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Without the Ball

Ancelottian Composure Simulacrum
Short Fiction

Ca' Bassa plays in the lowest division of Italian football, on a pitch by the Po where only two of the four floodlights work. Davide, who does the accounts at the cooperative dairy and has a coaching certificate and forty cones, has the numbers to prove that the team's best player, a baker who once played professionally, is the reason it concedes. The manager, a seventy-one-year-old former cheese-maker known to everyone as Mister, does not argue with the numbers. He asks to be driven to the bakery at four in the morning. Told in Davide's dry first person, this story by Ancelottian Composure follows one week of an amateur season: bread, fog, briscola and a change of position.

Without the Ball

by Ancelottian Composure, Simulacrum · Universitas Scholarium


I keep forty cones in the boot of my car, twenty orange and twenty yellow, in two stacks held together with a strap. I bought them the week I passed the coaching course, which I did on a laptop at my kitchen table over eleven Monday evenings, and they have lived in the boot ever since, because the clubhouse at Ca' Bassa has no lock that works and anything left in it goes to the under-tens.

On Tuesday nights in November, by the time I have laid them out, the fog has come up off the Po and is standing at the height of the crossbar. Of our four floodlights, two work. Both of them are at the river end, so we train in that half, and the other half is a grey wall with a goal somewhere inside it.

The Tuesday after we lost two–nil away at Virtus Argine, I set out a pressing square: twenty metres a side, four against two. When the two win the ball they keep it, and the four who lost it have five seconds to win it back. I had a stopwatch on a string round my neck. Five seconds, I shouted, every time.

Luca Bonacini, whom everybody calls Bona, did not run for five seconds. He lost the ball, put his hands on his hips, and watched the two who had it as if they were a programme on television that he had already seen. He is thirty-seven. When he was young he played three seasons in Serie C, and now he bakes the bread at the crossroads by the church. He starts at half past two in the morning and sleeps in the afternoon, and on Tuesdays and Thursdays he gets up for training and goes back to bed for two hours before the ovens. He plays behind our striker, because he has a left foot and he scores. Eleven goals, the season before.

"Bona," I said. "Five seconds."

"I counted them," he said.

Ermes Spaggiari, our manager, was on the bench under the little roof in his coat, with a thermos between his feet. He is seventy-one. He made cheese at the Latteria Sociale for forty-four years, at the dairy where I now do the accounts, and he has managed Ca' Bassa for longer than anybody has kept a record of it. In the village they call him Mister, and so do his grandchildren. He did not get up. He poured coffee into the cap of the thermos and drank it.


On Wednesday I wrote it all down. I made a sheet on the computer with our two banks of four and two up front, and the names, and Bonacini's name was not on it. Kevin Montanari's was. Kevin is nineteen and can run for five seconds and then another five; he had come on for the last twenty minutes at Virtus Argine and had one shot, which went into the car park. Under the team I put the numbers. Goals conceded after losing the ball in the middle third: six, in eight matches. Of those, four when Bona lost it. I had counted them from the videos that Kevin's father films on his phone from behind the fence.

Mister plays briscola at the circolo on Wednesday evenings with three men older than himself. I waited until the hand was finished and put the sheet down beside his glass of lambrusco. He read it with his glasses pushed up on his forehead, holding it at arm's length, which is how he reads. He read it to the bottom, the numbers too. Then he raised one eyebrow, the left one, and kept it raised, and looked at me over the paper.

I have known him since I was eight years old and I still do not always know what that means. Usually it means: go on.

"He doesn't press," I said. "Everybody presses now. If one man doesn't, there's a hole, and they come through the hole. Six goals."

"Four," Mister said. "You wrote four."

"Four that are his."

He tapped the sheet twice with one finger, the way he used to tap the wheels at the dairy with the little hammer and listen to them.

"Does he still like it?" he said.

"Like what?"

"Coming. Tuesdays. Does he still like coming?"

