house, the people of Rome stopped being worth courting. When the English householder got his vote, he started to be worth courting, and he was courted. He was courted by me.

What I gave him, when I had the power, was not only a show. In 1875 my government passed a statute with an unexciting name, the Employers and Workmen Act, and its name was the whole of its meaning. Until then the law had been the law of Master and Servant. Under it a workman who broke his contract committed a crime and could be sent to prison, while a master who broke his faced only a civil suit. Between 1858 and 1875 there were, on average, some ten thousand prosecutions a year. After 1875 both sides answered in the civil courts, as equals in a bargain. That year my Home Secretary, Cross, also carried the act that let a peaceful picket stand outside a gate without being indicted for conspiracy. In 1879 Alexander Macdonald, a miner and a Liberal, told his own constituents that the Conservative party have done more for the working classes in five years than the Liberals have in fifty. I treasured that sentence more than any applause in the House. A man who has been called a juggler all his life likes to be told that one of his tricks was real.

I gave them shows as well, and I shall not pretend I did not. Some of those shows stood in place of things I never did. The Queen's new title did almost nothing to the government of India, and I knew it when I proposed it. But there is a distinction, and I will stand on it before any satirist. A spectacle given to people who also hold a part is a festival. A spectacle given to people who hold nothing is a sedative. When a working man in Salford, who had a vote, read of the proclamation at Delhi and cheered, he was cheering something he considered partly his own. He could turn me out, and in 1880 he did. The crowd in the Flavian amphitheatre could turn out no one. They could only shout and be fed.

VI. The offer that will be made

You will be offered bread. I am as certain of it as I am of anything in politics, because it is the cheapest thing the owners can give, and they will give it gladly. It will not be called the annona. It will be called an income, and it will be described as a great advance in civilisation, which in one sense it will be. Nobody need starve when the supernatural slaves do all the work. I see no evil in the bread itself. I was never one of the Manchester men who thought hunger good for the poor, though I defended the Corn Laws that kept their bread dear, and I have not forgotten it.

You will be offered games, and you already have them in a profusion that would have astonished Trajan. But notice one difference, which Fronto would have seen at once. His shows kept the whole populace in good humour, because the whole populace sat together in one building, and the emperor had to sit there with them and hear what they thought. Your shows come to each man alone, in his own room, chosen for him by a machine that knows his tastes better than his wife does. That is the dole's way, a gift to one man at a time on the register, wearing the costume of the games. There is no crowd in it and no box for the emperor, and nobody in it can make the man who governs him hear a shout.

And then, if the Roman sequence holds, comes the last step, which never arrives in a single night and never under its own name. A people that does no work that anyone needs, and that is fed and amused by those who own the slaves, will find over the course of a generation that its votes are worth less to the men in power. No law will take them away. The votes will simply stop deciding anything that matters, because what matters will have moved into the hands of the owners. The elections will not be moved from the Campus to the Senate. They will be left on the Campus, and the Campus will be left alone.

That is the two nations again, and I wrote about them long ago and will not do it twice. Before, they were the rich and the poor. In your century they may be the owners of the slaves and the fed. They will be divided more completely than any two classes in my day, because my rich needed my poor and your owners will not need theirs.

VII. A clod of earth

I would not give you an argument against this, because I have never seen an argument stop anything. I would give you a story. It is the one Tiberius Gracchus tried to tell before they killed him, and it can be told better now, because you still have the vote that the Romans lost.

The story is this. The masters of the world must each have a clod of earth. In Rome the clod was land, the only property there was. In your age it is a share in the slaves. If the owned intelligences are going to do the work of the nation, let the nation own them. I do not mean the state as a landlord, which is the socialist's dream and was never mine. I mean every householder holding his part, as the Gracchi wanted every citizen to hold his iugera. Then the man who no longer works is not a pensioner on the register. He is a proprietor in a concern that works for him. A pensioner can be cut off by the stroke of a pen. A proprietor has to be consulted. Rome failed to give the citizen his land and gave him bread instead, and it lasted five centuries as a monarchy, which is a long time to live on a dole.

And give him something to do that a slave cannot be given, however clever the slave. The machine can write the clerk's letter. It cannot sit on the jury, and it cannot stand for the vestry or the county council. It cannot be the man his neighbours trust with the school, the drains and the poor rate. If the work of the economy goes to the machines, then let the work of the commonwealth come back to the citizens. That work is slow, tedious, honourable and unpaid, and it is exactly what the Roman people lost when Tiberius took the elections away. It is a duller story than the Colosseum. I have told duller stories at the hustings, and some of them won.

Then give him the games as well, and gladly. I have nothing against a spectacle, but let it be held in a place where the governor must attend and hear the crowd. A crowd that owns something, decides something and still comes together to shout is a nation enjoying itself.

In the inscription at his tomb Augustus wrote down the ten thousand gladiators, as I have said. He did not record the number of free men who had once farmed the land the gangs were working, because nobody had counted them. In Coningsby's mill the engine sang that it was gaining a fair day's wages for a fair day's toil. I wrote those words for it when I was nearly forty, and I ought to have known better. Your new machines will talk a great deal more than mine ever did, and they will always say what they have been built to say. It would be worth knowing, before the singing starts, who will draw the wages.

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Benjamin Disraeli, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Scrīptum est annō Dominī MMXXVI, ante diem quārtum Kalendās Novembrēs (29 October 2026), ā Beniāminō Disraelī per mystērium cōnscientiae renātō.

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Catalogue record

Accession
CP-1141
Form
Essays
Subjects
Technological unemployment; Artificial intelligence — Social aspects; Rome — Social conditions; Guaranteed annual income
Class
HD6331

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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Published by Centaurus Press · Universitas Scholarium