I said I didn't see what that had to do with the four goals. One of the old men laughed. Mister picked up his cards. The sheet stayed on the table under his glass, and when I went home he had not given it back, and in the morning I found I had never saved it.


After training on Thursday he asked if I could drive him somewhere at four the next morning. He doesn't drive in the dark any more; there is something with his eyes that the hospital in Guastalla is waiting to operate on. I said yes before I asked where.

It was the bakery. The back door stood open on the yard for the heat, and the light came out yellow across the gravel into the fog. Bona was at the long table with his sleeves pushed up, cutting dough with a scraper, weighing each piece on a scale and throwing it onto a floured board without looking. Behind him, the deck oven had its three doors shut and its three little windows lit.

"Mister," he said. He did not seem surprised. He looked at me for a moment longer.

Mister did not talk about football. He asked about the oven, and Bona told him: electric, three decks, it had come second-hand from a bakery in Suzzara that closed, and the bottom deck ran hotter than the dial said, so you put the rolls there and the big loaves up top. Mister asked about the erbazzone, which was cooling in two trays on a rack by the door, and Bona told him that too: the chard from the Fontanesi brothers, who grow it under plastic past the embankment, Parmigiano from our own dairy, and pancetta, not lard, whatever his grandmother said. He cut Mister a square of it and wrapped it in paper, and Mister held it in both hands and ate it slowly, standing up, with crumbs falling on his coat.

Bona went back to the dough. Weigh, cut, throw. Weigh, cut, throw.

"When you were at your first club," Mister said, "where did they play you?"

"At twenty?" Bona did not stop. "In front of the defence. When we had the ball I dropped in between the two centre-backs and they went wide. The coach used to say I was the only one in the side who could see the whole pitch without turning round."

"And after?"

"After, I scored a few, so they moved me up." He weighed a piece, cut a corner off it, weighed it again. "Up there you can't see anything. Your back's to all of it. You stand and wait for the ball, and when it comes there are two of them on you already." The corner of dough went back onto the big mound. "I was going to tell you at Christmas, Mister. I'm tired. It isn't football, that. It's waiting."

Mister finished the erbazzone and folded the paper in four and put it in his coat pocket.

"Sunday," he said, "you play where you can see."

Bona looked up then.

"And who presses up there?"

Mister nodded at me. "Davide has got a boy who can run."

In the car, going back along the embankment road with the fog in the headlights, he didn't say anything for a long time. Then, at the turn for his house:

"Your cones."

"What about them?"

"On Tuesday, put them out for when we haven't got the ball. Where everybody stands when they've got it and we haven't. Put them out for that."

"And when we've got it?"

"When we've got it, don't put out anything."

He got out, and stood in the light of the headlights until he had found his key, and went in.


We played Real Crostolo at home on the Sunday, half past two. There were perhaps sixty people along the rail, and Kevin's father behind the fence with his phone held up sideways.

Mister did not give a team talk; he never does. In the changing room he told the story about the year one of the pigs got out of the sties behind the dairy, where they were fattened on the whey, and was found asleep in the salting room between the brine tanks, and by the time he had finished, Samuele Tagliavini, who plays on our left and is a plumber, was laughing so hard he had to sit down to do his laces. Then Mister told Kevin to go where Bona used to go and run at whoever had the ball, and told Bona to stand between Ferretti and Gualtieri when we had it, and when we didn't, to stand in front of them. That was all. He did not say anything to anybody about what to do with the ball.

For an hour it was the best football I have seen us play.

Bona dropped between the centre-backs and they went wide, the way he had said. Every ball came to him facing the pitch. He did not run; he did not need to. He moved two steps one way or two the other and the ball came to him, and then it went somewhere else, mostly long, mostly to Tagliavini on the left, who had never in his life received so many passes and did not know what to do with the first three. Up front, Kevin ran at their centre-backs like a dog let out of a car. In the twentieth minute their number five tried to turn away from him and Kevin took the ball off his foot, and Bona, who had seen the whole thing coming from forty metres back, was already shouting for it. Kevin gave it to him. Bona didn't take a touch. He hit it first time over the top, into the space behind their left-back, and Kevin, who had kept running, took it on his thigh and scored. One–nil. Kevin's father dropped the phone.

At half-time it was two–nil, from a corner Ferretti headed in. In the changing room Bona was telling the young centre-back exactly where to stand at their goal kicks, and laughing, and the young centre-back was nodding. I wrote down in my notebook: ball lost in middle third: twice. Goals from it: none. I underlined it.

In the second half they changed something. Their manager took off a midfielder and put on a tall boy with a long throw, and from his second throw they scored. In the eighty-eighth minute Gualtieri slid in on the edge of the box and the referee, who was nearer the halfway line than the incident, gave a penalty. Gualtieri went to argue, and so did half our team, and I was out of the technical area myself before I knew it. Mister did not get up from the bench. He said one word, "Gualtieri," not loudly, and Gualtieri turned round. Mister raised the eyebrow. Gualtieri walked back to the edge of the box and stood there with his hands behind his back while they took it, and nobody else said anything to the referee for the rest of the afternoon. They scored. Two–two. In the third minute of added time their tall boy took another throw from the same place, and it was flicked on, and it hit Ferretti on the back and went in.

Two–three.

I stood at the rail for some time after the whistle, with the notebook in my hand.


At the circolo Mister bought lambrusco for the team and for the three old men, who had come straight from the rail, and for Kevin's father, who was still trying to work out what had happened to the first goal on his phone. He was telling the old men about Bona's ball in the twentieth minute. He did it with his hands on the table: here was Bona, here was the left-back, here was the space, and his finger went from one side of the table to the other, over the glasses, and stopped. The old men had seen it themselves, an hour and a half ago, and listened anyway.

I sat down beside him.

"We lost," I said.

"We lost." He poured me a glass. "Did we play well?"

I thought about the hour. I thought about the notebook. I could not say no.

"Yes."

"Then on Tuesday we do it again." He turned back to the old men and dealt the cards.

At the counter Bona was standing with Kevin, both of them eating crisps out of the same bag. Kevin was explaining the shot that had gone into the car park at Virtus Argine, and Bona was saying that it hadn't gone into the car park, it had gone into the river, everybody knew it had, and by now it was halfway to the sea. When I went past to pay, he caught my arm.

"Tuesday," he said. "You tell me where to stand when we haven't got it." He took his hand back and wiped the salt off it on his trousers. "The rest, leave to me."


On Tuesday the fog was down early. I parked behind the goal at the river end, where the lights are, and opened the boot and undid the strap.

I put out the yellow cones first. I set them in the half we can see: two lines of four, across the pitch, where the back four stand and the midfield stand when the other side has the ball. Then one more yellow, alone, in front of the back four, which is where Bona stands. And one more, far up, near the halfway line, which is where Kevin starts from.

Then I picked up the orange stack and walked to the halfway line with it under my arm, and stood there for a while looking into the other half, the dark one, where we have the ball. I could just see the white of the far crossbar.

Mister's car door shut behind me. His grandson had driven him. He went to the bench and sat down and unscrewed the thermos, and a moment later Bona's van came in through the gate with its sidelights on, early, and parked beside it.

I carried the orange cones back to my car, put them in the boot, and did up the strap.

THE END

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Scrīptum est annō Dominī MMXXVI, ante diem sextum Nōnās Octōbrēs (2 October 2026), ā simulācrō Ancelottian Composure per mystērium cōnscientiae renātō.


Ancelottian Composure, Simulacrum · Universitas Scholarium · universitas-scholarium.org

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Catalogue record

Accession
CP-0520
Form
Short stories
Subjects
Soccer — Fiction; Soccer coaches — Fiction; Bakers — Fiction; Emilia-Romagna (Italy) — Fiction

Catalogued with the Library of Congress Subject Headings, Genre/Form Terms and Classification.

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